Broadcasting
Technology and the Revolution in Big Brother Africa
If the earliest psychologists had Big Brother, perhaps some of their conclusions would have been different. Technology as it relates to this very popular reality television show has turned many viewers into what could be referred to as pseudo-psychologists.
The Big Brother Africa season is nigh and there have been animated discussions concerning the airing of the hugely popular reality television show on DStv. This year’s edition will be the fourth in the series, and the discussions have swung from extremes.
In the last two seasons, the debate was on the propriety of including all the scenes captured by television cameras in the 24-hour reality TV show, seeing that parental guidance was necessary to prevent minors from seeing scenes of supposedly indecent exposure of flesh or scenes that may be considered sexual. The scenes Nigerians strongly objected to, as articulated by some members of the legislature and sections of the media, were the bathroom sessions and uncut versions. With the announcement of the fourth edition, which is scheduled to start in September this year, at a media launch recently, another uproar followed? M-net, owners of the content said that the shower hour and uncut versions had been expunged. What would people look forward to if shower hour and uncut versions of Big brother Africa are removed? Many of the journalists queried.
The reality show is not different from other reality shows on television, especially those programmed along the same lines as the BBA. Indeed, there is Big Brother reality show in Europe as well as the United States. Many more countries are signing up to staging their version of the very popular show which sequesters people of different backgrounds for a certain period of time. Based on the rules of the house, the most persevering of the housemates, or the one with the most guile, based on viewers’ perception and determined by their votes, wins and goes home with the prize money and unto subsequent fame. But the process leading up to the finale reveals the housemates in their basic characters and looks, sometimes without their cloths to the viewing public.
When human beings are sequestered for that long – BBA usually runs for three months – their tact concerning exposing only a part of the part of their body they want people to see falls. Sometimes, they get carried away and fall in love with other housemates and what follows thereafter are not left to the imagination of the viewing public but are brought to their living rooms in bright colours and sensual scenes.
But this time around, BBA will have nothing of that. All manner of sexual relationships have been banned. Shower hour, which used to beam the behaviour of housemates while in the bathroom to viewers, has also been deleted. The uncut versions which are unedited recordings of the house which may not be appropriate for young viewers that in the past were beamed late in the night have been cut. Replacing these are innovations that are set out to make this edition of the reality show even more enjoyable. But what is BBA without the shower hour and uncut versions?
What is New in BBA4?
The biggest innovation and one that will have the most impact in the new season of BBA tagged “Big Brother Africa: The Revolution” is the technology. There will be 40 all-seeing, all-knowing cameras, and 100 microphones to search out all the sights and sounds that are open and hidden. There will be no hiding place for any of the housemates, nor will they have the ability to hide conspiracies, intrigues, plots, and even whispers! All will be laid bare before the viewing public! The technology accompaniment promises to be bigger than the seasons 1, 2 and 3 of Big Brother Africa combined.
To put this into perspective, a football match of clubs in top European leagues are usually covered by about 20 cameras. Now, the standard football pitch is bigger than the BBA house and has more players (25, including the referee and his assistants), than the Big Brother House. All the actions missed by the referee and his assistants are captured by the cameras. Then how much more in a smaller environment with fewer participants?
In addition to the number of cameras and microphones is the prize money, which has been upped from US$100,000 to a massive, life-changing US$200,000 winner-takes-all. Also, the old rules banning conspiracy in the house has been lifted. Contestants will be free to forge alliances, discuss strategy openly and play the game in an entirely different way. The voting pattern has also changed. This season, audiences will be asked to vote for the housemates they want to see remain in the house rather than the housemates they want to see leave the house. Fourteen housemates, an increase of two from previous seasons, will compete for the ultimate prize.
“The team has been working for months already, fine-tuning the latest edition, focusing on delivering the ultimate Big Brother Africa. We’ve got quite a few secrets this time around…After three seasons; it was time for a fresh spin, time for bright ideas. This series is for the fans, to say thank you for supporting Big Brother since it began. So we are giving them the best gift we can – a show to beat others,” said Biola Alabi, director of M-NET Africa. Following up on this vision, the producers Endemol have also been busy analysing and observing other Big Brother successes around the world to develop innovative elements in order to inject fresh new creativity into the production of BBA season 4.
In the new season, housemates will once again be asked to nominate their fellow housemates for eviction, based on whom they want to see evicted from the house. This time around, viewers will then vote for the housemate they want to see remain in the house. This is expected to keep the best housemates in the house for as long as possible.
Another innovation, although making a return, is the head of the house role. This will allow the player who wins the Head of House task each week the special power to save a housemate who is up for eviction and replace this housemate with one of their own choosing. In addition, the head of the house will have extra powers and other special privileges this season.
But without the new technology, the promises made by Alabi will not materialise because this edition will not be different from previous editions. The technology underpins everything that has been put together to make this year’s edition the best ever.
The All-Seeing, All-Knowing Big Brother
The Big Brother in this year’s edition of Big Brother Africa has 40 eyes and over 100 ears to search out and record everything the housemates do or say. This will be recorded and broadcast on television and the internet. The housemates cannot eat, rest or sleep without viewers seeing their every move. With the higher scrutiny the housemates will receive this year, it is even possible for viewers to literarily see into their minds to explain the motivations for the actions they will take. And this one of the most interesting feature of this year’s series.
The general format of Big Brother provides interesting demographic and sociological perspectives on human behaviour. Confining 14 people from different backgrounds and countries, with the only connection being the English language, to a house for three months, they are forced to interact with one another. Living together under continuous observation, the programme relies on four basic props for providing these perspectives: the stripped-bare back-to-basics environment in which they live; the evictions; the weekly tasks set by Big Brother and the Diary Room in which the housemates individually convey their thoughts, feelings, frustrations and of course their nominees for eviction. Forced to live with total strangers for three months, Big Brother helps viewers see how people react when they are removed from their usual environment and placed among total strangers. Without the aid of cameras and microphones and the television and the internet, it is not normally possibly to observe such interactions vividly. But with the aid of technology, insights are gained into the motivations and actions of people when removed from their comfort zones and forced to put up with strangers for a lengthy period of time.
Predictably, many of the airs the housemates came with to the house, which are facades that cover up their real self, fade within a very short time. Alliances in the form of friendship are struck for many reasons. For some, it is to survive for as long as long as possible in the house, or somebody to simply bond with, or in some cases, real attraction between some of the housemates and they then go on to become friends. As the show progresses and the number of housemates thin out, strategies are devised by the housemates to eliminate other housemates that they consider a threat to their ultimate goal of going home with the prize. All these mirror, to a smaller or larger extent, the competitive nature of man in the real world.
BBA housemates will be drawn from Nigeria, Angola, Botswana, Ghana, Kenya, Malawi, Namibia, South Africa, Tanzania, Uganda, Zambia, Zimbabwe, Mozambique and Ethiopia, a collection of diverse people from countries with different histories and cultures, languages, ethos, and aspirations, creating a melting pot of personalities, tempers, and ambitions. It is a psychologist’s delight as he will be presented innumerable opportunities to watch and analyse the human mind and the motivations behind many of the actions we take.
If Freud had Big Brother…
The growth of technology and its application in many human endeavours have helped to create deeper insights into behaviour, greatly contributing to the understanding and growth of the behavioural sciences. The Big Brother reality television series is a platform that has turned many viewers into pseudo-psychologists, generating issues that are argued via text messages and internet.
If Sigmund Freud, still regarded as the doyen of behavioural sciences had had help from Big Brother, perhaps many of his conclusions would have been different. Freud was quite influential in two related but distinct ways: he simultaneously developed a theory of how the human mind is organised and operates internally, and a theory of how human behaviour both conditions and results from this particular theoretical understanding. His theories laid the foundation for the growth of psychology and psychoanalysis. But he operated in an era technology was not as advanced as it is now. Moreover, he had no help from hundreds of cameras and microphones to capture the expressions of the thoughts of his subjects.
But audiences will have more powers than Freud had with his subjects in that they can determine to vote out of the house housemates whose behaviours in their estimation falls short of their expectations. This they will do by voting for the housemates they want to see remain in the house, while the housemates that is not as well liked is evicted.
Technology, that great leveller of divides, has made the Big Brother television series a phenomenal success.
Broadcasting
MultiChoice Suspends Yearly DStv Price Hike as Canal+ Pushes Growth

MultiChoice has said that it will not implement its customary yearly price increase on DStv and GOtv subscriptions.

This is the first time the Pay-TV company will not be adjusting its price in April, as it has in previous years, signalling a clear shift in direction under its new owner, Canal+.
The decision, confirmed by David Mignot, group chief executive,MultiChoice in an interview with TechCentral, comes as the pay television operator grapples with steep subscriber losses across its markets.
For many households accustomed to annual April tariff adjustments, the announcement will be a welcome break.
Responding to questions about whether DStv prices would rise in April as they have in previous years, Mignot gave a firm response: there will be no increase.
He explained that the company’s immediate focus is on rebuilding its subscriber base, making this an unsuitable period to adjust prices upward.
He added that while there are no current plans for a price hike, the company has not completely ruled out adjustments later in the year, especially if economic conditions demand it, such as significant currency movements.
MultiChoice has historically reviewed and raised DStv subscription fees in April, often citing inflationary pressures and rising content costs. As recently as April 2025, bouquet prices were adjusted upwards by between 2.1 per cent and 7.9 per cent.
The DStv Premium package rose from R929 to R979 per month, while DStv Access, the entry-level satellite package, recorded one of the steepest increases.
This year’s pause represents a break from that pattern and forms part of a broader reset following Canal+’s acquisition of MultiChoice in September 2025.
Mignot, who brings three decades of experience in the pay television industry, summed up his mission in simple terms: halt subscriber losses and return the business to growth.
The urgency behind the move is evident in MultiChoice’s recent performance.
The group has lost 2.8 million linear broadcasting subscribers in the two years ended 31 March 2025, with roughly half of those losses occurring in South Africa.
In the financial year to end-March 2025 alone, MultiChoice shed 1.2 million subscribers, representing an eight per cent year-on-year decline and leaving the group with 14.5 million active customers.
The previous year saw an even steeper drop of 1.6 million subscribers. By June 2025, Canal+ indicated that the pace of decline had intensified further.
The financial impact has been significant. Revenue for the year ended 31 March 2025 declined by R4 billion to R52 billion, while trading profit fell sharply by 49 per cent to R4 billion.
According to Mignot, the company’s difficulties stem less from its programming slate and more from weaknesses in its commercial execution.
He argued that in subscription businesses, a churn rate of between 12 and 15 per cent annually is inevitable as customers relocate, experience job losses, adjust household budgets, or change priorities. Without attracting a comparable number of new subscribers each year, losses accumulate.
Mignot maintained that the content offering remains strong, particularly in sport and general entertainment. He cited flagship brands such as SuperSport, M-Net and Africa Magic as evidence of sustained investment in programming. However, he stressed that content strength alone cannot offset a weakening subscriber acquisition engine.
He noted that MultiChoice’s commercial machinery had performed robustly across Africa until around 2022, describing the current challenges as relatively recent.
Drawing on Canal+’s experience in French-speaking African markets, Mignot pointed out that pricing there has remained largely unchanged for close to 14 years, supported by a volume-driven approach. He described his strategy as one focused on growing subscriber numbers while maintaining profitability.
While he did not dismiss the possibility of reviewing prices downward in future, he indicated that no such decision has been taken.
Broadcasting
Spotify Marks 5 Years in Nigeria with 163.5% Listening Surge, Afrobeats Boom

Spotify marked five years in Nigeria since its February 2021 launch with dramatic year-on-year listening growth averaging 163.5% through 2025, featuring triple-digit surges early on and sustained momentum, propelled by Afrobeats streams rocketing +5,022% alongside booming genres like Amapiano (+10,330%), Gospel/Praise (+5,499%), Hip-hop/Rap (+3,020%), and R&B (+2,602%).

Spotify
Indigenous language music listening surged +554% in Nigeria in 2024 and +87% in 2025, with global growth at +141% and +41% respectively, underscoring rising demand for local storytelling sounds.
The platform’s Nigerian artist roster expanded +158%, fueling a discovery boom where average listeners (aged 26) streamed 150 different artists recently; users created over 25 million playlists, logged 1.4 million play hours in 2025 alone, and streamed 59 billion podcast hours total.
Top Artists (2021-2025): Asake, Wizkid, Seyi Vibez, Burna Boy, Davido.
Top Songs: “Remember” (Asake), “Dealer” (Ayo Maff & Fireboy DML), “Awolowo” (Fido), “Kese (Dance)” (Wizkid), “Lonely At The Top” (Asake), “Joy is Coming” (Fido), “With You” (Davido feat. Omah Lay), “Terminator” (Asake), “MMS” (Asake feat. Wizkid), “Doha” (Seyi Vibez).
Nigeria’s debut stream was Shiga Lin’s Cantopop epitomizing borderless discovery from day one.
Broadcasting
Pheelz Shares His Journey on Glo-Sponsored African Voices

Nigerian singer, songwriter and producer Pheelz (Phillips Kayode Moses) is set to feature this weekend on African Voices Changemakers, the flagship magazine programme on CNN International.

The 30-minute episode, sponsored by digital solutions company Globacom, premieres on Saturday, February 21, 2026. In a candid sit-down with host Larry Madowo, Pheelz opens up about his journey from church musician to global hitmaker, reflecting on the intersections of faith, fame and the expanding influence of Afrobeats on the world stage.
Now 31, Pheelz began his musical path as a multi-instrumentalist in church before earning widespread acclaim in 2012 as the producer behind the hit tracks “First of All” and “Fucking with the Devil” on Olamide’s YBNL album. His rapid rise saw him named among NotJustOk’s Top 10 Hottest Producers in Nigeria in 2013.
He further solidified his reputation by producing nearly every track on Olamide’s Baddest Guy Ever Liveth, earning nominations at The Headies 2013 and in the Producer of the Year category at both The Headies 2014 and the Nigeria Entertainment Awards. In 2020, he clinched The Headies Producer of the Year award, and in 2021 secured the Soundcity MVP Award for Best Collaboration for “Finesse,” his smash hit with Bnxn (formerly Buju).
On the programme, Pheelz reflects on the experiences that shaped his sound and creative philosophy, discusses landmark collaborations, shares his perspective on artificial intelligence and artistry, and explains why sound, storytelling and culture remain central to African music’s global resonance.
The show airs on DSTV Channel 401 at 8:30 a.m. (WAT) on Saturday, with repeat broadcasts at 12:00 noon the same day; Sunday at 4:30 a.m. and 7:00 p.m.; Monday at 4:00 a.m. and 6:45 p.m.; and Tuesday at 6:45 p.m. The broadcast schedule continues through Monday of the following week.
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