Broadcasting
Modella Wins First BBNaija Showmax Task

Thursday night saw all 24 BBNaija housemates gather in the arena for their first Showmax task, which Modella won.

For the Showmax task, Biggie asked each level to split into two groups. Each group was expected to choose a genre, develop an idea for a Showmax original, and present a scene from their show to Biggie. Dotun, Sheggz, Daniella, and Khalid were called out and designated as the representatives of their groups.
Dotun and his team had the honour of starting the night’s task, presenting a comedic drama titled ‘The Barbecue Man’. The play was centred on the barbecue man who chose to settle Mama Ejiro (Allysyn), and Papa Ejiro’s (GiddyFia) marital issues as well as Mama Bobo (Doyin) and Papa Bobo’s (Dotun) fights by pimping the women to Ejike (Deji), a struggling artist in the community.
The second buzzer’s sound marked the end of the first team’s performance, and it was Khalid and his team’s turn to present their original. Their comedic drama, titled ‘Love and War’ showed a session between a marriage therapist and three couples.
The first couple, The Jacobs (Christy O and Khalid), had issues due to financial constraints, followed by the Emekas (Ilebaye and Kess). The marital woes of the latter stemmed from the husband’s inability to satisfy his young wife sexually. The last couple (Amaka and Groovy) had problems due to the wife’s local fashion style. At the end of the drama, Biggie commended the play and described it as a good performance,
Next up was Sheggz’s team. Their performance was a reality show titled ‘Big Brother Season 7 Next Step’. The show followed the drama at Bella and Sheggz’s traditional wedding, where two of the groom’s exes, Diana and Chi Chi, disrupted the couple’s joining. The bride’s best friend, Chomzy, added more drama after objecting to the marriage. Eloswag acted as the MC and photographer, while Hermes was the groom’s brother. In Biggie’s words, “it was indeed a chaotic wedding”.
Daniella’s group presented last. The team opened their performance, titled Alakala (Nightmare), with a poem. The horror drama followed Modella, who found herself in a strange land with PharmSavi and was tormented by the Grim Reaper (Cyph) and a demon (Phyna). She was rescued from the strange land by a woman (Daniella) who pushed her to use her imagination. The mini-play emphasised the power of imagination. Biggie described their drama as a good performance.
To round up the night of great performances, Big Brother recognised the best act from each group. Adekunle emerged as the best act from Dotun’s team, while Groovy was the best act from Khalid’s team. On Sheggz’s team, Biggie mentioned that the group had an array of good acts, and the best performers were Diana, Hermes and Bella.
Biggie also announced that Daniella’s team had a couple of awesome performers, but Daniella and Modella were the best.
Overall, Modella emerged as the individual winner of the Showmax Task and the content creator won herself a cameo in an upcoming Showmax original.
As a reward for the house level with the overall win, Biggie rewarded Level 2 housemates with some time in the pool house.
Showmax is a standalone streaming service that offers you various award-winning content. If you love amazing shows like The Real Housewives of Lagos, Ghana Jollof, the best of HBO movies and series, kids’ content or Live Football matches. Simply signup on to www.showmax.com and get started.
The BBNaija experience on Showmax for fans this year is on the next level with lots of BBNaija content, including the exclusive talk show BBNaija S7: The Buzz, hosted by media personality Toke Makinwa, the Eviction Vodcast, and Secret Diaries, which are short clips from the Diary Room, as well as Daily and Weekly Highlights episodes to download to your phone to watch later.
For the second year in a row, BBNaija fans across sub-Saharan Africa, the United Kingdom and the Republic of Ireland enjoy front-row access to all the activities in the Big Brother houses on Showmax. You can catch all the drama from as low as ₦1,200 on mobile.
Broadcasting
DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.
The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.
In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.
He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.
The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.
Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.
He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.
He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.
Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.
Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.
The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.
The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.
Broadcasting
US invests $115m in counter-drone tech for World Cup security


Drone
The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.
Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.
The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.
DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.
Broadcasting
Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.
Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.
Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.
With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.
“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”
Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.
Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:
“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”
The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.
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