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Big Brother Returns with ‘Stargame’

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L-R: Managing Director, Fidelity Bank Plc, Mr. Reginald Ihejiahi; Central Bank of Nigeria (CBN) Deputy Governor, Operations Directorate, Tunde Lemo and FCMB's Vice President and Group Head, Project & Structured Finance, Robert Grant, at the special forum on Financing the Power Sector Reforms for Economic Development, in Abuja over the weekend.
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Africa’s largest reality show, Big Brother Africa by M-Net, is in its seventh season. The seventh edition to be known as ‘Stargame’ starts on Sunday, May 6 when M-Net opens the doors of Big Brother House to selected housemates from the different parts of the continent. This year, BBA will be live on DStv exclusively for 91 days and it will be 24/7. That is actually no news to ardent followers who have kept faith with the series for six seasons beginning from 2003, the edition won by Zambian Cherise Makubale. “One of the main reasons for the success of Big Brother, in Africa and beyond the continent, is that it creates its own stars from the minute housemates step into the spotlight,” says M-Net Africa Managing Director, Biola Alabi. “The show is built on the idea that, given the chance, anyone can be a star, anyone can find themselves shot to stardom. So this year, we’re honouring this essential element of the show directly in the title, putting the concept of rising stars and dreams of stardom right at the front of what is a challenging, fun, dramatic game.” Three major surprises await BBA followers this season. The first: each contestant must enter with a partner – your best friend, boyfriend, girlfriend, mom, dad, brother, sister, boss, husband, wife, neighbour, hairdresser, anybody! Whao! That, according to M-Net, is called “Double Up”. Mrs Alabi said: “The really big news this season is that entrants must enter as pairs. In the past we’ve seen a natural and continuous cross-over between individuals and their families, their friends. So this year, we decided to include that as part of the game. It will definitely make a dramatic addition to the series so we urge people to enter and experience what will be a uniquely different Big Brother Africa!” The second surprise: an addition of two new participating countries, which are Liberia and Sierra-Leone. M-Net announced that two previous participating countries, Ethiopia and Mozambique will play new part in this year’s edition. Ethiopia, M-Net said, opted out of the show. The reason is not stated. But it can be inferred from the performances of the two housemates – Yacob and Hanni – who represented the country in the previous three editions that Ethiopia featured in. Many analysts of the show felt these two didn’t put up strong performances to clinch the ultimate prize. For Mozambique, M-Net said, there will be a new role. What role this is, M-Net didn’t state yet. Big Brother is full of twists and turns, so viewers can only keep guessing at what awaits them. The third and the biggest surprise: M-Net has increased the prize money from $200,000 to $300,000. In Nigeria, if converted to Naira, this literally equals N50 million. And it is a winner-takes-all! M-Net auditions for BBA7 housemates have kicked off across the continent. Nigeria’s audition held in Lagos on Monday March 5, Tuesday March 6 and Wednesday March 7 at the Protea Leadway Hotel, Maryland. From across the federation, thousands of hopefuls gathered at the audition venue to try their luck. Then the drama this season portends started to play out. In the first instance, one would have concluded that the fact that Nigerian housemates, three times in a row, won the fourth, fifth and sixth editions, and therefore no contestant stands a chance in subsequent editions. But no; Nigerians, of course, older than 21 years, trooped to the venue in their thousands jostling for the slot to represent the country when the show starts in May. Beginning with Kevin Chuwang Pam in 2009; second-time lucky Uti Nwachukwu in 2010, and Karen Igho, a joint-winner in 2011, the show is gradually becoming a Nigeria affair. That was not the drama. The drama played out in the line-up of the people that showed up as partners to compete. Grandmothers came with their nephews, some ladies came with their mothers, boyfriends partnered girlfriends, and a popular act, Trybson (played Dagrin in Ghetto Dreams) came with his manager. There were cases of boyfriends or girlfriends who waited in vain for their partners to show up at the venue and while it was becoming clear their partners were not going to show up, hooked up with other jilted but available partners. One began to wonder how all these elements will play out when the show eventually starts. It was stated in M-Net’s advert for interested participants that entrants for this season, as with previous seasons, must be fun-loving, vocal, creative, original and articulate. In addition to those characteristics, entrants must demonstrate the social flexibility to live in close proximity with others and must be tolerant of views and lifestyle choices other than their own. The piece of information supplied above is vital in the view of previous episodes and encounters with housemates who showed strong objections to the views and behaviour of other housemates leading to altercations and violence, resulting in such housemates’ consequent disqualification; Ugandan Hannington and Tanzanian Lotus in Big Brother All Stars and Big Brother Amplified, respectively. BBA is one show that consciously puts to test housemates’ emotions, attitudes and actions. In playing the game as fairly as they could be, housemates set themselves up for series of intrigues, drama, controversies, conspiracy and the likes, having it at the back of their minds that it’s just a game. It is only when the show is taken seriously beyond the realm of a game that tension is created and clashes occur. In the new edition, viewers must look forward to how the different characters being assembled by M-Net across the continent will accept, tolerate, and cooperate with one another to create an exciting show to last the duration of 91 days. He claimed that skeletal services had “eventually led to the avoidable access of armed robbers to the banking premises through bank staff private entrance. “No bank in Ijebu land should render skeletal services to customers henceforth until the forum’s demands on security are fully met by the state government.” “Staff should move away from banks’ premises till further notice. No loading of ATM should be carried out by any bank. Any robbery attack arising as a result of culpability of any bank shall be viewed as connivance and collaboration with the robbers,” he warned. Olusoga warned that the forum would “not defend or issue any statement to absolve any bank official who out of his carelessness allows his bank to be robbed through skeletal services rendered.” On the assurances by the state government that five APCs would arrive the state by Friday, he said the bankers would call off the action once the armoured vehicles were physically on ground. Corroborating, Tunde Onadeko, chairman, Bankers’ Forum in Sagamu said all banks in the axis have also been directed to shut operations. “We are together in this agitation. Whatever you hear from the Ijebu Bankers’ Forum is our position,” Onadeko said. Meanwhile, Bola Onifade, state chairman of the forum said banks in Abeokuta would open for normal business and denied insinuations that the state government pressured him to back out of the action.


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Broadcasting

Mbunabo, Nigerian Filmmaker Accuses Ghana TV Stations of Pirating Nollywood Films

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Uchenna Mbunabo, Nigerian filmmaker, has raised concerns over the alleged unauthorised broadcast of Nollywood films by some Ghanaian television stations, calling on Ghana’s National Film Authority (NFA) to strengthen the enforcement of copyright laws.

Mbunabo, Nigerian Filmmaker Accuses Ghana TV Stations of Pirating Nollywood Films

Uchenna Mbunabo, Nigerian filmmaker

Mbunabo made the remarks during a conversation with James Gardiner, deputy CEO of the National Film Authority (NFA) of Ghana.

He questioned whether it was permissible for television stations in Ghana to download Nigerian movies from YouTube and air them without obtaining permission from the producers.

“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalised in your country for TV stations to go on YouTube, download people’s sweat and show it for free?”

According to Mbunabo, some Ghanaian television stations have been downloading newly released Nollywood films from YouTube and broadcasting them without authorisation, depriving producers of revenue generated through the platform.

He also stated that he had not witnessed Nigerian television stations engaging in similar practices and questioned what measures Ghana was taking to protect filmmakers’ intellectual property.

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Responding to the concerns, Gardiner acknowledged that the issue exists and said the National Film Authority had begun engaging relevant stakeholders to address it.

He disclosed that the NFA has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC) on improving copyright enforcement.

Gardiner explained that while Ghana has copyright laws, enforcement remains challenging because many television stations now operate digitally and may not have physical offices within the country.

“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital.”

He added that authorities are considering a new licensing framework that would require broadcasters to undergo a fresh licensing process to improve monitoring and enforcement.

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According to Gardiner, television stations found guilty of illegally broadcasting copyrighted content would be required to compensate affected producers through fines.

He added that repeat offenders could face suspension of their broadcasting licences, while a third violation could result in the revocation of their licences.

Although he did not provide a specific timeline, Gardiner said the reforms were already underway and expressed hope that significant progress would be seen next year.

Mbunabo welcomed the proposed measures but urged the National Film Authority to expedite the process, stating that unauthorised broadcasts continue to affect filmmakers’ ability to recover production costs through legitimate distribution channels such as YouTube.

He also stressed that his comments were not directed at Ghana’s film industry, noting that he has worked with several Ghanaian actors over the years and supports collaborations between Nollywood and Ghallywood.

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From Scarcity to Scale: What Africa Can Learn from India’s Agricultural Transformation 

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By Alice Ruhweza and Dr Purvi Mehta
Food security is often framed as a question of production. Yet at its core, it is about something far more fundamental: how societies organise themselves to ensure that food remains reliably available, accessible, and affordable. In that sense, food is not only a commodity. It is a public good, central to economic stability, social cohesion, and national resilience. Food sector also continues to remain the largest employment generator across developing countries.
India’s transformation from a food deficit nation to one of the world’s largest agricultural producers is frequently linked to the Green Revolution. Focusing too narrowly on that moment misses the broader lesson, aligning policy, institutions, markets, and science around a clear national objective. That alignment moved India from vulnerability to resilience, and increasingly to economic strength.
For Africa, the question is not whether that journey can be replicated. It is what can be learned from how it was built, and how those lessons inform a different context.
A transformation shaped by leadership and systems
India’s agricultural progress reflects decades of political commitment, public investment, and institutional development.
Scientific advances mattered, but so did procurement systems, rural infrastructure, financing mechanisms, farmer participation and research networks. These elements worked together to stabilise food supply and support rural livelihoods. Agriculture was treated as a national priority linked to economic and political stability.
Governments invested in increasing production and ensuring food systems delivered broader outcomes, including stability, price predictability, and social protection. Public grain reserves, price support mechanisms, and distribution systems built food security and underpinned national resilience.
Shared foundations, different realities
Agriculture plays a central role in India’s economy supporting a large workforce and remains closely tied to food security and economic stability. Africa shares structural similarities – agriculture remains central to livelihoods and large rural populations depend on it for income and stability.
The differences are equally significant. Africa’s agricultural systems are diverse, spanning multiple agroecology and climate conditions. Climate exposure is acute, markets fragmented and the pace of population growth faster. The pressure to generate jobs and economic opportunity is immediate. This is not a case of one region following another along a fixed path. It is a different starting point with different pressures. Africa must design its own pathway rather than replicate a historical model.
What the transformation journey reveals
India’s experience offers a set of principles about how transformation happens. First, transformation is built over time, requires sustained political commitment and consistent investment. Progress is cumulative and depends on alignment across multiple parts of the system.
Second, institutions matter as much as innovation. Research systems, extension services, market structures, and financing mechanisms all ensure that productivity gains translate into stable outcomes for farmers.
Third, agriculture must be treated as an economic system. Producing more food is one part of the equation. Markets, value chains, storage, and price realization determine farmers’ benefit. Fourth, food systems require public purpose. Left entirely to market forces, they may not deliver stability, equity, or resilience. Public policy ensures food systems serve broader societal goals.
Fifth, technology development is important, but the impact comes from how well the technology is disseminated and adopted. Affordability and access to technology optimizes the potential of technology.
Finally, inclusion must be deliberate. Even successful transformations can produce uneven outcomes unless access to resources and opportunities is designed to reach smallholders, women, and young people.
From productivity to farmer prosperity
The important shift for Africa is to move beyond a narrow focus on productivity towards a clearer focus on farmer prosperity. Agriculture remains the primary source of livelihood for millions, yet many farmers operate below viable economic thresholds, with limited access to markets, finance, and value addition opportunities.
The next phase of transformation must focus on converting agricultural activity into stable and growing incomes. This requires systems that connect production to markets, strengthen participation in value chains, and support farming as a viable economic enterprise.
Farmer prosperity is not simply a social ambition. It is an economic imperative. When farmers generate reliable incomes, they invest more, produce efficiently and participate fully in markets, strengthening economies and long-term development.
An evolving approach across Africa
Institutions such as AGRA work with governments, research systems, and private actors to strengthen these foundations. The emphasis is on aligning evidence, markets, finance, and policy for agricultural systems to function coherently and deliver measurable outcomes, shifting away from isolated interventions to coordinated efforts that link productivity, market access, and income growth.
Africa’s opportunity is different
Africa enters this moment with advantages such as digital connectivity is expanding, regional markets are growing, national and regional institutions are strengthening. Access to knowledge and technology is greater than ever before.
These conditions create the possibility not only to accelerate progress, but to design it differently. Climate resilience, diversification, and market participation can be integrated from the outset to build inclusive, adaptive and more sustainable food systems.
A new phase of agricultural transformation
India’s journey demonstrates large scale agricultural transformation is possible. It shows how it is built through leadership, institutions, and long-term commitment. Africa’s path will not be identical, but the ambition is similar: to ensure agriculture functions not only as a source of food, but as a driver of economic growth and stability.
The question is no longer whether transformation can happen. It’s whether leadership, systems, and partnerships will align to make it happen at scale.
Ms Ruhweza is the current AGRA President and Dr Mehta is an international development expert and advisor

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BON Establishes Six Ad Hoc Committees to Modernize Broadcasting

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Broadcasting Organization of Nigeria (BON) has established six committees to help strengthen and modernize the country’s broadcasting industry.

The committees will focus on content creation, skills development, digital transformation, sustainability, policy and commercial opportunities

The initiative aims to support industry growth and improve collaboration between broadcasters, regulators and media experts

The official launch recently, was led by Tony Akiotu, president, BON and attended by media professionals, program directors, former journalists and heads of specialized media organizations.

The event brought together several prominent figures in Nigeria’s media industry, including veteran broadcaster and trainer Bimbo Oloyede, Tony Uyah of M4S TV, Kingsley Uranta of Channels Television, Ismael Sani of Platinum TV and Ibrahim Shehu of Trust TV.

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Together, they are expected to help drive innovation and support the growth of Nigeria’s broadcasting sector.

According to Akiotu, the committees are intended both to help shape industry policy and to provide a forum for dialogue between BON and broadcasting experts.

Akiotu said the ad hoc committees were intended to strengthen BON’s work and ensure that the umbrella body for Nigeria’s broadcasters played a more direct and meaningful role in developing the country’s broadcasting sector.

The six committees reflect the sector’s main priorities. The first focuses on collaboration and innovation to promote content creation.

The second is dedicated to training and talent development, while the third focuses on industry sustainability by improving the sector’s long-term financial viability.

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A fourth committee will focus on digital transformation and work with the National Broadcasting Commission (NBC) on regulatory issues.

The remaining two committees will oversee public policy advocacy and the development of sports and commercial rights to help broadcasters increase revenue and attract more investment. Together, the committees are expected to guide BON’s efforts to modernize and strengthen Nigeria’s broadcasting industry.

The committees, chaired by members of BON’s General Assembly and supported by the organization’s Secretariat, have an initial 12-month mandate that may be renewed if necessary.

They are required to submit a progress report within three months and implement approved recommendations within the following six months.

The arrangement is intended to ensure close oversight and the timely implementation of their work.

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Akiotu also reminded committee members that Nigeria pioneered television broadcasting in Africa and urged them to carry out their work with greater effectiveness and efficiency.

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