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Why NBC Sanctioned Jay FM Jos- Kawu

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National Broadcasting Commission (NBC), has said that the fine imposed on Jay FM, Jos, was due to its continuous airing of vulgar and indecent music lyrics, in spite of verbal and written warnings to the station.

 

Maimuna Jimada, head public affairs of the NBC said the commission had been very proactive and responsive in its efforts at regulating the broadcast industry, especially as regards ensuring the citizens’ right to quality broadcasting.

 

She said quoted Mallam Is’haq Modibbo Kawu, director general of the commission as saying that  “The attention of the NBC has been drawn to comments and observations in the media space regarding the fine imposed on Jay FM Jos for continuous airing of vulgar and indecent music lyrics in spite of verbal and written warnings to the station.

 

“The Act establishing the NBC empowered the commission, to among other mandates in Section 2.1(h), to “establish and disseminate a National Broadcasting Code and set standards with regard to the content and quality of materials for broadcast.

 

“This, the commission has done and because of the revolutionary nature of broadcasting, the Nigeria Broadcasting Code is reviewed every four years in a stakeholders’ participatory process.

 

“Information about the review of the code is disseminated widely and participation is open to all relevant and interested members of the public.

 

“Consequently, the code is a document which has the input of a wide variety of stakeholders.

 

“In addition, the code is available on the NBC website and media pages and at our various offices located across the country,” he explained.

 

According to Modibbo Kawu, by Industry standards, broadcast stations are mandated by law, to adhere strictly to the dictates of the code and where they falter, the commission initiates the sanction process.

 

The director-general explained that all actions of the commission were strictly informed by and carried out according to the dictates of the law and the Nigeria Broadcasting Code.

 

Modibbo Kawu, therefore, enjoined all artistes to produce broadcast versions of their works to enable broadcast stations to use them without contravening the provisions of the Nigeria Broadcasting Code.

 

“In addition, the Nigerian artiste has a responsibility to the country. Today, popular songs of leading Nigerian musicians garner millions of views on YouTube.

 

“This indicates the level of influence they exert upon the young people who make up the majority of our country’s population. We believe our artistes should offer a positive influence on this young population.

 

“Broadcasting is a creative medium characterised by professionalism, choice and innovation to serve the interest of the general public.

 

“And it is expected to influence society positively by setting the agenda for the social, cultural, economic, political and technological development of the nation for the public good.”

 

He assured Nigerians that the commission would continue to execute its responsibilities without fear or favour and would apply the relevant sanctions on erring stations whenever they violate the code.

 

 


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Broadcasting

Canal+ to Cut Jobs as Part Sweeping Restructuring

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Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

Canal+ to Cut Jobs as Part Sweeping Restructuring

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.

The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.

The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.

MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.

The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.

Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.

By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.

The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.

However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.


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Nigeria tops global rankings for USDT, USDC ownership

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Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

Nigeria tops global rankings for USDT, USDC ownership

USDT, USDC

Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.

According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.

The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.

The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.

Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.

The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.

However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.

More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.

 


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Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

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Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

Spotify's Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.

This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.

Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.

“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”

Key highlights include:

  • 55% year-on-year growth in local streams for Nigerian female artists.

  • 75% surge in streams for independent Nigerian artists.

  • Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.

Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.

The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.

For full details, visit spotify.com/loudandclear.


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