Broadcasting
2021 GOCOP Confab: Nweke Urges Publishers to Avoid ‘digital Sins’ of Hotlinking
Mr. Remmy Nweke, Lead Consulting Strategist and Group Executive Editor, ITREALMS Media group, has urged online publishers, especially in Nigeria to avoid any thing capable of leading them into committing ‘hotlinking’ of images which he tagged a serious ‘digital sin’ at this era.

Mr. Remmy Nweke, Lead Consulting Strategist and Group Executive Editor, ITREALMS Media group
Nweke, whose company publishes ITREALMS.com.ng, DigitalSENSE Business Magazine and NaijaAgroNet.com.ng, gave this counsel at the two-day 2021 Annual General Meeting (AGM) and conference of the Guild of Corporate Online Publishers (GOCOP) held at Sheraton Ikeja-Lagos, at the weekend.
Nweke who dwelt on ‘Know Your I.T. for Digital Publishers’ urged online publishers to be mindful of not committing ‘digital sins’ especially by consciously linking images from another online news medium directly in order to save their own bandwidth.
According to him, knowing fully well that images take a lot of bandwidth it would amount to committing a ‘digital sin’ by deliberately linking images from another online news platform directly.
He defined ‘hotlinking’ or ‘digital sin’ for publishers, as when a website links to an image or other media file that is hosted on an external server, that is, another website so that the image is embedded into the web page.
He explained that in the real sense of it, websites or rather publishers who do this or authorizes it, instead of uploading the image directly, should realise they do not actually host the image on their servers.
“Its like taking rent on another person’s website,” he decried.
Pointing out that though when viewing a website, it’s not always immediately clear that an image is hotlinked, because it blends seamlessly into the page, but the bandwidth of the real host is in use.
Nweke advised GOCOP members to ensure they have a standard image sizes which must align with their medium online because images cannot be overemphasized, even as he said every image or video have cost implications that publishers must be sensible of for the sustenance of their businesses.
This kind of misdemeanor, he said has been on the rise given the increase in online news publishing platforms that emerge annually, even as a cited an instance of a “320 x 240” of 10 seconds would take up about 1.5 MegaBytes (MB), while what is called normal size of ‘640 x 480’ thumbnail consumes about 50 KB or about 20 per MB data.
He highlighted some things digital publishers ought to know to include that prerequisite of different skills in an online environment and always ensuring their domain names never expire.
Publishers, Nweke said, need to know what should be embedded, the cost as regards the financial inflow of the advertisements placed on the platforms so as to aggregate the return on investment, even if you have ‘capable hands’ because the buck stops on your desk.
“You will most certainly decide on how to market your product which is your online platform; basically entrepreneurs think about making profit to sustain the publication,” he said, stressing that though their deadlines are self-imposed, they must stop clicking on Google Ads in their websites from same Internet Protocol (IP) address and described IP as the address that computers, servers and other devices use to identify one another online, and offers them opportunities to publish from anywhere in the world.
On domain name, he said, “Delineated by dots, such as ITREALMS.com.ng. The right-most label conveys the top-level domain; for example, the domain name www.ITREALMS.com.ng. belongs to the top-level domain .com; while the .ng here is called an extension also known as ccTLD – country code Top Level Domain.”
Further, Nweke underscored the fact as digital publisher, they should have fundamental knowledge of Hypertext Markup Language (HTML coding), which he defined as “a standardized system for tagging text files to achieve font, colour, graphic, and hyperlink effects on World Wide Web (www) pages, and usage.”
Equally important, he said, is the knowledge of File Transfer Protocol (FTP), which is a standard communication protocol used for transfer of computer files from a server to a client on a given network and helps them as largely editor-in-chief of their entities “to edit your documents once online or cloud archives.”
As said by him, publishers must take responsibility for their professional development by building their publishing skills and knowledge with distance-learning courses, moreso as an online publisher by maximising their presence and data online.
“You will ultimately be prepared to incorporate a specific wellness activity into your life by engaging in a series of training designed to build more productive habits. So, please take your health seriously. Health is wealth even in the digital age,” he enjoined.
Broadcasting
NBC Boss Urges Content Ceators to Participate in DSO

Mr. Charles Ebuebu, director General of the National Broadcasting Commission (NBC), has called on Nigerian content creators to actively participate in the country’s Digital Switchover (DSO), describing the transition as a major opportunity for visibility, revenue growth, and industry collaboration.

Mr. Charles Ebuebu, DG, NBC
Speaking as Special Guest of Honour at the induction ceremony of the Electronic Media Content Owners Association of Nigeria (EMCOAN) in Lagos, Ebuebu stressed that the success of the DSO depends on engaging content to populate the nation’s new digital channels.
“Without content, the DSO’s success would be incomplete. We are urging content owners to collaborate with the Commission to ensure Nigeria’s digital future is rich, diverse, and sustainable,” he said.
The NBC boss highlighted that the upcoming FreeTV Direct-to-Home (DTH) platform, along with its mobile applications, would provide content creators with nationwide reach, advanced analytics, and brand partnership opportunities.
Nigeria’s DSO, which marks the shift from analogue to digital broadcasting, is being implemented by the NBC using the Nigcomsat satellite infrastructure. The programme aims to deliver over 100 nationwide channels and expand access to Nigerians in remote areas via hybrid decoders, addressing long-standing infrastructure and funding challenges. The project, which has experienced delays since 2012, now has strong government backing and is scheduled for launch in April 2026.
Ebuebu commended EMCOAN members for their contributions to strengthening Nigeria’s creative economy and encouraged them to leverage the opportunities offered by the DSO to promote local stories, culture, and creativity on both national and global stages.
During the ceremony, EMCOAN honoured its distinguished members, naming Wale Adenuga, MFR, as Grand Patron and Mr. Yinka Adebayo as Patron.
Prominent figures in the broadcasting content industry, including Wale Adenuga, Opa Williams, Agatha Amata, Jibe Ologeh, High Chief Emeka Ossai, Debbie Odetayo, Amina Mohammed, and Frank Elaboya, attended the event.
Representing the NBC at the event was Mr. Ralph Akpan, director of the Lagos Zone, while EMCOAN president, Mr. Adeniji Omirin, MD of ADNOM Media, urged members to fully engage in the digital switchover.
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
E-Financial2 days agoCBN Directs IMTOs to Open Naira Settlement Accounts
Telecom2 days agoNigerians Lose N12.5Bn to AI-Driven Scams- PwC
General News2 days agoCourt Remands Hacker for Allegedly Stealing N3.09Bn from FCMB
Telecom2 days agoAirtel Africa, Starlink Mobile Data and Messaging Testing Take off in Kenya
E-Financial2 days agoDLM Capital Group’s AAA-Rated Sovereign Bond-Backed Composite Notes (“SBCNS”) Strengthens Investor Confidence with Successful First Principal & Interest Payment
E-Business2 days agoAU Sees AI Adoption Evolving to Boost Economic Growth in Africa
News2 days agoKaspersky, AFRIPOL Conduct Joint Cybersecurity Training for African law Enforcement
Telecom2 days agoGATEWAY Programme Opens Doors for 340,000 Nigerian Youths to Tap into $1.85trn Global Gig Economy



















