Broadcasting
M-Net, Airtel Unveil Coaches for “The Voice Nigeria” Show

Leading Nigerian vocalists Tuface Idibia, Waje, Timi Dakolo and Patoranking have been announced as coaches for the maiden edition of the Airtel sponsored show, The Voice Nigeria.
The coaches were unveiled on Tuesday at The George Hotel in Ikoyi, Lagos.
The announcement of the coaches comes as preparations for the maiden edition of the show reach fever pitch following talent auditions in Calabar, Port Harcourt, Abuja and Lagos.
Speaking at the press conference, Wangi Mba-Uzoukwu, director, M-Net West Africa, said: “It’s an exciting time for us at M-Net. The Voice is an internationally renowned franchise and has consistently provided exciting television content whilst giving great opportunities to talented individuals to showcase their talent to the world. The Nigerian adaptation will be no different and our viewers can expect the best television entertainment even as we wait to discover the next generation of talented singers!”
Since its original launch in 2010, The Voice has won audiences in countries like the US, Australia, South Africa and the UK, where other renowned artistes have occupied the show’s famous red chairs as coaches.
The Voice Nigeria employs the same format including a panel of four coaches who critique the contestants’ performances.
The coaches guide their teams of selected artistes through the remainder of the season whilst also competing to ensure that their act wins the competition.
Commenting on the unveiling of Coaches, Mr. Ahmad Mokhles, the Chief Commercial Officer of Airtel Nigeria, sponsors of The Voice Nigeria, noted that Airtel is passionate about creating platforms that will delight, excite, entertain and engage talented youth as well as telecoms consumers across the country.
According to him, “The Voice Nigeria demonstrates Airtel’s commitment to its vision of connecting Nigerians to their dreams. We are also pleased by the fact that the majority of the coaches are not just icons in their respective music genres but also members of the Airtel family, underscoring our intense interest and support for the entertainment and creative industry.”
The Coaches
Innocent Ujah Idibia better known by his stage name 2face Idibia, is a Nigerian singer-songwriter, record producer and entrepreneur.
The Benue state indigene was born on the 18th of September, 1975 and is unarguably one of Nigeria and at large Africa’s renowned singing legends.
2Face began his musical career while studying at IMT in Enugu, but his professional career took off when he joined fellow artistes Black Face and Faze to form one of the most successful boy bands in Nigeria ‘The Plantashun Boyz’. A year after the band’s break up, he released his hit single African Queen.
Aituaje Iruobe popularly known as WAJE (an acronym for “Words Aren’t Just Enough”), is a Nigerian singer born on the first of September 1980.
Waje attended the Word of Faith Group of Schools where she joined the choir. As a young singer she focused mainly on gospel tunes. She received a degree in social work at the University of Nigeria, Nsukka.
During her school years, Waje focused on her musical works such as school concerts and fellowships. She listened and learned from her mentors such as Whitney Houston and Aretha Franklin to improve her music.
Patrick Nnaemeka Okorie popularly known by his stage name Patoranking, was born on the 27th of May 1990. The reggae dancehall singer and songwriter, who hails from Ebonyi state in Nigeria, started his musical career doing underground collaborations with artistes such as: Konga, Slam, X Project and Reggie Rockstone.
Patoranking started his performing arts career as a street jam and carnival dancer. With musical influences such as Buju Banton, Bob Marley, Fela Kuti, Lucky Dube, Majek Fashek, 2Face and many more, the singer songwriter describes his music as a morally inclined variation of dancehall.
Timi Dakolo was born on the 20th of January 1981 in Accra, Ghana to a Nigerian father and a Ghanaian mother.
Himself the product of a reality show, Timi started singing in church at the tender age of twelve. In 2003 he founded the musical group Purple Love. They dominated the Port Harcourt club demographic, but disbanded in 2005 as all the members gained admission into the University of Port Harcourt.
The Voice Nigeria will begin airing in April 2016. To find out more about the show and other Africa Magic programmes, please visit: www.africamagic.tv.
Broadcasting
Court Stops NBC From Punishing Broadcasters over On-Air Opinions

A Federal High Court in Lagos has restrained the National Broadcasting Commission (NBC) from sanctioning or punishing broadcast stations and presenters over the expression of personal opinions, alleged bullying of guests, or failure to maintain neutrality on air.

NBC
Justice Daniel Osiagor granted the interim injunction following an ex parte application filed by the Socio-Economic Rights and Accountability Project (SERAP) and the Nigerian Guild of Editors (NGE).
The court specifically restrained the NBC, its officers, agents and affiliated persons from enforcing its recently issued “Formal Notice” or imposing sanctions, fines or penalties on broadcasters based on provisions of the 6th Edition of the Nigeria Broadcasting Code, pending the hearing and determination of the substantive suit.
SERAP and NGE had approached the court to challenge what they described as an arbitrary and unlawful move by the commission to punish broadcasters for allegedly expressing personal opinions as facts, bullying or intimidating guests, or failing to maintain neutrality during programmes.
The groups also asked the court to determine whether the provisions of the Nigeria Broadcasting Code relied upon by NBC were inconsistent with the 1999 Constitution, as amended, and Nigeria’s international human rights obligations.
The suit followed an April statement by the NBC in which it raised concerns over what it described as increasing violations of the broadcasting code across news, current affairs and political programmes.
The commission had warned that presenters who expressed personal opinions as facts or bullied guests during live broadcasts would be sanctioned.
However, Justice Osiagor, in his ruling, held that pending the hearing of the substantive matter, the commission must refrain from using the formal notice to threaten, sanction or punish broadcast organisations and on-air personalities under the contested code provisions.
The matter was adjourned until June 1, 2026, for hearing of the motion on notice.
Broadcasting
EFCC Drags Metro Digital to Court over Alleged Illegal Access to Multichoice Signals

Economic and Financial Crimes Commission (EFCC) has arraigned Metro Digital Limited before a Federal High Court in Port Harcourt over alleged cybercrime and unlawful interception and rebroadcast of content belonging to Multichoice Nigeria.

Metro Digital
The company was arraigned before Justice A.T. Mohammed on an amended four-count charge bordering on cybercrime-related offences and alleged illegal rebroadcast of protected broadcast content.
According to a statement issued on Wednesday by EFCC’s Head of Media and Publicity, Dele Oyewale, the prosecution counsel, Steve E. Odiase, informed the court that the matter was scheduled for arraignment.
However, defence counsel, S.A. Somairi (SAN), reportedly attempted to halt the proceedings by drawing the court’s attention to a pending preliminary objection.
The judge, however, declined the request and ordered that the plea be taken in line with Section 478 of the Administration of Criminal Justice Act (ACJA), 2015, which allows a corporation to enter a plea in writing through its representative.
One of the charges alleged that Metro Digital Limited, alongside its Managing Director, Ifeanyi John Nwafor, and a staff member, Ikenna Kanu, both said to be at large, conspired between 2015 and 2019 to unlawfully intercept and rebroadcast protected broadcast signals in Port Harcourt, Rivers.
Another charge alleged that the defendants intentionally and without authorisation intercepted and rebroadcast broadcast signals and devices, including tiger boxes and dongles, over which Multichoice Nigeria holds exclusive rights in Sub-Saharan Africa.
The anti-graft agency said investigations into the matter began in 2019 after Multichoice petitioned the commission, alleging that the illegal rebroadcast of its content caused significant financial losses.
Metro Digital Limited, through its representative, pleaded not guilty to all four charges.
Following the plea, prosecution counsel prayed the court to fix a date for trial.
Justice Mohammed subsequently adjourned the case until June 29 and June 30, 2026, for continuation of trial.
Broadcasting
ipNX Powers SPAN’s Queen Esther Musical

ipNX, one of Nigeria’s telecommunications and connectivity providers, successfully powered the Queen Esther Musical, presented by the Society for the Performing Arts in Nigeria (SPAN), reinforcing its role as a key enabler of innovation across industries through reliable, high-speed connectivity.

Held at Guiding Light Assembly, Parkview, Ikoyi recently, the Queen Esther Musical delivered a captivating blend of music, drama, and visual storytelling to a packed audience. Behind the scenes, ipNX’s advanced fiber-optic infrastructure played a critical role in ensuring seamless execution, supporting the production’s extensive technical requirements, from synchronized audiovisual systems to real-time digital enhancements that enriched the overall experience for the audience within the auditorium and on digital platforms.
As sophisticated technology integrates into live performances, the demand for stable, high-capacity bandwidth to deliver this experience to online audiences has become essential. ipNX provided technical support, delivering uninterrupted connectivity that enabled production teams to coordinate effectively and execute a technically complex show without disruption. The event served as a powerful demonstration of how telecommunications infrastructure can elevate creative expression and redefine audience engagement.
“Our involvement in the Queen Esther Musical reflects our commitment to powering experiences that matter,” said Akintunde Taiwo, Head of Sales, ipNX Retail. “This production broadcast required precision, speed, and reliability, all of which our network is designed to deliver. Beyond telecoms, we see ourselves as partners in progress across sectors, and this collaboration with SPAN highlights how our solutions can seamlessly support the creative industry just as effectively as we do small enterprises and critical services.”
For SPAN, the partnership translated into a production that fully leveraged technology to enhance storytelling and audience immersion.
“We were proud to collaborate with ipNX on the Queen Esther Musical,” said Sarah Boulous, Founder of SPAN. “The scale and ambition of this production required a technology partner we could rely on completely as we wanted audience to enjoy seamless streaming on the Zaia app. ipNX delivered exceptional bandwidth and stability, allowing us to integrate digital elements seamlessly and create a truly memorable experience. Their support played a significant role in bringing our creative vision to life.”
The Queen Esther Musical not only entertained but also illustrated the growing intersection between technology and the arts in Nigeria. ipNX’s role in powering the event highlights its broader mission to connect people, ideas, and industries and ensure that innovation is supported by infrastructure capable of meeting modern demands.
By bridging connectivity and creativity, ipNX continues to demonstrate that its impact extends far beyond traditional telecommunications, positioning the company as a trusted partner in shaping experiences across Nigeria’s evolving economic and cultural landscape.
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