Broadcasting
Daddy Freeze Bows Out of Radio Broadcasting; Becomes Cool FM’s First Hall of Fame Inductee

Nigerian on-air-personality, Ifedayo Olarinde, popularly known as Daddy Freeze, has announced his final exit from radio broadcasting after dedicating twenty-six years of professional service.

This is coming after Daddy Freeze began his radio career in 1996 with the Broadcasting Corporation of Oyo State (BCOS) after which he joined Cool FM in 2001 where he spent twenty years.
He later joined Nigeria Info, a sister station to Cool FM and Wazobia FM, in 2020 until he decided to take a final bow from radio journalism this year.
Following his long-standing achievements with both Cool FM and Nigeria Info, Daddy Freeze has been announced as the pioneer inductee of Cool FM’s Hall of Fame. This was revealed at his send-forth party which was organised to celebrate his years of professionalism, commitment and dedication towards the success of both Cool FM and Nigeria Info.
Appreciating Daddy Freeze for his long-standing commitment, Serge Noujaim, the Chief Executive Officer of Cool FM, Wazobia FM, Nigeria Info, and Arewa FM (CWIA), noted that his inputs were critical in solidifying Cool FM’s position across the Nigerian entertainment ecosystem.
“The contributions of Daddy Freeze have been instrumental to the growth Cool FM has achieved across the country over the years. His level of first-class professionalism, commitment and intelligence has been one that has brought the office numerous accolades and recognitions.
“As such, he has creatively remained a force to be reckoned with within the Nigerian media and entertainment space despite his unique views on diverse socio-political issues.
“It is to this end I intend to use this medium to appreciate Daddy Freeze for his years of excellent service to both Cool FM and Nigeria Info, including the nation at large,” he noted.
Responding to the comments of the CEO, Daddy Freeze noted that the management of Cool FM and Nigeria Info was instrumental to the successes he recorded in his career as they gave him the platform to personality on the radio.
“I would like to utilize this moment to appreciate the love and support the management of Cool FM and Nigeria Info, gave me during my days on radio.
“I am also appreciative of the fact that the management truly showed me the love and care I needed, particularly during my lowest moment on the job.
“I will also like to thank the CEO for giving me the rare privilege to present my show from home for the past two year on Nigeria Info. This, to me, has remained my greatest record as a broadcaster,” he enthused.
Other persons inducted into the Hall of Fame include Esther Oyegue, Former Group Heap of News and Deputy Head of Station, Cool FM, Wazobia FM, Nigeria Info, and Arewa Radio; Alero Eghagha, Former Head of Music; Georges MacNobleson, former political editor; and Clementine Okonye, former news editor.
Cool FM Hall of Fame is a platform specially dedicated to recognising the professional commitment of the long-serving staff of the organisation who have contributed to the growth and expansion of the radio group over the years.
Broadcasting
DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.
The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.
In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.
He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.
The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.
Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.
He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.
He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.
Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.
Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.
The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.
The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.
Broadcasting
US invests $115m in counter-drone tech for World Cup security


Drone
The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.
Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.
The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.
DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.
Broadcasting
Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.
Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.
Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.
With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.
“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”
Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.
Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:
“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”
The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.
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