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Google Arts & Culture Launches Mali Magic & Timbuktu Manuscripts

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Google on Wednesday launched Mail Magic, a digital treasure trove which aims to preserve and showcase Mali’s historic and contemporary art and culture.

Since 2015, Google Arts & Culture has been working with local and international organisations (see list below) to digitise, curate and share Mali’s incredible stories and rich heritage.

Together with its local partners Google Arts & Culture identified four key pillars of Malian culture – manuscripts, music, monuments and modern art – and worked closely with local communities and experts to digitally document the country’s rich art, architecture, scholarship and musical tradition, and to share stories of its resilience in the face of political struggles with the world.

With the launch of Mali Magic, people from all over the world can view an array of manuscripts, music, art and heritage sites including over 40 000+ digitised endangered manuscripts many of which were smuggled to safety during political unrest in the country.

It also contains more than 50 exhibits which include the first online, interactive tours of some of Mali’s most significant historic sites,  at-risk mausoleums and mosques including the Sidi Yahiya and Djinguereber Mosques and the Tomb of Askia, all created using Street View.

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Google Arts & Culture also worked with artist and musician DJ Spooky (Paul Miller) to create short videos to explore the evolution of storytelling, from West Africa to the American blues.

An original album, Maliba, by Malian singer-songwriter Fatoumata Diawara, produced in Mali and written about the country’s cultural legacy, was created exclusively for the project. The collection also contains a wealth of videos and imagery which capture Mali’s contemporary art scene and profile some of its artists.

Says Chance Coughenour, Program Manager and Digital Archaeologist, Google Arts & Culture: “The Malian city of Timbuktu gave birth to an abundance of learning in the fields of human rights, morality, politics, astronomy and literature captured in thousands of  manuscripts. When this ancient knowledge was threatened by extremist groups in 2012,  local communities raced against time to preserve these treasures. This legacy is now available for people across the world to explore.”

Dr. Abdel Kader Haidara, the ‘badass librarian’ known for smuggling the manuscripts out of Timbuktu, said  “[They] are more than important historical documents. Central to the heritage of the West African nation of Mali, they represent the long legacy of written knowledge and academic excellence in Africa, and hold potential to inspire global learning from the actions of the past in confronting modern day issues.”

“The preservation of global heritage is a huge endeavour, “ adds Coughenour, “Many experts, NGOs and cultural institutions work in this space and do an incredible job.

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“We are honoured to support our partners with the technology to make their work accessible to people all over the world,” he concludes.

Highlight content available in the Mali Magic project:

  • 40 000+ assets digitised manuscript pages

  • 50+ exhibits on Mali heritage – manuscripts, music, monuments & contemporary art

  • First ever Street View capture in Mali of 9 heritage sites

  • 3D model and annotated tour of Djenne Mosque

  • 1 music album, Maliba, by Fatoumata Diawara

Organisations working in partnership with Google Arts & Culture on the Mali project include:

SAVAMA – Manuscript Digitization & Curation – which aims to preserve and enhance the Timbuktu Arabic manuscripts that constitute the Islamic cultural heritage of Mali, Africa’s collective memory and part of the world’s heritage.

Timbuktu Renaissance which aims to leverage Mali’s and Timbuktu’s heritage and living culture to promote peace and prosperity

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UNESCO, which has published two stories of its efforts to reconstruct mausoleums and ancestral heritage sites targeted during the conflict,

Instruments 4 Africa  a non-profit organisation committed to cultural preservation, I4A supports artists to keep their practises alive so they can continue to empower their communities

Brooklyn Public Library, which hosted the launch


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Ugo Onwuaso is an ICT enthusiast. He believes technology should be used for general good. He holds a Master of Public Administration (MPA) degree from the Lagos state University. Dear Reader, Your support matters. But we believe that technology makes life more exciting and helps improve the lives of people around Nigeria and indeed the world. That is why, we have devoted our energy to independent reportage of technology and finance and how they affect lives. Our incisive and analytical view of how technology news affects the daily life help individuals and organizations make up their minds. Quality journalism costs money. Today, we're asking that you support us to do more. Kindly support our effort to deliver technology and finance journalism to everyone in the world. Donate as little as N1,000. Bank transfers can be made to: UBA Plc 1017156876 Communication Week Media Ltd

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MTN Accelerates Network Expansion to  Meet Surging Telecom Demand

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MTN Nigeria is accelerating investments in network expansion and modernization to address rising demand for mobile and data services across the country.

MTN Accelerates Network Expansion to  Meet Surging Telecom Demand

The operator is deploying additional base stations, upgrading existing infrastructure, and expanding fiber connectivity to improve network capacity, coverage, and service quality.

The investments are designed to support increasing smartphone adoption, higher data consumption, and the growing use of digital services by consumers and businesses.

MTN said the expansion aligns with its long-term strategy to enhance customer experience while strengthening Nigeria’s digital infrastructure.

The company expects the ongoing upgrades to improve connectivity, support economic growth, and enable broader access to reliable telecommunications services as demand for high-speed broadband continues to increase.

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Airtel Africa to Connect 5,000 Schools to Free Internet by 2027

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Airtel Africa’s CEO, Sunil Taldar, has announced the telco’s commitment to connecting 5,000 schools across its operating countries in Africa to the internet by 2027 through its philanthropic arm, Airtel Africa Foundation, in partnership with the United Nations Children’s Fund (UNICEF).

So far, the $57m partnership, which was launched in 2021, has cumulatively connected 3,296 schools and provided access to over 2 million learners and about 40,000 teachers. 64 digital learning platforms have been zero-rated thereby enabling more than 11m users to access educational content at no cost.

Speaking during a visit to St. Monica’s Girls School in Lusaka, which is one of the 300 schools already connected to the internet in Zambia, the Airtel Africa CEO stated that the initiative is having a profound impact on the quality of education by expanding access to digital learning resources for African children, in collaboration with governments.

Mr Taldar added: “Students are accessing best-in-class education from the curriculum developed by UNICEF in partnership with various Ministries of Education and provided through Airtel’s connectivity.

“We are also training teachers, so that they deliver digital education effectively. We aim to continue deepening meaningful connectivity in schools by providing free internet access, zero‑rated platforms and training teachers across the continent”.

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Expressing her appreciation, the Headmistress of St. Monica’s Girls’ School, Sr Matilda Soloko said: “Being among the first schools connected in the initial stage, our learners have been able to study using the learning portal and their studies have been intensified. We remain grateful to Airtel and UNICEF.”

UNICEF’s Country Representative for Zambia, Dr Saja Farooq Abdullah said: “What this partnership has brought is really bridging the equality gap and the digital divide. It is making sure that every child learns wherever they are. It was exciting and interesting to see and hear from the girls how they can learn at their own pace, how they can review the materials, and how they do their homework with comfort.

The Director of Secondary Education in Zambia’s Ministry of Education, Yvonne Mwemba Chuulu lauded UNICEF and Airtel for the partnership saying: “At the Ministry of Education, we cannot do it alone, and we are grateful for the partnership that we have today.

“Our children are able to learn in a blended fashion, where we have a teacher who is also employing digital devices. We have also heard from the learners that they are able to access the portal when they are at home, which is a good thing because our learners continue to learn in the comfort of their homes”.

The School Connection programme is expanding digital learning to learners in 13 countries: Chad, Congo, Democratic Republic of Congo, Gabon, Kenya, Madagascar, Malawi, Niger, Nigeria, Rwanda, Tanzania, Uganda, and Zambia. By equipping these schools with internet connectivity and training teachers on using the digital tools, it is providing children, particularly in underserved and remote regions, with the digital tools and skills they need to thrive.

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Airtel Africa Foundation is advancing inclusive development across four strategic pillars, Financial Inclusion, Education, Environmental Sustainability and Digital Inclusion.

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DStv, GOtv Owner MultiChoice Officially Joins Canal+ Group

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MultiChoice has officially become a wholly owned subsidiary of French media company Canal+, marking the completion of one of the largest acquisitions in Africa’s media and entertainment industry.

DStv, GOtv Owner MultiChoice Officially Joins Canal+ Group

The integration brings the South Africa-based pay television operator under the full ownership of Canal+, a global media group with operations in 70 countries.

Announcing the completion of the transaction on Thursday, Chief Executive Officer of Canal+ Africa and MultiChoice, David Mignot, described the development as the beginning of a new phase of growth for the broadcaster.

“MultiChoice is now a full subsidiary of a truly international media group operating in 70 countries.

“The group was founded in France, is listed in London and Johannesburg, and has a strong African presence with operations in more than 45 countries,” Mignot said.

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The acquisition combines Canal+’s international operations with MultiChoice’s extensive footprint across sub-Saharan Africa, where it serves millions of households through its DStv and GOtv platforms, as well as the Showmax streaming service.

According to Canal+, the integration will strengthen MultiChoice’s competitive position by giving it access to broader financial resources, technology, content partnerships and operational expertise.

The company said the combined business would increase investment in local content production, sports broadcasting and streaming services as competition intensifies from global platforms such as Netflix, Amazon Prime Video and Disney+.

The transaction is also expected to provide MultiChoice with greater access to international markets at a time when traditional pay television operators are adapting to changing consumer viewing habits and the rapid growth of digital streaming platforms.

Canal+ has expanded steadily across Africa over the past decade and now assumes full control of a business operating in more than 45 African countries, further strengthening its position in the continent’s media and entertainment sector.

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The acquisition followed Canal+’s gradual increase in its shareholding in MultiChoice, which began in 2024.

After exceeding the regulatory threshold, the company launched a mandatory offer in April 2024 to acquire the remaining shares of the Johannesburg-listed broadcaster.

Following regulatory approvals and shareholder acceptance, Canal+ secured control of MultiChoice in 2025 before completing the process that has now made the company a wholly owned subsidiary.

Industry observers describe the acquisition as one of the most significant media transactions involving an African company, reflecting a broader trend of consolidation as global entertainment firms seek greater scale to compete in the streaming era.

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