Broadcasting
M-Net Clocks 30, to Launch ‘On-Screen Birthday Bash’

Africa’s pioneering TV channel, M-Net, is about to hit a milestone birthday– the big 3-0! In October 2016, it will be 30 years since the very first M-Net subscribers connected their newly-acquired analogue decoders.
This was a major entertainment breakthrough at the time giving viewers access to a brand new world of great television.
To celebrate the milestone, M-Net will be launching the ‘on-screen birthday bash’, M-Net Movies Blockparty on DStv 109.
The channels will run for the entire month of October playing everyone’s favourite comedy movie hits, the latest comedy shows and handing the mic over to the world’s best stand-up comedians. The channel will be rolling out the red carpet for comedy greats Seth Rogen, Eddie Murphy, Amy Schumer, Jim Carrey, Leon Schuster, Steve Martin, Austin Powers, Kevin Hart, Trevor Noah, Ellen DeGeneres, Martin Lawrence and many more.
“M-Net would not have been where it is today without the loyal support of our viewers,” says M-Net’s CEO Yolisa Phahle.
“M-Net Movies BlockParty will have something for everyone and provide shows for the whole family to enjoy together. Comedy is always popular and we would like our viewers to have some fun, so we look forward to celebrating our big birthday with as many people as possible.”
What started as one analogue channel has grown into an array of more than 40 channels (including Africa Magic, Maisha Magic East, Jango Magic, Zambezi Magic and M-Net Edge), addressing the viewing needs of diverse audiences in almost 50 countries across the African continent.
In curating and creating the very best content and channels for DStv customers, M-Net also boasts an impressive and long list of revolutionary moves and “firsts”– from being the first to screen movies without ad breaks to bringing local versions of blockbuster reality shows like Big Brother Africa, The Voice and Idols to our shores, producing multiple language-specific TV channels, going HD and adding events-driven pop-up channels as well as services like “Express from the US” giving DStv customers the best content from around the world first.
M-Net Movies BlockParty will be screened around the clock for 30 days. Each night there will be seriously funny classic series, side-splitting and raucous stand-up comedy shows.
Apart from the M-Net Movies BlockParty pop-up channel, M-Net is also producing an exclusive TV special about the history and evolution of the network, as well as the way in which it has developed the African film and television industry and positively changed the lives of many people.
Apart from the M-Net Movies BlockParty pop-up channel, M-Net is also producing an exclusive TV special about the history and evolution of the network, as well as the way in which it has developed the African film and television industry and positively changed the lives of many people.
The nostalgic TV special gives viewers the opportunity to hear from M-Net’s biggest stars and will be screened on several of the M-Net channels in early November.
Broadcasting
Mbunabo, Nigerian Filmmaker Accuses Ghana TV Stations of Pirating Nollywood Films

Uchenna Mbunabo, Nigerian filmmaker, has raised concerns over the alleged unauthorised broadcast of Nollywood films by some Ghanaian television stations, calling on Ghana’s National Film Authority (NFA) to strengthen the enforcement of copyright laws.

Uchenna Mbunabo, Nigerian filmmaker
Mbunabo made the remarks during a conversation with James Gardiner, deputy CEO of the National Film Authority (NFA) of Ghana.
He questioned whether it was permissible for television stations in Ghana to download Nigerian movies from YouTube and air them without obtaining permission from the producers.
“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalised in your country for TV stations to go on YouTube, download people’s sweat and show it for free?”
According to Mbunabo, some Ghanaian television stations have been downloading newly released Nollywood films from YouTube and broadcasting them without authorisation, depriving producers of revenue generated through the platform.
He also stated that he had not witnessed Nigerian television stations engaging in similar practices and questioned what measures Ghana was taking to protect filmmakers’ intellectual property.
Responding to the concerns, Gardiner acknowledged that the issue exists and said the National Film Authority had begun engaging relevant stakeholders to address it.
He disclosed that the NFA has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC) on improving copyright enforcement.
Gardiner explained that while Ghana has copyright laws, enforcement remains challenging because many television stations now operate digitally and may not have physical offices within the country.
“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital.”
He added that authorities are considering a new licensing framework that would require broadcasters to undergo a fresh licensing process to improve monitoring and enforcement.
According to Gardiner, television stations found guilty of illegally broadcasting copyrighted content would be required to compensate affected producers through fines.
He added that repeat offenders could face suspension of their broadcasting licences, while a third violation could result in the revocation of their licences.
Although he did not provide a specific timeline, Gardiner said the reforms were already underway and expressed hope that significant progress would be seen next year.
Mbunabo welcomed the proposed measures but urged the National Film Authority to expedite the process, stating that unauthorised broadcasts continue to affect filmmakers’ ability to recover production costs through legitimate distribution channels such as YouTube.
He also stressed that his comments were not directed at Ghana’s film industry, noting that he has worked with several Ghanaian actors over the years and supports collaborations between Nollywood and Ghallywood.
Broadcasting
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Broadcasting
BON Establishes Six Ad Hoc Committees to Modernize Broadcasting

Broadcasting Organization of Nigeria (BON) has established six committees to help strengthen and modernize the country’s broadcasting industry.

The committees will focus on content creation, skills development, digital transformation, sustainability, policy and commercial opportunities
The initiative aims to support industry growth and improve collaboration between broadcasters, regulators and media experts
The official launch recently, was led by Tony Akiotu, president, BON and attended by media professionals, program directors, former journalists and heads of specialized media organizations.
The event brought together several prominent figures in Nigeria’s media industry, including veteran broadcaster and trainer Bimbo Oloyede, Tony Uyah of M4S TV, Kingsley Uranta of Channels Television, Ismael Sani of Platinum TV and Ibrahim Shehu of Trust TV.
Together, they are expected to help drive innovation and support the growth of Nigeria’s broadcasting sector.
According to Akiotu, the committees are intended both to help shape industry policy and to provide a forum for dialogue between BON and broadcasting experts.
Akiotu said the ad hoc committees were intended to strengthen BON’s work and ensure that the umbrella body for Nigeria’s broadcasters played a more direct and meaningful role in developing the country’s broadcasting sector.
The six committees reflect the sector’s main priorities. The first focuses on collaboration and innovation to promote content creation.
The second is dedicated to training and talent development, while the third focuses on industry sustainability by improving the sector’s long-term financial viability.
A fourth committee will focus on digital transformation and work with the National Broadcasting Commission (NBC) on regulatory issues.
The remaining two committees will oversee public policy advocacy and the development of sports and commercial rights to help broadcasters increase revenue and attract more investment. Together, the committees are expected to guide BON’s efforts to modernize and strengthen Nigeria’s broadcasting industry.
The committees, chaired by members of BON’s General Assembly and supported by the organization’s Secretariat, have an initial 12-month mandate that may be renewed if necessary.
They are required to submit a progress report within three months and implement approved recommendations within the following six months.
The arrangement is intended to ensure close oversight and the timely implementation of their work.
Akiotu also reminded committee members that Nigeria pioneered television broadcasting in Africa and urged them to carry out their work with greater effectiveness and efficiency.
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