Broadcasting
Announcing Ugo: A Homecoming Story, an original documentary featuring Giannis Antetokounmpo

Today WhatsApp and Giannis Antetokounmpo release Ugo, an original documentary that takes fans of the Greek-Nigerian NBA superstar along on the profound journey to his homeland of Nigeria for the first time.

Ugo: A Homecoming Story, directed by Rick Famuyiwa, is available to view on YouTube and in select markets on Prime Video starting today, January 16. It is WhatsApp’s new feature-length documentary, and its latest original content feature following the 2022 short film Naija Odyssey. Both projects vividly portray the power of familial connection, cultural discovery, and personal identity.
Ugo, titled after Antetokounmpo’s Nigerian birth name, offers exclusive and unparalleled access into the journey of one of the world’s most decorated basketball players of all time. This intimate fly-on-the-wall documentary chronicles Antetokounmpo’s inaugural visit to his homeland, accompanied by his mother, who emigrated from Nigeria to Greece 35 years ago. Together, they delve into their family’s heritage and Nigerian traditions, fostering a profound bond as Antetokounmpo strengthens his connection to his culture.
Giannis Antetokounmpo said: “Growing up in Greece, my Nigerian culture was something my mother made sure we carried with us, but I was never lucky enough to have a direct experience in my homeland. Thankfully WhatsApp helped me stay connected to my family and roots, allowing me to create my own unique version of heritage. To be able to travel back to where she was born, and build a new Nigerian family, has been one of my most rewarding experiences, and only made me more proud of the many cultures that make me who I am. I’m proud to share this journey which I hope many around the world can connect to, showing us that we all have a different meaning of ‘home,’ even when we’re far away from it.”
Above all, Ugo delivers a universal message of self-discovery, emphasizing that regardless of one’s background or proximity to one’s roots, their unique blend of multicultural heritage defines their individuality. The documentary is the latest chapter of WhatsApp’s There’s No One Like Us film series that also serves as a call to inspire the platform’s 2 billion users around the world to embrace their individual identities. With its reach and impact, the global messaging service is proud to have powered the documentary and support Antetokounmpo in his journey from being solely digitally connected with relatives, to being physically and spiritually connected to his homeland.
Vivian Odior, Chief Brand Officer at WhatsApp and herself of Nigerian descent said: “Witnessing Giannis, with his mother no less, on his first journey, to connect with his homeland – Nigeria – in such a deeply personal manner evokes emotions shared by many of our billions of users on a daily basis. It’s a powerful reminder that the quest for identity and roots resonates universally, fostering a connection that transcends boundaries.”
Rick Famuyiwa, the Nigerian-American director of the documentary whose previous directing credits include The Mandalorian and Dope, said: “The first steps you take in your homeland are absolutely unforgettable. They’re life-changing. It was an honor to work with WhatsApp to capture that moment for Giannis and to share a story that not only I can relate to, but so many people across the world can see themselves in, too.”
Ugo is the latest in the partnership between WhatsApp and Antetokounmpo, since the partnership was initially unveiled at the NBA All-Star Game in February 2022. Ugo features appearances from key global Nigerian creatives including Grace Ladoja, entrepreneur and founder of Homecoming; Stephen Tayo, photographer; and Yeni Kuti, the daughter of Fela Kuti.
Broadcasting
NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.
Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.
According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.
“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.
She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.
Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.
She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.
While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.
“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.
Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.
James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.
Solafunmi Laelle, media strategist, added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.
According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.
Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.
She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.
The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.
They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.
Broadcasting
Four Must-Watch African Films Debut Free on Glo TV

Globacom, just introduced four brand new movies on its premium entertainment platform, Glo TV, and they are completely free for all subscribers. The company says the release marks another major step in its mission to enrich digital entertainment for millions of viewers across the country.

In a statement from Lagos on Wednesday, Globacom explained that the new titles feature some of Africa’s most celebrated actors and filmmakers, offering a colorful mix of romance, comedy, drama, culture, and emotional storytelling. The lineup includes Johnny Just Come (JJC), Eko Vibes, Bound, and Shifting Desire.
“Each of these movies was chosen to spotlight diverse African stories while delivering world class entertainment unavailable in cinemas, on YouTube, or on any other streaming service. Viewers do not need any subscription or extra payment. Access is completely free,” the company said.
Leading the pack is Shifting Desire, featuring Lilian Afegbai and veteran actor Majid Michel. The film is a gripping romantic drama that dives into marriage, intimacy, betrayal, healing, and the emotional journey of a couple using therapy to rebuild trust. Shifting Desire premiered on Glo TV on December 2 and is already streaming for free.
Johnny Just Come (JJC), starring Patience Ozokwor and Nancy Isime, delivers a hilarious cultural crossover story about an American man trying to navigate love and marriage in an African household. The movie explores themes of identity, family, culture, and coexistence in a warm and relatable way.
The third title, Bound, starring Rita Dominic and Eyinna Nwigwe, is a thought-provoking family drama that follows a successful career woman confronting long hidden personal struggles and the impact on her relationship. The film showcases powerful performances from some of Nollywood’s finest.
Rounding out the collection is Eko Vibes, featuring Broda Shaggi, Josh2Funny, and Nkechi Blessing. The movie captures the energy and hustle of Lagos youth culture, spotlighting ambition, humor, and the vibrant spirit of young people chasing success in the city.
Globacom noted that the new releases reinforce its commitment to delivering original African content at the highest quality. “With these exclusive titles, Glo TV is redefining digital entertainment in Nigeria by offering fresh, premium movies not available anywhere else. We remain committed to growing our catalog with rich African stories that celebrate creativity at its best,” the company added.
Broadcasting
Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

A new study, conducted by pan-African organisation, Paradigm Initiative (PIN), warns of an alarming surge in the prevalence of Technology-Facilitated Gender-Based violence, with 67 percent of respondents being victims of at least one or multiple forms of digital violence.

Online
Released on International Human Rights Day, the research exposes deep systemic failures, weak accountability, and unsafe online spaces driving a rapidly escalating epidemic across Cameroon, Kenya, Nigeria, Senegal, Zambia, and Zimbabwe.
PIN recognises that this gap limits both the understanding of TFGBV and the development of effective solutions. In response, this study adopts a survivor-centred approach that reframes how TFGBV is researched, discussed, and addressed. By prioritising survivors’ perspectives, the research uncovers the emotional, social, and systemic dimensions of digital violence that formal reports and statistics often obscure. It also interrogates how survivors navigate reporting systems, access justice, and play an informed role in digital spaces that are frequently hostile or unsafe.
A key finding of the study is that young people are disproportionately affected, with those aged 18–34 constituting the vast majority of survivors. Most incidents of TFGBV occurred on Facebook, WhatsApp, and X (formerly Twitter), underscoring how mainstream social media platforms continue to function as structurally unsafe spaces for many users—particularly women, activists, and advocates.
“Victims’ experiences range from sexual harassment, threats, and misogynistic attacks to severe violations such as stalking, non-consensual image sharing, hacking, sextortion, and identity-based harassment,” the report notes. “Personal testimonies reveal profound emotional, psychological, and reputational harm.”
The study also highlights that formal systems such as the police, employers, and public institutions, remain underutilised, largely due to fear, mistrust, or an expectation of inaction. While the findings expose wide-ranging gaps across platforms, institutions, and legal frameworks, they also highlight survivors’ resilience and their continued efforts to seek safer digital environments.
In light of these findings, PIN calls for urgent action to make online spaces safer for everyone, in line with this year’s Human Rights Day theme, “Human Rights, our everyday essentials.” Addressing these systemic gaps is critical to advancing democratic engagement, promoting media pluralism, fostering digital inclusion, and achieving gender equality across Africa.
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