Broadcasting
2021 GOCOP Confab: Nweke Urges Publishers to Avoid ‘digital Sins’ of Hotlinking
Mr. Remmy Nweke, Lead Consulting Strategist and Group Executive Editor, ITREALMS Media group, has urged online publishers, especially in Nigeria to avoid any thing capable of leading them into committing ‘hotlinking’ of images which he tagged a serious ‘digital sin’ at this era.

Mr. Remmy Nweke, Lead Consulting Strategist and Group Executive Editor, ITREALMS Media group
Nweke, whose company publishes ITREALMS.com.ng, DigitalSENSE Business Magazine and NaijaAgroNet.com.ng, gave this counsel at the two-day 2021 Annual General Meeting (AGM) and conference of the Guild of Corporate Online Publishers (GOCOP) held at Sheraton Ikeja-Lagos, at the weekend.
Nweke who dwelt on ‘Know Your I.T. for Digital Publishers’ urged online publishers to be mindful of not committing ‘digital sins’ especially by consciously linking images from another online news medium directly in order to save their own bandwidth.
According to him, knowing fully well that images take a lot of bandwidth it would amount to committing a ‘digital sin’ by deliberately linking images from another online news platform directly.
He defined ‘hotlinking’ or ‘digital sin’ for publishers, as when a website links to an image or other media file that is hosted on an external server, that is, another website so that the image is embedded into the web page.
He explained that in the real sense of it, websites or rather publishers who do this or authorizes it, instead of uploading the image directly, should realise they do not actually host the image on their servers.
“Its like taking rent on another person’s website,” he decried.
Pointing out that though when viewing a website, it’s not always immediately clear that an image is hotlinked, because it blends seamlessly into the page, but the bandwidth of the real host is in use.
Nweke advised GOCOP members to ensure they have a standard image sizes which must align with their medium online because images cannot be overemphasized, even as he said every image or video have cost implications that publishers must be sensible of for the sustenance of their businesses.
This kind of misdemeanor, he said has been on the rise given the increase in online news publishing platforms that emerge annually, even as a cited an instance of a “320 x 240” of 10 seconds would take up about 1.5 MegaBytes (MB), while what is called normal size of ‘640 x 480’ thumbnail consumes about 50 KB or about 20 per MB data.
He highlighted some things digital publishers ought to know to include that prerequisite of different skills in an online environment and always ensuring their domain names never expire.
Publishers, Nweke said, need to know what should be embedded, the cost as regards the financial inflow of the advertisements placed on the platforms so as to aggregate the return on investment, even if you have ‘capable hands’ because the buck stops on your desk.
“You will most certainly decide on how to market your product which is your online platform; basically entrepreneurs think about making profit to sustain the publication,” he said, stressing that though their deadlines are self-imposed, they must stop clicking on Google Ads in their websites from same Internet Protocol (IP) address and described IP as the address that computers, servers and other devices use to identify one another online, and offers them opportunities to publish from anywhere in the world.
On domain name, he said, “Delineated by dots, such as ITREALMS.com.ng. The right-most label conveys the top-level domain; for example, the domain name www.ITREALMS.com.ng. belongs to the top-level domain .com; while the .ng here is called an extension also known as ccTLD – country code Top Level Domain.”
Further, Nweke underscored the fact as digital publisher, they should have fundamental knowledge of Hypertext Markup Language (HTML coding), which he defined as “a standardized system for tagging text files to achieve font, colour, graphic, and hyperlink effects on World Wide Web (www) pages, and usage.”
Equally important, he said, is the knowledge of File Transfer Protocol (FTP), which is a standard communication protocol used for transfer of computer files from a server to a client on a given network and helps them as largely editor-in-chief of their entities “to edit your documents once online or cloud archives.”
As said by him, publishers must take responsibility for their professional development by building their publishing skills and knowledge with distance-learning courses, moreso as an online publisher by maximising their presence and data online.
“You will ultimately be prepared to incorporate a specific wellness activity into your life by engaging in a series of training designed to build more productive habits. So, please take your health seriously. Health is wealth even in the digital age,” he enjoined.
Broadcasting
Why We’re Partnering With NIHOTOUR To Bring Nigerians In South Africa Home – Steve Babaeko

When Nigerians began arriving back home on emergency flights following an ultimatum from anti-migrant groups in South Africa, Steve Babaeko, alongside The Nigerian Institute of Hospitality and Tourism (NIHOTOUR), saw an opportunity to step up for his fellow citizens.

Steve Babaeko
The CEO of X3M Ideas explains that he saw a deep obligation, one that had nothing to do with advertising and everything to do with hospitality. For Babaeko, it was a reminder that an agency owes a duty of care to the community it exists within.
That conviction shaped the creative agency’s partnership with the Nigerian Institute of Hospitality and Tourism (NIHOTOUR) for the newly launched ‘Welcome Home’ pilot programme at Murtala Muhammed International Airport (MMIA) in Lagos. Rather than simply crafting a messaging campaign around the crisis, X3M Ideas helped design a tangible, physical system.
“This wasn’t built as a campaign about a crisis,” Babaeko said. “It was a hospitality agency deciding what it owes its own citizens the moment they land.”
For Babaeko, what X3M has built is infrastructure, something returnees can physically walk through, use, and benefit from the instant they clear the arrival gate.
With the MMIA pilot now officially running, NIHOTOUR directs returnees to immediate support services and issues them a Returnee Card. This card grants individuals a free first night at partner hotels, immediate transport assistance from the airport, and fast-tracked business registration support.
Furthermore, the initiative features a dedicated Restart Desk to assist returnee entrepreneurs and tradespeople with job placement referrals and business registration. This operates alongside a public Homecoming counter that tracks the cumulative number of returnees welcomed, businesses restarted, and jobs facilitated.
Broadcasting
Spotify partners Afro Nation Portugal to expand African music experience

Spotify has announced a partnership with Afro Nation Portugal as the festival’s official sponsor and exclusive streaming partner for the 2026 edition, in a move aimed at bringing African music and festival experiences to a wider global audience.

The collaboration will provide fans with a dedicated Afro Nation destination on Spotify, featuring official festival playlists, participating artists and selected performance videos after the event.
The 2026 edition of Afro Nation Portugal is scheduled to hold from July 3 to July 5 in Portimão, Portugal.
Spotify said the partnership would enable fans to engage with the festival before, during and after the live event, regardless of their location.
The streaming platform noted that the initiative aligns with its continued investment in promoting African music and supporting its growing international audience.
Speaking on the partnership, Spotify’s Content Marketing Manager for Sub-Saharan Africa, Mr Rifumo Mdaka, described Afro Nation as a global showcase for African music and culture.
“Afro Nation is more than a festival; it is a global expression of African music, fan culture and creative influence.
“Our partnership is about helping that moment travel further through our first collaboration with Afro Nation of this nature.
“By bringing the festival to Spotify, we are giving fans a place to connect with the artists, performances and stories that define the festival long after the final set,” he said.
According to Spotify, the collaboration will also include exclusive festival content, artist discovery features, curated playlists and fan-focused storytelling.
The company said it would document the journey of a selected fan travelling to the festival as part of efforts to showcase the growing global appeal of African music.
Also speaking, Director of Global Partnerships at The Malachite Group and Afro Nation, Ms Clémence Blum, said the partnership represented a major step in expanding the festival’s global reach.
“Afro Nation has always been more than a festival. It is a platform built to celebrate African music, support artist breakthroughs and connect a global community through culture.
“Our partnership with Spotify reflects the shared role we both play in helping artists reach new audiences and giving fans deeper ways to engage with the music they love,” she said.
Spotify said selected live performances from the festival would be made available on the platform after the event, allowing fans around the world to relive the performances on demand.
The company added that the partnership reinforces its commitment to promoting African music, supporting artists and strengthening connections between creators and audiences across the globe.
Broadcasting
Lebara Nigeria Launches Lebara Play, Africa’s First Telecom-Owned Micro-Drama Platform

Lebara Nigeria has announced the launch of Lebara Play, described as Africa’s first telecoms-owned micro-drama platform aimed at expanding opportunities for African storytellers and distributing local content to global audiences.

The company said the platform is designed to support creators by providing a new distribution channel for African narratives while making content accessible to both subscribers and non-subscribers worldwide.
Lebara Nigeria added that the platform will debut with an original production titled Imported Bahu, produced by Forever 7 and starring Osas Ighodaro.
The project is directed by Hamisha Daryani Ahuja, known for her work on Namaste Wahala, and is positioned as the first in a series of original content offerings.
According to the company, Lebara Play is built to serve both creators and audiences, with a focus on showcasing African stories to a global market and strengthening the continent’s growing digital entertainment ecosystem.
Speaking on the company’s vision at the launch, Teniola Stuffman, chief executive officer, Lebara Nigeria, said the organisation was focused on building a telecommunications ecosystem that combined innovation, connectivity, and customer-centric digital experiences.
Stuffman said, “This platform represents an important step in our vision of building a telecommunications brand that delivers more than connectivity. We are creating an ecosystem where technology, innovation, and entertainment come together to provide meaningful experiences for customers while unlocking new opportunities for creative talent and content development across Africa.”
Beyond entertainment, she said, industry stakeholders believed the initiative demonstrated how global telecommunications expertise could be adapted to local market realities.
“Drawing from decades of experience across multiple international markets, Lebara is expected to introduce additional innovative services aimed at enhancing convenience, engagement, and value for Nigerian consumers,” she said.
Stuffman added that the company’s strategy reflected growing recognition that today’s telecom customers demanded more than network access, pointing out that consumers increasingly seek brands that offer seamless digital experiences, personalised services, and access to content that enriches everyday life.
Stuffman stated that LebaraPlay also aligned with the company’s commitment to supporting Africa’s creative economy by creating new distribution channels for content creators, producers, and digital storytellers.
“Through a combination of original productions and strategic partnerships, the platform seeks to create opportunities for talent while delivering quality entertainment to audiences,” she said.
Hamisha Daryani, founder of Forever7 Entertainment, expressed excitement over the partnership with Lebara Nigeria and the premiere of her latest micro-drama series on the LebaraPlay platform.
She stated that Lebara’s customer-centric vision aligns closely with the values of Forever7 Entertainment, making the collaboration a natural fit for both organisations.
Daryani revealed that the new microdrama featured a star-studded cast drawn from both Bollywood and Nollywood, in a compelling romantic story designed specifically for mobile audiences.
According to her, the production is developed with mobile-first consumers in mind, delivering premium entertainment in short, engaging formats at an affordable cost.
“Microdrama, which typically consists of short episodes of about three minutes, is redefining how audiences consume entertainment. It offers a convenient, immersive, and affordable viewing experience for people who increasingly access content through their mobile devices,” she said.
She added that the platform was created to support seamless creative expression while providing new opportunities for content creators across the continent.
Daryani further explained that the microdrama format has already achieved significant success in Asia and the Americas and is now gaining traction across Africa.
She said the initiative would create opportunities for emerging creatives through knowledge sharing, skills development, content curation, and industry collaboration, with the Nigerian rollout of the featured series expected to commence in July.
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