Broadcasting
Film Producer Drags Multichoice to Court over Unlawful Airing of Yoruba Movie

Mr. Lateef Onida, a film Producer, and his company LAT -Larry Film Company whose film ‘Aroni Rogun Matidi’ was allegedly infringed by Multichoice Nigeria Limited has slammed N25 million suit on the Digital Satellites Television, DSTV.
In a statement of claim filed before a Federal High Court in Lagos, Southwest Nigeria by a Lagos lawyer, Olu Ogunmola, on behalf of the plaintiffs, it was alleged that, sometimes in 2011, the plaintiff engaged and signed a contract with a film marketing company to market his film titled “Aroni Rogun Matidi,’ which was registered with the Nigeria Copyright Commission and also submitted it to National Film and Video Censors Board and got their approvals.
The marketer was given the right of releasing the film only at the Idumota market in Lagos, and it was further agreed that the agreement shall not cover the right to exhibit the film at Cinemas, Television, Cable Network, or the selling of the film ‘s Porter by the marketer unless as may be agreed by the producer.
However, it was alleged that, Multichoice Nigeria Limited’s DSTV having had unlawful, illegal and unauthorized access to the Plaintiffs’ film aired the said film on the 27th day of July 2012 at about 5pm vide their Network Digital Statellite Television in a Caption Yoruba African Magic and the airing continued through the 30th July, 2012 in flagrant breach of the Plaintiff ‘s Copyright of the film Aroni Rogun Matidi.
The Plaintiffs averred that on becoming aware of this flagrant breach of the Plaintiff ‘s Copyright of the film, instructed their lawyers to demand for a discontinuance of airing of the film, and also demanded for compensation and damages for the breach complained of, but the defendant ignored the two letters written to them, consequently, the Plaintiffs were compelled to write a petition to the Yoruba Video Film Producers/Marketers Association of Nigeria.
While the Plaintiffs were awaiting a response or reply to the petition, Multichoice who had earlier stopped the airing of the film after letters written to them informing it of the breach recommenced the unlawful and unauthorized airing of the film by cleverly changing the film’s caption to something else, while the entire features and theme remained the same.
The Plaintiff’s counsel wrote another protest letter to the defendant, consequent upon this letter the defendant’s lawyer for the first time in their reply requested for necessary proofs, including video coverage evidencing the infringement and this were furnished to the defendant, but the defendant still denied airing the film despite clear proof sent to the defendant and went ahead to send to the plaintiffs a letter of authority purportedly given to the defendant to air other films unrelated to the Plaintiff ‘s film by one Frank Dallas Communications.
The plaintiffs averred that a check at the purported 102, Ogunsanya Drive, Surulere, Lagos address of Frank Dallas Communications shows that no such company existed in the said address. Consequently the Plaintiff wrote a letter to Multichioce demanding for copyright Documents of Frank Dallas Communications on Ayeloja, Owo -Ida and Ofin and the Films Censors Board Certificate of same but the letter was not replied by Multichoice.
Consequently the Plaintiffs is now urging the court to declare that the unlawful and unauthorized airing of its film entitled ‘Aroni Rogun Matidi’ by Multichioce and serialing same by cleverly changing the caption of the film is a flagrant breach of its copyright under the copyright Act 2004.
The Plaintiffs are also urging the court to order Multichoice to pay them the sum of N25 million as exemplary and General damages for the financial trauma, financial hardship, financial embarrassment, loss of income inflicted on them by Multichoice.
However, Multichoice in its statement of defense filed before the court by the law firm of Ogunsanya and Ogunsanya, denied almost all the claims of Mr Lateef Onida and his company and averred that it acquired some Yoruba Soap Opera series titled Ayeloja, Owo ida and Ofin which came in episode formats with 26 episodes each from their lawful owner being Frank Dallas Communications, therefore never had any unlawful, illegal and unauthorized access to the plaintiffs’ movie titled Aroni rogun Matidi and that there was never a time the defendant aired the said movies as alleged, and it is not in any position to know whether the plaintiffs checked the address of Frank Dallas communications being 102,Ogunlana Drive, Surulere to ascertain its existence or not.
The defendant prayed the court to dismiss this suit with substantial cost for being frivolous and an abuse of court process.
The presiding judge, justice Oluremi Oguntoyinbo has adjourned till 4 December, 2017 for hearing to commence.
Broadcasting
Fela Makes History as First African to be Inducted into Rock and Roll Hall of Fame

Fela Anikulapo-Kuti, simply known as Fela, legendary Nigerian musician, has made history as the first African artist to be inducted into the Rock & Roll Hall of Fame.

Fela
This is coming after he was posthumously honored with the 2026 Grammy Lifetime Achievement Award, becoming the first African artist to receive this prestigious special merit recognition.
Fela will be honoured in the early influence category this year, along with Queen Latifah, rapper MC Lyte, country rocker Gram Parsons, and Cuban singer Celia Cruz at this year’s Rock and Roll Hall of Fame event.
The honorees were revealed on Monday night in the US, during an airing of American Idol.
Sade Adu, Nigerian-born British singer, will be honoured in the performance category.
However, Shakira, Mariah Carey, Lauryn Hill, New Edition, and Pink, missed out on the final cut despite being nominated.
Over 1,200 artists, historians and music industry professionals voted to decide the honorees.
The induction ceremony will be held on 14 November at the Peacock Theatre in Los Angeles.
Broadcasting
FG to Gift Nigerians over 100 Free TV Channels from May 15

National Broadcasting Commission (NBC) is set to launch so-called FreeTV, with over 100 channels for news, sports, education, entertainment and children’s programming in multiple Nigerian languages.

The launch is scheduled for May 15.
Charles Ebuebu, director-general, NBC, who disclosed this, said the new platform will offer free-to-air access with no carriage fees, leveraging hybrid satellite and internet delivery via NigComSat-1R.
The new plan is not an upgrade, the NBC stressed. This is a rebuild, according to Ebuebu .
FreeTV will be true free-to-air – no encryption, no set-top box barrier.
Any DVB-T2/S2 television will work. A mobile app will extend reach to phones and tablets.
The platform will launch with over 100 national, regional and state channels across sports, news, children’s programming, education, entertainment and cultural content in Hausa, Yoruba, Igbo, Tiv, Ijaw, Edo, Fulfulde, Ibibio, Efik and Nupe – all in HD.
Crucially, the NBC has partnered with a Bulgarian firm, GARB (operating since 2006 and recognised by the European Broadcast Union), to deliver a 94 per cent-accurate audience measurement system using return-path data, app analytics, demographic panels, and Artificial Intelligence (AI).
To qualify broadcasters, must commit their channels, produce a minimum of 60 per cent local content, and promote FreeTV until January 2029.
After that, a regulated tiered rate card takes effect.
According to NBC, the strategic rationale is simple: build viewers first, monetise later.
The document further revealed that six regional production hubs in Lagos, Abuja, Port Harcourt, Enugu, Kano and Benin would function as local content factories, expected to generate 500 to 1,000 jobs per zone within two years.
Broadcasting
What Adekunle Gold’s Support Means for ‘The Gathering on 100

Popular Nigerian artist Adekunle Gold has lent his support to the growing youth-driven movement behind The Gathering on 100, further amplifying conversations around what is fast becoming one of the most talked-about upcoming experiences among young Nigerians.

Adekunle Gold
Known for his music and his strong connection with youth culture and evolving creative expression, Adekunle Gold’s involvement signals a deeper alignment between the event and the kind of audience it is attracting, a generation that is bold, expressive, and constantly redefining what community looks like.
While details of his involvement remain understated, his visible support adds a new layer of support and cultural relevance to the movement. In a landscape where attention is currency, endorsements from artists of his stature often act as a signal, drawing more eyes, more curiosity, and ultimately, more participation, but beyond visibility, the significance lies in what it represents.
The new father has, over the years, built a reputation for embracing creativity in its many forms, from music to visual storytelling, fashion, and digital engagement. His brand has consistently resonated with young Nigerians navigating similar spaces of self-expression and identity.
From interactive experiences like live music sessions and open performance moments to fashion runways and content creation spaces, the event is designed to blur the lines between audience and participant. It invites attendees to move beyond observation and become part of the moment.
This is a concept that closely mirrors the kind of cultural shift Adekunle Gold has been part of, one where boundaries between creator and consumer continue to dissolve.
His support also reflects a broader trend within Nigeria’s entertainment industry, where artists are increasingly engaging with youth-led initiatives that go beyond traditional performances. Rather than simply appearing on stage, they are aligning with movements that foster community, creativity, and shared experience.
For fans and attendees, this adds another dimension to what The Gathering on 100 represents.
As registrations increase and conversations expand across social platforms, the movement is gradually taking shape through the collective interest of those drawn to it.
Head to gathering.com to register.
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