Broadcasting
MultiChoice Agrees to Pay N35.4Bn as Part of FIRS Tax Claim

MultiChoice Group has agreed to pay N35.4 billion as part of its tax obligations to the Federal Inland Revenue Service (FIRS).

This is about 10per cent of the initial claim filed by the Nigerian tax authorities, after a long period of negotiation.
Multichoice is the owner of DStv, Gotv, both popular subscription-based platforms in Nigeria.
According to a statement by the group, the total tax amount (35.4 billion naira) will be offset against the security deposits and good faith payments made to date.
This follows the country’s Federal Inland Revenue Service decision to freeze MultiChoice Nigeria’s accounts in 2022 after serving the Group with a 1.8 trillion naira ($1.27 billion) tax claim for its Nigeria operation and a $342 million claim for value-added taxes.
The tax agency claimed that it relied on the power it derived from Section 49 of the Companies Income Tax Act of 2004 as amended and Section 31 of the FIRS (Establishment) Act No. 13 of 2007.
Similar: MultiChoice suffers $50.2 million after-tax loss between April 1-Sept 30
The FIRS also explained that the decision to appoint the banks as agents and to freeze the accounts was a result of the groups’ continued refusal to grant FIRS access to their servers for audit
Technext24.com reported that the Muhammad Nami, then executive chairman of the FIRS, was quoted as saying, “The companies would not promptly respond to correspondences, they lacked data integrity and are not transparent as they continually deny FIRS access to their records.
At that time, the FIRS noted that the level of non-compliance by Multi-Choice Africa (MCA), the parent Company, the Multichoice Group was alarming.
It added that the parent company, which provided services to Multichoice Nigeria had never paid Value Added Tax (VAT) since its inception.
MultiChoice went to court to challenge the penalty imposed by the tax authority. However, the South African company subsequently withdrew all pending lawsuits and the Federal Inland Revenue Service agreed to conduct a forensic audit of MultiChoice’s accounts to determine the company’s tax liability.
The Multichoice group agreed to pay a total of $37.5 million, about 10% of the initial claim filed by the Nigerian tax authorities, after a long period of negotiation.
Multichoice to allow users share DStv streaming accounts
Technext24.com recall that in 2021, the FIRS issued notices of Assessment and Demand Notices in the sum of N1.8 trillion on MultiChoice. Subsequently, a Tax Appeal Tribunal (TAT) sitting in Lagos has ordered Multichoice to pay 50% of the N1.8 trillion which it had determined to be the amount the company hasn’t made in tax payments.
Similar: Multichoice confirms Nigerians will pay more for DStv, GOtv subscription from May 1st
Nigeria contributes about 34 per cent of total revenue for the Multi-Choice group. Next to Nigeria is Kenya with 11 per cent and Zambia in third place with about 10 per cent.
According to the group’s reports, the rest African countries where they have a presence account for 45 per cent of the group’s total revenue.
Additional report by technext24.com
Broadcasting
Mbunabo, Nigerian Filmmaker Accuses Ghana TV Stations of Pirating Nollywood Films

Uchenna Mbunabo, Nigerian filmmaker, has raised concerns over the alleged unauthorised broadcast of Nollywood films by some Ghanaian television stations, calling on Ghana’s National Film Authority (NFA) to strengthen the enforcement of copyright laws.

Uchenna Mbunabo, Nigerian filmmaker
Mbunabo made the remarks during a conversation with James Gardiner, deputy CEO of the National Film Authority (NFA) of Ghana.
He questioned whether it was permissible for television stations in Ghana to download Nigerian movies from YouTube and air them without obtaining permission from the producers.
“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalised in your country for TV stations to go on YouTube, download people’s sweat and show it for free?”
According to Mbunabo, some Ghanaian television stations have been downloading newly released Nollywood films from YouTube and broadcasting them without authorisation, depriving producers of revenue generated through the platform.
He also stated that he had not witnessed Nigerian television stations engaging in similar practices and questioned what measures Ghana was taking to protect filmmakers’ intellectual property.
Responding to the concerns, Gardiner acknowledged that the issue exists and said the National Film Authority had begun engaging relevant stakeholders to address it.
He disclosed that the NFA has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC) on improving copyright enforcement.
Gardiner explained that while Ghana has copyright laws, enforcement remains challenging because many television stations now operate digitally and may not have physical offices within the country.
“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital.”
He added that authorities are considering a new licensing framework that would require broadcasters to undergo a fresh licensing process to improve monitoring and enforcement.
According to Gardiner, television stations found guilty of illegally broadcasting copyrighted content would be required to compensate affected producers through fines.
He added that repeat offenders could face suspension of their broadcasting licences, while a third violation could result in the revocation of their licences.
Although he did not provide a specific timeline, Gardiner said the reforms were already underway and expressed hope that significant progress would be seen next year.
Mbunabo welcomed the proposed measures but urged the National Film Authority to expedite the process, stating that unauthorised broadcasts continue to affect filmmakers’ ability to recover production costs through legitimate distribution channels such as YouTube.
He also stressed that his comments were not directed at Ghana’s film industry, noting that he has worked with several Ghanaian actors over the years and supports collaborations between Nollywood and Ghallywood.
Broadcasting
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Broadcasting
BON Establishes Six Ad Hoc Committees to Modernize Broadcasting

Broadcasting Organization of Nigeria (BON) has established six committees to help strengthen and modernize the country’s broadcasting industry.

The committees will focus on content creation, skills development, digital transformation, sustainability, policy and commercial opportunities
The initiative aims to support industry growth and improve collaboration between broadcasters, regulators and media experts
The official launch recently, was led by Tony Akiotu, president, BON and attended by media professionals, program directors, former journalists and heads of specialized media organizations.
The event brought together several prominent figures in Nigeria’s media industry, including veteran broadcaster and trainer Bimbo Oloyede, Tony Uyah of M4S TV, Kingsley Uranta of Channels Television, Ismael Sani of Platinum TV and Ibrahim Shehu of Trust TV.
Together, they are expected to help drive innovation and support the growth of Nigeria’s broadcasting sector.
According to Akiotu, the committees are intended both to help shape industry policy and to provide a forum for dialogue between BON and broadcasting experts.
Akiotu said the ad hoc committees were intended to strengthen BON’s work and ensure that the umbrella body for Nigeria’s broadcasters played a more direct and meaningful role in developing the country’s broadcasting sector.
The six committees reflect the sector’s main priorities. The first focuses on collaboration and innovation to promote content creation.
The second is dedicated to training and talent development, while the third focuses on industry sustainability by improving the sector’s long-term financial viability.
A fourth committee will focus on digital transformation and work with the National Broadcasting Commission (NBC) on regulatory issues.
The remaining two committees will oversee public policy advocacy and the development of sports and commercial rights to help broadcasters increase revenue and attract more investment. Together, the committees are expected to guide BON’s efforts to modernize and strengthen Nigeria’s broadcasting industry.
The committees, chaired by members of BON’s General Assembly and supported by the organization’s Secretariat, have an initial 12-month mandate that may be renewed if necessary.
They are required to submit a progress report within three months and implement approved recommendations within the following six months.
The arrangement is intended to ensure close oversight and the timely implementation of their work.
Akiotu also reminded committee members that Nigeria pioneered television broadcasting in Africa and urged them to carry out their work with greater effectiveness and efficiency.
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