Broadcasting
Big Brother Returns with ‘Stargame’

Africa’s largest reality show, Big Brother Africa by M-Net, is in its seventh season. The seventh edition to be known as ‘Stargame’ starts on Sunday, May 6 when M-Net opens the doors of Big Brother House to selected housemates from the different parts of the continent. This year, BBA will be live on DStv exclusively for 91 days and it will be 24/7. That is actually no news to ardent followers who have kept faith with the series for six seasons beginning from 2003, the edition won by Zambian Cherise Makubale. “One of the main reasons for the success of Big Brother, in Africa and beyond the continent, is that it creates its own stars from the minute housemates step into the spotlight,” says M-Net Africa Managing Director, Biola Alabi. “The show is built on the idea that, given the chance, anyone can be a star, anyone can find themselves shot to stardom. So this year, we’re honouring this essential element of the show directly in the title, putting the concept of rising stars and dreams of stardom right at the front of what is a challenging, fun, dramatic game.” Three major surprises await BBA followers this season. The first: each contestant must enter with a partner – your best friend, boyfriend, girlfriend, mom, dad, brother, sister, boss, husband, wife, neighbour, hairdresser, anybody! Whao! That, according to M-Net, is called “Double Up”. Mrs Alabi said: “The really big news this season is that entrants must enter as pairs. In the past we’ve seen a natural and continuous cross-over between individuals and their families, their friends. So this year, we decided to include that as part of the game. It will definitely make a dramatic addition to the series so we urge people to enter and experience what will be a uniquely different Big Brother Africa!” The second surprise: an addition of two new participating countries, which are Liberia and Sierra-Leone. M-Net announced that two previous participating countries, Ethiopia and Mozambique will play new part in this year’s edition. Ethiopia, M-Net said, opted out of the show. The reason is not stated. But it can be inferred from the performances of the two housemates – Yacob and Hanni – who represented the country in the previous three editions that Ethiopia featured in. Many analysts of the show felt these two didn’t put up strong performances to clinch the ultimate prize. For Mozambique, M-Net said, there will be a new role. What role this is, M-Net didn’t state yet. Big Brother is full of twists and turns, so viewers can only keep guessing at what awaits them. The third and the biggest surprise: M-Net has increased the prize money from $200,000 to $300,000. In Nigeria, if converted to Naira, this literally equals N50 million. And it is a winner-takes-all! M-Net auditions for BBA7 housemates have kicked off across the continent. Nigeria’s audition held in Lagos on Monday March 5, Tuesday March 6 and Wednesday March 7 at the Protea Leadway Hotel, Maryland. From across the federation, thousands of hopefuls gathered at the audition venue to try their luck. Then the drama this season portends started to play out. In the first instance, one would have concluded that the fact that Nigerian housemates, three times in a row, won the fourth, fifth and sixth editions, and therefore no contestant stands a chance in subsequent editions. But no; Nigerians, of course, older than 21 years, trooped to the venue in their thousands jostling for the slot to represent the country when the show starts in May. Beginning with Kevin Chuwang Pam in 2009; second-time lucky Uti Nwachukwu in 2010, and Karen Igho, a joint-winner in 2011, the show is gradually becoming a Nigeria affair. That was not the drama. The drama played out in the line-up of the people that showed up as partners to compete. Grandmothers came with their nephews, some ladies came with their mothers, boyfriends partnered girlfriends, and a popular act, Trybson (played Dagrin in Ghetto Dreams) came with his manager. There were cases of boyfriends or girlfriends who waited in vain for their partners to show up at the venue and while it was becoming clear their partners were not going to show up, hooked up with other jilted but available partners. One began to wonder how all these elements will play out when the show eventually starts. It was stated in M-Net’s advert for interested participants that entrants for this season, as with previous seasons, must be fun-loving, vocal, creative, original and articulate. In addition to those characteristics, entrants must demonstrate the social flexibility to live in close proximity with others and must be tolerant of views and lifestyle choices other than their own. The piece of information supplied above is vital in the view of previous episodes and encounters with housemates who showed strong objections to the views and behaviour of other housemates leading to altercations and violence, resulting in such housemates’ consequent disqualification; Ugandan Hannington and Tanzanian Lotus in Big Brother All Stars and Big Brother Amplified, respectively. BBA is one show that consciously puts to test housemates’ emotions, attitudes and actions. In playing the game as fairly as they could be, housemates set themselves up for series of intrigues, drama, controversies, conspiracy and the likes, having it at the back of their minds that it’s just a game. It is only when the show is taken seriously beyond the realm of a game that tension is created and clashes occur. In the new edition, viewers must look forward to how the different characters being assembled by M-Net across the continent will accept, tolerate, and cooperate with one another to create an exciting show to last the duration of 91 days. He claimed that skeletal services had “eventually led to the avoidable access of armed robbers to the banking premises through bank staff private entrance. “No bank in Ijebu land should render skeletal services to customers henceforth until the forum’s demands on security are fully met by the state government.” “Staff should move away from banks’ premises till further notice. No loading of ATM should be carried out by any bank. Any robbery attack arising as a result of culpability of any bank shall be viewed as connivance and collaboration with the robbers,” he warned. Olusoga warned that the forum would “not defend or issue any statement to absolve any bank official who out of his carelessness allows his bank to be robbed through skeletal services rendered.” On the assurances by the state government that five APCs would arrive the state by Friday, he said the bankers would call off the action once the armoured vehicles were physically on ground. Corroborating, Tunde Onadeko, chairman, Bankers’ Forum in Sagamu said all banks in the axis have also been directed to shut operations. “We are together in this agitation. Whatever you hear from the Ijebu Bankers’ Forum is our position,” Onadeko said. Meanwhile, Bola Onifade, state chairman of the forum said banks in Abeokuta would open for normal business and denied insinuations that the state government pressured him to back out of the action.
Broadcasting
Mbunabo, Nigerian Filmmaker Accuses Ghana TV Stations of Pirating Nollywood Films

Uchenna Mbunabo, Nigerian filmmaker, has raised concerns over the alleged unauthorised broadcast of Nollywood films by some Ghanaian television stations, calling on Ghana’s National Film Authority (NFA) to strengthen the enforcement of copyright laws.

Uchenna Mbunabo, Nigerian filmmaker
Mbunabo made the remarks during a conversation with James Gardiner, deputy CEO of the National Film Authority (NFA) of Ghana.
He questioned whether it was permissible for television stations in Ghana to download Nigerian movies from YouTube and air them without obtaining permission from the producers.
“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalised in your country for TV stations to go on YouTube, download people’s sweat and show it for free?”
According to Mbunabo, some Ghanaian television stations have been downloading newly released Nollywood films from YouTube and broadcasting them without authorisation, depriving producers of revenue generated through the platform.
He also stated that he had not witnessed Nigerian television stations engaging in similar practices and questioned what measures Ghana was taking to protect filmmakers’ intellectual property.
Responding to the concerns, Gardiner acknowledged that the issue exists and said the National Film Authority had begun engaging relevant stakeholders to address it.
He disclosed that the NFA has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC) on improving copyright enforcement.
Gardiner explained that while Ghana has copyright laws, enforcement remains challenging because many television stations now operate digitally and may not have physical offices within the country.
“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital.”
He added that authorities are considering a new licensing framework that would require broadcasters to undergo a fresh licensing process to improve monitoring and enforcement.
According to Gardiner, television stations found guilty of illegally broadcasting copyrighted content would be required to compensate affected producers through fines.
He added that repeat offenders could face suspension of their broadcasting licences, while a third violation could result in the revocation of their licences.
Although he did not provide a specific timeline, Gardiner said the reforms were already underway and expressed hope that significant progress would be seen next year.
Mbunabo welcomed the proposed measures but urged the National Film Authority to expedite the process, stating that unauthorised broadcasts continue to affect filmmakers’ ability to recover production costs through legitimate distribution channels such as YouTube.
He also stressed that his comments were not directed at Ghana’s film industry, noting that he has worked with several Ghanaian actors over the years and supports collaborations between Nollywood and Ghallywood.
Broadcasting
From Scarcity to Scale: What Africa Can Learn from India’s Agricultural Transformation


Broadcasting
BON Establishes Six Ad Hoc Committees to Modernize Broadcasting

Broadcasting Organization of Nigeria (BON) has established six committees to help strengthen and modernize the country’s broadcasting industry.

The committees will focus on content creation, skills development, digital transformation, sustainability, policy and commercial opportunities
The initiative aims to support industry growth and improve collaboration between broadcasters, regulators and media experts
The official launch recently, was led by Tony Akiotu, president, BON and attended by media professionals, program directors, former journalists and heads of specialized media organizations.
The event brought together several prominent figures in Nigeria’s media industry, including veteran broadcaster and trainer Bimbo Oloyede, Tony Uyah of M4S TV, Kingsley Uranta of Channels Television, Ismael Sani of Platinum TV and Ibrahim Shehu of Trust TV.
Together, they are expected to help drive innovation and support the growth of Nigeria’s broadcasting sector.
According to Akiotu, the committees are intended both to help shape industry policy and to provide a forum for dialogue between BON and broadcasting experts.
Akiotu said the ad hoc committees were intended to strengthen BON’s work and ensure that the umbrella body for Nigeria’s broadcasters played a more direct and meaningful role in developing the country’s broadcasting sector.
The six committees reflect the sector’s main priorities. The first focuses on collaboration and innovation to promote content creation.
The second is dedicated to training and talent development, while the third focuses on industry sustainability by improving the sector’s long-term financial viability.
A fourth committee will focus on digital transformation and work with the National Broadcasting Commission (NBC) on regulatory issues.
The remaining two committees will oversee public policy advocacy and the development of sports and commercial rights to help broadcasters increase revenue and attract more investment. Together, the committees are expected to guide BON’s efforts to modernize and strengthen Nigeria’s broadcasting industry.
The committees, chaired by members of BON’s General Assembly and supported by the organization’s Secretariat, have an initial 12-month mandate that may be renewed if necessary.
They are required to submit a progress report within three months and implement approved recommendations within the following six months.
The arrangement is intended to ensure close oversight and the timely implementation of their work.
Akiotu also reminded committee members that Nigeria pioneered television broadcasting in Africa and urged them to carry out their work with greater effectiveness and efficiency.
News3 days agoXora Finance, Fintech Firm Refuses to Hire Nigerians over Alleged Dishonesty
Telecom3 days agoNCC Advances Dig Once Policy, Engages Stakeholders on Cost-Based Framework for Duct Sharing
Telecom3 days agoNCC to Keynote Telecom Sector Sustainability Forum 7.0
General News3 days agoFG Secures Fresh $208.3m World Bank Loan for Cash Transfer
News3 days agoHow Ponzi Scheme Victims can Seek Legal Remedies — Lawyers
Telecom2 days agoMTN Nigeria Slashes Cost of Broadband Internet Router, Unwraps New Data Bundles for Low-Budget Users
News3 days agoPalmPay Nigeria Appoints Samuel Oluyemi as Chief Operating Officer
General News3 days agoSERAP Sues INEC over Alleged N800Bn 2027 Tinubu Campaign Fund

















