General News
Glitz as AFRIMA Fetes Jurors at Annual Patron’s Dinner

It was an exciting blend of glitz, glam and euphoria as the All Africa Music Awards (AFRIMA) hosted its annual patron’s dinner with the jury members, held Wednesday, in Lagos, Nigeria.

L-R: AFRIMA Jurors representing Central Africa, Mr Emile Nghumba; and Charles Tabu; Juror representing Eastern Africa Joett; Juror representing Diaspora, North America, Hadja Kobele; AFRIMA Patron, Dr Bisi Onasanya; AFRIMA Executive Producer/President, Mr. Mike Dada; Juror representing Southern Africa, Dehlani Makhalima; Juror representing Western Africa, Guy Neza during the Annual AFRIMA Patron’s dinner held at EbonyLife Place, Victoria Island, Lagos, Nigeria recently
The event, which feted stakeholders in Africa’s creative economy, including media and music executives, and African entertainers, among others, gave a glimpse into what to expect from this year’s edition, as the #RoadToAFRIMA22 continues to take an interesting glide in highlighting and celebrating talents from all parts of Africa.
Also present at the continental event, which in the past nine years, has continued to celebrate African talents, were music enthusiasts, stakeholders, artiste managers, as well as musicians such as Eltee Skhillz, Major AJ, Tariq, among others.
Held at the EbonyLife Place, in Victoria Island, Lagos, the dinner was a close experience into the AFRIMA Award experience, as the dignitaries present met with the jurors, composed of music aficionados from across all five regions in the continent and in the diaspora, as well as a representative from the African Union Commission (AUC).
Hosted by AFRIMA Patron, Dr. Bisi Onasanya, the annual patrons’ dinner with the jury is a special gathering, held during the annual adjudication, to appreciate the jury members for their unflinching support in sieving out the best of talents for nomination at the awards.
The jury members are presently in Lagos, Nigeria, for an 8-day adjudication which began, last Friday, to select the nominees for this year’s edition from 9,076 entries submitted – the highest the awards has ever recorded since inception in 2014. The nominations list would be unveiled Monday, August 22, 2022, while voting begins Wednesday, August 24, 2022.
Onasanya expressed enthusiasm at the successes recorded by AFRIMA, noting that the enduring vision of the award body, in conjunction with the AU, will continue to come to fruition.
He said, “This event is to appreciate all the jury members. They are wonderful. They have been very thorough and have given AFRIMA the credibility it has today. They have been working assiduously for the growth of our creative sector. I am very proud to be associated with AFRIMA.
“African music is taking over the whole world by surprise. You go to other parts of the world these days and you hear African music being played. I am always excited because it didn’t happen a decade ago. The whole world is now respectful of African music, and they are learning from us. This is a great achievement. AFRIMA, last year, was awesome. It was broadcast all over Africa. If you think last year was awesome, just wait until you see what will happen this year.”
In her keynote speech, a juror representing the African Union, who is the Head of the Culture Division at the African Union Commission, Mrs Angela Martins, appreciated the stakeholders in Africa’s creative space, as well as the award’s organisers for their invaluable contribution to the development of the African creative economy.
She said, “The African Union Commission, which has been a partner with AFRIMA since its inception in 2014, wishes to congratulate AFRIMA for its enthusiasm and priceless efforts in promoting the growth and development of the music industry in the continent, despite the challenges including the Ebola crisis in 2015 and the COVID-19 pandemic in 2020. In 2020, AFRIMA played a key role in supporting the AUC in thinking out of the box and finding creative ways of using music to sensitise the continent on issues relating to the pandemic and to mobilise resources for the AU COVID-19 response fund. Hence, we organised a joint conference titled, Stronger Together.
“Since AFRIMA’s inception, we have been part of this pan-African music platform and we have watched it grow and bear fruits and award the most deserving music talents on the continent. This is an excellent contribution to the development of the creative economy of the continent.
“It has created opportunities for young people in the creative sector. The great work that AFRIMA is doing would not have been possible without the support of well-wishers and believers in the potential and viability in the creative economy of the continent.
“We know that this is enormous for the well-wishers and supporters, but on this occasion, we wish to pay special tribute to the AFRIMA patron who came on board last year and has been supporting this pan-African music initiative wholeheartedly and unconditionally. His support has increased the visibility of the award. We appreciate and salute him.
“We also wish to express gratitude to the AFRIMA jury from the five regions of the continent and from the diaspora who have supported and believed in this initiative. The adjudication process is a long process and it requires dedication, fairness, transparency and hard work. It takes An African music lover to perform their duties in the way they have been doing so since the inception of the process. We applaud them. We also wish to thank the media whose work has been essential in ensuring the popularisation and growth of the cultural and creative sector of the continent.”
Another juror representing Western Africa, Mr Motolani Alake, appreciated the AFRIMA team for its efforts in promoting African talent, encouraging African music lovers to unite and consolidate efforts in developing the continent’s creative sector.
“I really wanted to serve the world and Africa. I have learned great things and learned a lot about talents and our impact here. I want to encourage everybody to know that as much as African music is travelling all over the world now, it is also important to support our own and watch it grow,” he said.
Similarly, another juror representing Central Africa, Mr Charles Tabu, lauded the prospects in AFRIMA’s drive to boost inclusiveness in her mission to celebrate and spotlight African talent on a global stage.
He said, “It gladdens me to see the creative work that comes out of Africa being awarded. I would like to thank the entertainers for always submitting their entries and believing in the growth of the African creative space. I am from Francophone Africa and I am glad to see artistes from all regions get a chance to be celebrated across the continent and in the diaspora.”
Giving his vote of thanks, AFRIMA’s Executive Producer/President, Mr Mike Dada, appreciated believers in Africa’s creative industry, adding that AFRIMA’s work would remain consistent in achieving its objective.
“I am delighted by the support from every stakeholder in our creative economy, from the Patron, to the media, to the entertainers and record executives. I am delighted that we are working closely to make Africa great again. The idea of the patron’s dinner is to thank our jury members. They sit for 18 hours daily for 10 days to sieve out the best talents from several thousands to be nominated for the respective categories they fall under. We do this yearly. And we are not resting on our oars. Together, we will make Africa the pride of the world.”
As the event raced to its end, AFRIMA’s patron, Onasanya who was surrounded by family, friends and well-wishers, was surprised with a special cake to celebrate his 61st birthday.
Born August 18, 1961, Onasanya, who is a firm believer in the potential of the African creative sector, built a legacy within the African financial and banking sector over the years. After his meritorious retirement, in 2015, the mogul delved into the luxury real estate development sector, currently thriving as a leading player within that sector as the founder and Chairman of The Address Homes, in addition to impacting other spheres, including Africa’s culture and creative scene.
The AFRIMA awards ceremony will feature a 4-day fiesta of music, glitz, and glamour. The event is scheduled to commence with the welcome soiree, followed by the AFRIMA Music Village, the host city tour, African Music Business Summit, and the exclusive nominees’ party and concluded with the live awards ceremony broadcast to over 84 countries around the world.
African music lovers can take part in the events on social media, live stream on the AFRIMA website at www.afrima.org and visit the social media platforms (Instagram – Afrima.official; Twitter – Afrimawards), and they can watch the event coverage by tuning in to their local and cable TV providers.
In partnership with the African Union Commission, AFRIMA is a youth-focused music platform that recognizes and rewards the work and talents of African artistes across generations and primarily stimulates conversations among Africans, and also the rest of the world, especially on the potential of the creative arts for fostering real human enterprise, contributing significantly to social cohesion, economic growth as well as sustainable development in Africa.
General News
Nigeria Targets Satellite-to-Mobile Services in Draft Spectrum Roadmap

Nigerian Communications Commission (NCC) has unveiled a forward-looking strategy that places satellite-enabled mobile connectivity at the heart of the country’s drive to bridge its long-standing coverage gaps.

The draft Spectrum Roadmap for the Communications Sector for 2025 to 2030 lays out how satellite technologies could help deliver reliable voice and data services to millions of Nigerians who live beyond the reach of conventional mobile networks.
The direction is outlined in the Commission’s draft Spectrum Roadmap for the Communications Sector covering the period.
The proposed approach highlights non-terrestrial networks as a complement to existing mobile infrastructure, especially in areas where terrain, insecurity, or high costs limit the deployment of base stations.
The NCC said D2D satellite technology, which allows standard mobile phones to connect directly to satellites, is gaining traction globally as a means of delivering voice and data services without reliance on ground towers.
According to the regulator, the technology could help close persistent coverage gaps in rural, riverine, and border communities that remain outside the reach of conventional networks.
It also noted that satellite-backed connectivity could improve network reliability by providing alternative links during fibre cuts, power failures, or other disruptions affecting terrestrial systems.
The Commission added that wider adoption of D2D services could support emergency communications, public safety operations, Internet of Things applications, and services such as smart agriculture in underserved regions.
It also pointed to potential investment opportunities through partnerships between mobile network operators and satellite companies, including more efficient use of shared spectrum resources.
Beyond D2D services, the roadmap places emphasis on Low-Earth Orbit satellites to expand broadband access to remote parts of the country.
It also proposes better utilisation of Geostationary Orbit satellites and the exploration of high-altitude platforms, such as stratospheric balloons, to support mobile backhaul and rural connectivity.
The policy signals come shortly after Airtel Africa announced an agreement with SpaceX to introduce Starlink-powered direct-to-cell services in Nigeria.
The NCC’s roadmap is expected to shape future spectrum allocation, licensing decisions, and technology adoption across the telecommunications sector.
General News
House of Reps Releases Certified Copies of Tax Reform Acts amid Gazette Discrepancy Claims

House of Representatives has released certified true copies of the four tax reform Acts signed into law by President Bola Tinubu, addressing public concerns over alleged discrepancies between legislative versions and circulated gazetted documents.

Tax Reform Acts
House spokesperson, Akin Rotimi, disclosed this in a statement, noting that Speaker Tajudeen Abbas directed the immediate publication of the Acts—including endorsement and presidential assent pages—for public verification, in collaboration with Senate President Godswill Akpabio.
The move followed allegations raised by Rep. Abdulsamad Dasuki on the House floor, highlighting inconsistencies between Bills passed by the National Assembly and executive gazetted versions, which he warned could erode legislative integrity and public trust.
Abbas constituted a seven-member ad hoc committee chaired by Rep. Aliyu Betara, with members including Idris Wase, Sada Soli, Adedeji Faleke, Igariwey Iduma, Fred Agbedi and Babajimi Benson, to investigate the alleged alterations, unauthorised circulation and preventive measures.
The committee’s mandate includes probing circumstances around the discrepancies, while Abbas ordered internal verification and public release of certified copies to dispel doubts and safeguard legislative records. Legal experts, tax professionals and civil society had demanded clarification and implementation suspension amid heated debates triggered by Dasuki’s intervention.
The released laws comprise the Nigeria Tax Act, 2025; Nigeria Tax Administration Act, 2025; National Revenue Service Establishment Act, 2025; and Joint Revenue Board Establishment Act, 2025, described as foundational to modernising Nigeria’s tax system.
These reforms aim to enhance compliance, curb inefficiencies, eliminate overlaps and bolster fiscal coordination across federal, state and local tiers, following extensive stakeholder consultations, committee reviews and plenary debates under Abbas’s leadership.
Rotimi reassured Nigerians: “The National Assembly is an institution built on records, procedure, and institutional memory. Every Bill, every amendment, and every Act follows a traceable constitutional and parliamentary pathway.”
He emphasised that only National Assembly-certified versions hold authority, urging the public, institutions and stakeholders to disregard all other circulating documents as unofficial.
General News
MultiChoice Secures 12 Warner Bros. Discovery Channels in New Multi-Year Deal

MultiChoice, a CANAL+ company, has retained the distribution rights to 12 Warner Bros. Discovery thematic channels following the signing of a new multi-year, multi-territory agreement between CANAL+ Group and Warner Bros. Discovery, marking a significant expansion of their long-standing partnership.

MultiChoice
The new deal, which spans several regions across Africa and Europe, covers the distribution of HBO Max as well as the renewal of selected Warner Bros. Discovery thematic channels. It represents a major milestone in the companies’ international collaboration and strengthens content offerings across MultiChoice Group territories.
MultiChoice disclosed that this agreement builds on earlier partnerships concluded in Europe. “It builds on the landmark agreements concluded in France in 2024,including the renewal of the exclusive pay-TV window for Warner Bros. Pictures films just six months after their theatrical release in France and the integration of HBO Max within select CANAL+ group offers – as well as in Poland in 2025, with the renewal of the distribution agreement for 22 thematic channels (including TVN 24 and Eurosport) and 4 free-to-air channels (including TVN).”
Under the renewed arrangement, MultiChoice Group will continue to distribute 12 Warner Bros. Discovery thematic channels across its territories, with some channels offered on an exclusive basis. CNN International and Cartoon Network will remain exclusive to South Africa while being distributed non-exclusively in other markets. Cartoon Network Porto will be exclusive in Angola and Mozambique and non-exclusive elsewhere. Other channels such as Discovery Channel, TLC, HGTV, Food Network, TNT Africa, Travel, ID and Cartoonito will be offered on a non-exclusive basis.
According to the partners, the deal reinforces CANAL+ Group’s channel portfolio on the continent. “This agreement enables CANAL+ Group to strengthen its entertainment, kids, news, and documentary channel offerings in African markets.”
The agreement is also expected to improve access for CANAL+ Group subscribers to Warner Bros. Discovery’s premium content through HBO Max and selected channels, including globally recognised series and films, further extending the studio’s international reach while consolidating MultiChoice’s content offering in key markets.
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