Broadcasting
Minister Tasks New NTA Board On Professionalism, National Integration

Alhaji Lai Mohammed, minister of Information and Culture, has challenged the Nigerian Television Authority (NTA) to leverage on its rich experience and the unique power of technology to enhance its professionalism, while also serving as an effective tool of national integration.
The Minister issued the challenge on Tuesday while inaugurating the new Management Board of the NTA, chaired by Chief Duro Onabule.
”The NTA’s key function is to provide independent and impartial television broadcasting for general reception as a public service in the interest of Nigeria. No other television station in Nigeria is charged with the same social responsibility of public interest broadcasting. Accordingly, the NTA must continue to serve as a tool for National Integration,” he said.
Alhaji Mohammed said the NTA must borrow a leaf from its golden era of the 1980s-1990s, when it churned out relevant, impactful and desirable programmes such as Village Headmaster, Sa Manja, Masquerade, Cock Crow at Dawn, Behind the Clouds, Mirror in the Sun, Bala Miller Show and Giant in the Sun, in its efforts to reposition itself for a more stellar future.
He said while the NTA cannot afford to indulge in the ”political arguments” over how it lost its shine, ”there is a clear challenge in front of us, to take the NTA to new heights, to re-establish our social contract with our viewers and audiences, to lead the way in keeping the nation informed and educated, and all this while stepping boldly into the new future of digital broadcasting that is already threatening to leave us behind. We must take on these objectives without fear, favour or distraction.”
The Minister urged the new management board to ensure that the new content development strategy for the NTA promotes government initiatives and programmes in a more professional manner; and that the television station must explore strategic partnerships with key government MDAs as well as strategic partnerships with key foreign partners and investors in media and broadcasting.
He described the ongoing transition from Analogue to Digital broadcasting, known as Digital Switch Over (DSO), as a new dawn for programming in Nigeria and Africa.
”It comes pregnant with opportunities to do things in a better way. The availability of more television channels and the changes in the structure of signal delivery opens up new possibilities in both public and private broadcasting. Besides Dramas and Soaps, the NTA also needs to invest urgently in a wide variety of programming types to give more depth and breadth to its broadcast.
”In the seemingly ‘traditional’ areas like news gathering and presentation, the NTA must strive to regain top spot. We must exert our creativity, independence and resources to gain traction over rival outlets. We must become reputed as a neutral, truthful and professional media outlet at the fore of the quest to bring integrity into today’s world of ‘alternative facts’ and ‘fake news’.”
Responding on behalf of the board, the Chairman, Chief Onabule, thanked President Buhari for finding them worthy of the appointment and pledged to partner with the Minister to reposition NTA for effective service delivery,
Other members of the board are: Dr. Steve Egbo, Abdul Hamid Salisu Dembos, Mohammed Labo, Fatima Bada, Stephen Okpanachi and Wole Coker.
Broadcasting
Mbunabo, Nigerian Filmmaker Accuses Ghana TV Stations of Pirating Nollywood Films

Uchenna Mbunabo, Nigerian filmmaker, has raised concerns over the alleged unauthorised broadcast of Nollywood films by some Ghanaian television stations, calling on Ghana’s National Film Authority (NFA) to strengthen the enforcement of copyright laws.

Uchenna Mbunabo, Nigerian filmmaker
Mbunabo made the remarks during a conversation with James Gardiner, deputy CEO of the National Film Authority (NFA) of Ghana.
He questioned whether it was permissible for television stations in Ghana to download Nigerian movies from YouTube and air them without obtaining permission from the producers.
“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalised in your country for TV stations to go on YouTube, download people’s sweat and show it for free?”
According to Mbunabo, some Ghanaian television stations have been downloading newly released Nollywood films from YouTube and broadcasting them without authorisation, depriving producers of revenue generated through the platform.
He also stated that he had not witnessed Nigerian television stations engaging in similar practices and questioned what measures Ghana was taking to protect filmmakers’ intellectual property.
Responding to the concerns, Gardiner acknowledged that the issue exists and said the National Film Authority had begun engaging relevant stakeholders to address it.
He disclosed that the NFA has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC) on improving copyright enforcement.
Gardiner explained that while Ghana has copyright laws, enforcement remains challenging because many television stations now operate digitally and may not have physical offices within the country.
“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital.”
He added that authorities are considering a new licensing framework that would require broadcasters to undergo a fresh licensing process to improve monitoring and enforcement.
According to Gardiner, television stations found guilty of illegally broadcasting copyrighted content would be required to compensate affected producers through fines.
He added that repeat offenders could face suspension of their broadcasting licences, while a third violation could result in the revocation of their licences.
Although he did not provide a specific timeline, Gardiner said the reforms were already underway and expressed hope that significant progress would be seen next year.
Mbunabo welcomed the proposed measures but urged the National Film Authority to expedite the process, stating that unauthorised broadcasts continue to affect filmmakers’ ability to recover production costs through legitimate distribution channels such as YouTube.
He also stressed that his comments were not directed at Ghana’s film industry, noting that he has worked with several Ghanaian actors over the years and supports collaborations between Nollywood and Ghallywood.
Broadcasting
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Broadcasting
BON Establishes Six Ad Hoc Committees to Modernize Broadcasting

Broadcasting Organization of Nigeria (BON) has established six committees to help strengthen and modernize the country’s broadcasting industry.

The committees will focus on content creation, skills development, digital transformation, sustainability, policy and commercial opportunities
The initiative aims to support industry growth and improve collaboration between broadcasters, regulators and media experts
The official launch recently, was led by Tony Akiotu, president, BON and attended by media professionals, program directors, former journalists and heads of specialized media organizations.
The event brought together several prominent figures in Nigeria’s media industry, including veteran broadcaster and trainer Bimbo Oloyede, Tony Uyah of M4S TV, Kingsley Uranta of Channels Television, Ismael Sani of Platinum TV and Ibrahim Shehu of Trust TV.
Together, they are expected to help drive innovation and support the growth of Nigeria’s broadcasting sector.
According to Akiotu, the committees are intended both to help shape industry policy and to provide a forum for dialogue between BON and broadcasting experts.
Akiotu said the ad hoc committees were intended to strengthen BON’s work and ensure that the umbrella body for Nigeria’s broadcasters played a more direct and meaningful role in developing the country’s broadcasting sector.
The six committees reflect the sector’s main priorities. The first focuses on collaboration and innovation to promote content creation.
The second is dedicated to training and talent development, while the third focuses on industry sustainability by improving the sector’s long-term financial viability.
A fourth committee will focus on digital transformation and work with the National Broadcasting Commission (NBC) on regulatory issues.
The remaining two committees will oversee public policy advocacy and the development of sports and commercial rights to help broadcasters increase revenue and attract more investment. Together, the committees are expected to guide BON’s efforts to modernize and strengthen Nigeria’s broadcasting industry.
The committees, chaired by members of BON’s General Assembly and supported by the organization’s Secretariat, have an initial 12-month mandate that may be renewed if necessary.
They are required to submit a progress report within three months and implement approved recommendations within the following six months.
The arrangement is intended to ensure close oversight and the timely implementation of their work.
Akiotu also reminded committee members that Nigeria pioneered television broadcasting in Africa and urged them to carry out their work with greater effectiveness and efficiency.
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