General News
Glitz as AFRIMA Fetes Jurors at Annual Patron’s Dinner

It was an exciting blend of glitz, glam and euphoria as the All Africa Music Awards (AFRIMA) hosted its annual patron’s dinner with the jury members, held Wednesday, in Lagos, Nigeria.

L-R: AFRIMA Jurors representing Central Africa, Mr Emile Nghumba; and Charles Tabu; Juror representing Eastern Africa Joett; Juror representing Diaspora, North America, Hadja Kobele; AFRIMA Patron, Dr Bisi Onasanya; AFRIMA Executive Producer/President, Mr. Mike Dada; Juror representing Southern Africa, Dehlani Makhalima; Juror representing Western Africa, Guy Neza during the Annual AFRIMA Patron’s dinner held at EbonyLife Place, Victoria Island, Lagos, Nigeria recently
The event, which feted stakeholders in Africa’s creative economy, including media and music executives, and African entertainers, among others, gave a glimpse into what to expect from this year’s edition, as the #RoadToAFRIMA22 continues to take an interesting glide in highlighting and celebrating talents from all parts of Africa.
Also present at the continental event, which in the past nine years, has continued to celebrate African talents, were music enthusiasts, stakeholders, artiste managers, as well as musicians such as Eltee Skhillz, Major AJ, Tariq, among others.
Held at the EbonyLife Place, in Victoria Island, Lagos, the dinner was a close experience into the AFRIMA Award experience, as the dignitaries present met with the jurors, composed of music aficionados from across all five regions in the continent and in the diaspora, as well as a representative from the African Union Commission (AUC).
Hosted by AFRIMA Patron, Dr. Bisi Onasanya, the annual patrons’ dinner with the jury is a special gathering, held during the annual adjudication, to appreciate the jury members for their unflinching support in sieving out the best of talents for nomination at the awards.
The jury members are presently in Lagos, Nigeria, for an 8-day adjudication which began, last Friday, to select the nominees for this year’s edition from 9,076 entries submitted – the highest the awards has ever recorded since inception in 2014. The nominations list would be unveiled Monday, August 22, 2022, while voting begins Wednesday, August 24, 2022.
Onasanya expressed enthusiasm at the successes recorded by AFRIMA, noting that the enduring vision of the award body, in conjunction with the AU, will continue to come to fruition.
He said, “This event is to appreciate all the jury members. They are wonderful. They have been very thorough and have given AFRIMA the credibility it has today. They have been working assiduously for the growth of our creative sector. I am very proud to be associated with AFRIMA.
“African music is taking over the whole world by surprise. You go to other parts of the world these days and you hear African music being played. I am always excited because it didn’t happen a decade ago. The whole world is now respectful of African music, and they are learning from us. This is a great achievement. AFRIMA, last year, was awesome. It was broadcast all over Africa. If you think last year was awesome, just wait until you see what will happen this year.”
In her keynote speech, a juror representing the African Union, who is the Head of the Culture Division at the African Union Commission, Mrs Angela Martins, appreciated the stakeholders in Africa’s creative space, as well as the award’s organisers for their invaluable contribution to the development of the African creative economy.
She said, “The African Union Commission, which has been a partner with AFRIMA since its inception in 2014, wishes to congratulate AFRIMA for its enthusiasm and priceless efforts in promoting the growth and development of the music industry in the continent, despite the challenges including the Ebola crisis in 2015 and the COVID-19 pandemic in 2020. In 2020, AFRIMA played a key role in supporting the AUC in thinking out of the box and finding creative ways of using music to sensitise the continent on issues relating to the pandemic and to mobilise resources for the AU COVID-19 response fund. Hence, we organised a joint conference titled, Stronger Together.
“Since AFRIMA’s inception, we have been part of this pan-African music platform and we have watched it grow and bear fruits and award the most deserving music talents on the continent. This is an excellent contribution to the development of the creative economy of the continent.
“It has created opportunities for young people in the creative sector. The great work that AFRIMA is doing would not have been possible without the support of well-wishers and believers in the potential and viability in the creative economy of the continent.
“We know that this is enormous for the well-wishers and supporters, but on this occasion, we wish to pay special tribute to the AFRIMA patron who came on board last year and has been supporting this pan-African music initiative wholeheartedly and unconditionally. His support has increased the visibility of the award. We appreciate and salute him.
“We also wish to express gratitude to the AFRIMA jury from the five regions of the continent and from the diaspora who have supported and believed in this initiative. The adjudication process is a long process and it requires dedication, fairness, transparency and hard work. It takes An African music lover to perform their duties in the way they have been doing so since the inception of the process. We applaud them. We also wish to thank the media whose work has been essential in ensuring the popularisation and growth of the cultural and creative sector of the continent.”
Another juror representing Western Africa, Mr Motolani Alake, appreciated the AFRIMA team for its efforts in promoting African talent, encouraging African music lovers to unite and consolidate efforts in developing the continent’s creative sector.
“I really wanted to serve the world and Africa. I have learned great things and learned a lot about talents and our impact here. I want to encourage everybody to know that as much as African music is travelling all over the world now, it is also important to support our own and watch it grow,” he said.
Similarly, another juror representing Central Africa, Mr Charles Tabu, lauded the prospects in AFRIMA’s drive to boost inclusiveness in her mission to celebrate and spotlight African talent on a global stage.
He said, “It gladdens me to see the creative work that comes out of Africa being awarded. I would like to thank the entertainers for always submitting their entries and believing in the growth of the African creative space. I am from Francophone Africa and I am glad to see artistes from all regions get a chance to be celebrated across the continent and in the diaspora.”
Giving his vote of thanks, AFRIMA’s Executive Producer/President, Mr Mike Dada, appreciated believers in Africa’s creative industry, adding that AFRIMA’s work would remain consistent in achieving its objective.
“I am delighted by the support from every stakeholder in our creative economy, from the Patron, to the media, to the entertainers and record executives. I am delighted that we are working closely to make Africa great again. The idea of the patron’s dinner is to thank our jury members. They sit for 18 hours daily for 10 days to sieve out the best talents from several thousands to be nominated for the respective categories they fall under. We do this yearly. And we are not resting on our oars. Together, we will make Africa the pride of the world.”
As the event raced to its end, AFRIMA’s patron, Onasanya who was surrounded by family, friends and well-wishers, was surprised with a special cake to celebrate his 61st birthday.
Born August 18, 1961, Onasanya, who is a firm believer in the potential of the African creative sector, built a legacy within the African financial and banking sector over the years. After his meritorious retirement, in 2015, the mogul delved into the luxury real estate development sector, currently thriving as a leading player within that sector as the founder and Chairman of The Address Homes, in addition to impacting other spheres, including Africa’s culture and creative scene.
The AFRIMA awards ceremony will feature a 4-day fiesta of music, glitz, and glamour. The event is scheduled to commence with the welcome soiree, followed by the AFRIMA Music Village, the host city tour, African Music Business Summit, and the exclusive nominees’ party and concluded with the live awards ceremony broadcast to over 84 countries around the world.
African music lovers can take part in the events on social media, live stream on the AFRIMA website at www.afrima.org and visit the social media platforms (Instagram – Afrima.official; Twitter – Afrimawards), and they can watch the event coverage by tuning in to their local and cable TV providers.
In partnership with the African Union Commission, AFRIMA is a youth-focused music platform that recognizes and rewards the work and talents of African artistes across generations and primarily stimulates conversations among Africans, and also the rest of the world, especially on the potential of the creative arts for fostering real human enterprise, contributing significantly to social cohesion, economic growth as well as sustainable development in Africa.
General News
Why Nigeria’s Banks Still on Shaky Ground with Big Profits, Weak Capital

By Blaise Udunze
Despite the fragile 2024 economy grappling with inflation, currency volatility, and weak growth, Nigeria’s banking industry was widely portrayed as successful and strong amid triumphal headlines. The figures appeared to signal strength, resilience, and superior management as the Tier-1 banks such as Access Bank, Zenith Bank, GTBank, UBA, and First Bank of Nigeria, collectively reported profits approaching, and in some cases exceeding, N1 trillion. Surprisingly, a year later, these same banks touted as sound and solid are locked in a frenetic race to the capital markets, issuing rights offers and public placements back-to-back to meet the Central Bank of Nigeria’s N500 billion recapitalisation thresholds.

The contradiction is glaring. If Nigeria’s biggest banks are so profitable, why are they unable to internally fund their new capital requirements? Why have no fewer than 27 banks tapped the capital market in quick succession despite repeated assurances of balance-sheet robustness? And more fundamentally, what do these record profits actually say about the real health of the banking system?
The recapitalisation directive announced by the CBN in 2024 was ambitious by design. Banks with international licences were required to raise minimum capital to N500 billion by March 2026, while national and regional banks faced lower but still substantial thresholds ranging from N200 billion to N50 billion, respectively. Looking at the policy, it was sold as a modern reform meant to make banks stronger, more resilient in tough times, and better able to support major long-term economic development. In theory, strong banks should welcome such reforms. In practice, the scramble that followed has exposed uncomfortable truths about the structure of bank profitability in Nigeria.
At the heart of the inconsistency is a fundamental misunderstanding often encouraged by the banks themselves between profits and capital. Unknown to many, profitability, no matter how impressive, does not automatically translate into regulatory capital. Primarily, the CBN’s recapitalisation framework actually focuses on money paid in by shareholders when buying shares, fresh equity injected by investors over retained earnings or profits that exist mainly on paper.
This distinction matters because much of the profit surge recorded in 2024 and early 2025 was neither cash-generative nor sustainably repeatable. A significant portion of those headline banks’ profits reported actually came from foreign exchange revaluation gains following the sharp fall of the naira after exchange-rate unification. The industry witnessed that banks’ holding dollar-denominated assets their books showed bigger numbers as their balance sheets swell in naira terms, creating enormous paper profits without a corresponding improvement in underlying operational strength. These gains inflated income statements but did little to strengthen core capital, especially after the CBN barred banks from using FX revaluation gains for dividends or routine operations. In effect, banks looked richer without becoming stronger.
Beyond FX effects, Nigerian banks have increasingly relied on non-interest income fees, charges, and transaction levies to drive profitability. While this model is lucrative, it does not necessarily deepen financial intermediation or expand productive lending. High profits built on customer charges rather than loan growth offer limited support for long-term balance-sheet expansion. They also leave banks vulnerable when macroeconomic conditions shift, as is now happening.
Indeed, the recapitalisation exercise coincides with a turning point in the monetary cycle. The extraordinary conditions that supported bank earnings in 2024 and 2025 are beginning to unwind. Analysts now warn that Nigerian banks are approaching earnings reset, as net interest margins the backbone of traditional banking profitability, come under sustained pressure.
Renaissance Capital, in a January note, projects that major banks including Zenith, GTCO, Access Holdings, and UBA will struggle to deliver earnings growth in 2026 comparable to recent performance.
In a real sense, the CBN is expected to lower interest rates by 400 to 500 basis points because inflation is slowing down, and this means that banks will earn less on loans and government bonds, but they may not be able to quickly lower the interest they pay on deposits or other debts. The cash reserve requirements are still elevated, which does not earn interest; banks can’t easily increase or expand lending investments to make up for lower returns. The implications are significant. Net interest margin, the difference between what banks earn on loans and investments and what they pay on deposits, is poised to contract. Deposit competition is intensifying as lenders fight to shore up liquidity ahead of recapitalisation deadlines, pushing up funding costs. At the same time, yields on treasury bills and bonds, long a safe and lucrative haven for banks are expected to soften in a lower-rate environment. The result is a narrowing profit cushion just as banks are being asked to carry far larger equity bases.
Compounding this challenge is the fading of FX revaluation windfalls. With the naira relatively more stable in early 2026, the non-cash gains that once flattered bank earnings have largely evaporated. What remains is the less glamorous reality of core banking operations: credit risk management, cost efficiency, and genuine loan growth in a sluggish economy. In this new environment, maintaining headline profits will be far harder, even before accounting for the dilutive impact of recapitalisation.
That dilution is another underappreciated consequence of the capital rush. Massive share issuances mean that even if banks manage to sustain absolute profit levels, earnings per share and return on equity are likely to decline. Zenith, Access, UBA, and others are dramatically increasing their share counts. The same earnings pie is now being divided among many more shareholders, making individual returns leaner than during the pre-recapitalisation boom. For investors, the optics of strong profits may soon give way to the reality of weaker per-share performance.
Yet banks have pressed ahead, not only out of regulatory necessity but also strategic calculation.
During this period of recapitalization, investors are interested in the stock market with optimism, especially about bank shares, as banks are raising fresh capital, and this makes it easier to attract investments. This has become a season for the management teams to seize the moment to raise funds at relatively attractive valuations, strengthen ownership positions, and position themselves for post-recapitalisation dominance. In several cases, major shareholders and insiders have increased their stakes, as projected in the media, signalling confidence in long-term prospects even as near-term returns face pressure.
There is also a broader structural ambition at play. Well-capitalised banks can take on larger single obligor exposures, finance infrastructure projects, expand regionally, and compete more credibly with pan-African and global peers. From this perspective, recapitalisation is not merely about compliance but about reshaping the competitive hierarchy of Nigerian banking. What will be witnessed in the industry is that those who succeed will emerge larger, fewer, and more powerful. Those that fail will be forced into consolidation, retreat, or irrelevance.
For the wider economy, the outcome is ambiguous. Stronger banks with deeper capital buffers could improve systemic stability and enhance Nigeria’s ability to fund long-term development. The point is that while merging or consolidating banks may make them safer, it can also harm the market and the economy because it will reduce competition, let a few banks dominate, and encourage them to earn easy money from bonds and fees instead of funding real businesses. The truth be told, injecting more capital into the banks without complementary reforms in credit infrastructure, risk-sharing mechanisms, and fiscal discipline, isn’t enough as the aforementioned reforms are also needed.
The rush as exposed in this period, is that the moment Nigerian banks started raising new capital, the glaring reality behind their reported profits became clearer, that profits weren’t purely from good management, while the financial industry is not as sound and strong as its headline figures. The fact that trillion-naira profit banks must return repeatedly to shareholders for fresh capital is not a sign of excess strength, but of structural imbalance.
With the deadline for banks to raise new capital coming soon, by 31 March 2026, the focus has shifted from just raising N500 billion. N200 billion or N50 billion to think about the future shape and quality of Nigeria’s financial industry, or what it will actually look like afterward. Will recapitalisation mark a turning point toward deeper intermediation, lower dependence on speculative gains, and stronger support for economic growth? Or will it simply reset the numbers while leaving underlying incentives unchanged?
The answer will define the next chapter of Nigerian banking long after the capital market roadshows have ended and the profit headlines have faded.
Blaise, a journalist and PR professional, writes from Lagos and can be reached via: [email protected]
General News
WEBINAR: Techeconomy Business Series Hosts Experts from MTN, Interswitch, BusinessPlus, others this Wednesday

Techeconomy, Africa’s leading technology, business and digital economy publication, has announced an upcoming edition of its Techeconomy Business Series, a virtual webinar.

Techeconomy
This month’s edition focused on “Navigating a Career in Tech Sales”, is scheduled for Wednesday, January 28, 2026, from 5:00 PM to 6:00 PM (WAT)
Register here: https://shorturl.at/mMvLu),
It will bring together seasoned professionals from across Africa’s technology ecosystem to share practical insights, real-life experiences, and career guidance for individuals looking to build or transition into successful careers in tech sales.
“As Africa’s digital economy continues to expand, tech sales has emerged as a critical growth driver, bridging innovation, customer adoption, and revenue generation,” said Joan Aimuengheuwa, managing editor at Techeconomy.
“The session is designed to equip professionals, young talents, and business leaders with a clearer understanding of the skills, mindset, and career pathways required to succeed in this fast-evolving field”, she added.
The panel features accomplished industry experts including, divisional head, Growth Marketing (Enterprise), Interswitch Group; Ekundayo Ayeni, co-founder, BusinessPlus; Adepeju Ajayi, manager, Mobile Advertising, MTN Nigeria; and Bukayo Ewuoso, Business Growth Consultant.
The session will be hosted by Imoh Anselem, an IT Project Manager and Customer Success Specialist.
Participants will gain insights into: Ogechi Okwechime
· Breaking into tech sales and identifying entry opportunities
· Key skills and competencies employers look for
· Career growth strategies within Africa’s digital economy
· Lessons from real-world sales and growth experiences
Webinar Details:
Date: Wednesday, January 28, 2026 | Time: 5:00 PM – 6:00 PM (WAT) | Format: Virtual (Zoom)
Registration/Access Link: https://shorturl.at/mMvLu
Attendance is free, but registration is required.
“The Techeconomy Business Series is part of Techeconomy’s ongoing commitment to fostering informed conversations, capacity building, and talent development across Africa’s technology and business landscape”, the managing editor added.
TAGS: #TechSales, #Techeconomy, #Techeconomy, #TechSales, #CareerInTech, #DigitalEconomy, #BusinessSeries, #AfricaTech, #TBS #TecheconomyBusinessSeries
General News
Nigeria Treats Religious Violence as Attack on State – NSA Ribadu

National Security Adviser Nuhu Ribadu has said the federal government considers religious violence an attack on the Nigerian state, stressing that the protection of all citizens, regardless of faith, is non-negotiable.

According to presidential spokesperson Bayo Onanuga, Ribadu made the remarks in Abuja at the close of a US–Nigeria Joint Working Group session.
“Nigeria is a deeply plural society, and the protection of all citizens, Christians, Muslims, and those of other beliefs, is non-negotiable,” Ribadu said.
“Violence framed along religious lines is treated as an attack on the Nigerian state itself.”
In a follow-up post on X, Ribadu said the joint working group has recorded “tangible operational gains” in the fight against terrorism.
The working group was set up following Nigeria’s designation as a Country of Particular Concern (CPC) by US President Donald Trump, a label that often triggers policy actions aimed at ending severe violations of religious freedom.
At the meeting, Ribadu led Nigeria’s delegation, which included representatives from 10 ministries and agencies, while the US delegation, made up of eight federal agencies, was led by Allison Hooker, US under-secretary of state.
Ribadu said Nigeria-US security cooperation has moved from dialogue to action, resulting in the disruption of terrorist networks and transnational criminal groups. He also praised the US for supplying drones, helicopters, platforms, spare parts, and other support systems over the past five years.
Speaking at the session, Hooker said the US was committed to expanding its partnership with Nigeria, particularly on deterring violence against Christian communities.
“Today, we are here to discuss how we can work together to deter violence against Christian communities, prioritising counter-terrorism, insecurity, investigation of attacks, and holding perpetrators accountable,” she said.
She added that efforts would focus on reducing killings, forced displacement, and abductions of Christians, especially in Nigeria’s north-central states
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