Broadcasting
NBC Boss Tells Court Has No Case Against Us in N2.5Bn DSO Trial

Ishaq Kawu Modibbo, director-general of National Broadcasting Commission (NBC); Pinnacle Communications Ltd, and two others, on Monday told Justice Folashade Ogunbanjo- Giwa of the Federal High Court Abuja, that the Independent Corrupt Practices and other related Offences Commission (ICPC), has no case against them.

The defendants made the submission through their various lawyers while adopting their written addresses in respect of the no-case-submission they filed challenging the charge instituted against them by the ICPC.
The defendants are facing prosecution over the N2.5bn released to Pinnacle Communications under the approval of the Minister of Information, Lai Mohammed, under the Federal Government’s DSO project.
Adopting his no-case-submission dated 16 December 2019, Kawu’s (1st defendant) counsel, Abdullahi Mustapha SAN, pursuant to sections 302 and 303 of Administration of Criminal Justice Act 2015, urged the court to discharge and acquit the 1st defendant of all the 3-count charges levelled against him by the State.
Mustapha submitted that the State was unable to make a prima facie case against the defendant and therefore cannot be asked to enter defence.
Kawu’s counsel said none of the 9 witnesses called by the prosecution was able to establish the ingredients of the offence to warrant the 1st defendant to enter defence.
The 1st defendant’s lawyer posited that the burden of proof lies on the prosecution to discharge, adding that the testimonies of the prosecution witnesses were full of contradictions and doubts.
More so, Mustapha submitted that failure of the prosecution to call the Minister of Information, Lai Mohammed to testify being the person that gave the approval for the release of the fund was fatal to the case.
“A vital witness in this case was not called and the court was gracious to give ample time for the State to call the Minister as witness but they failed.
“The onus lies on the State to call the Minister as a witness because he gave the approval for the release of N2.5bn grant for the Federal Government’s Digital Switch Over project.
“As we speak my lord, the Minister has not come out to deny giving the 1st defendant the approval, he has not queried the 1st defendant, he has not said anything other than applauding the achievements of the defendant as DG of NBC.
“My lord, for the Minister not to refute the approval, and not telling the court that he was misled nor say anything to the contrary, shows a big gap.
The counsel told the court that the controversial minutes of meeting of the NBC Management board was not signed and adopted.
Therefore, Mustapha urged the court to sustain his no case submission, and discharge and acquit the 1st defendant.
Similarly, counsel to the 2nd and 3rd defendants, Alex Izinyon SAN, urged the court to uphold his no case submission dated December 17, 2019.
Izinyon said the prosecution failed to prove the essential ingredients outlined in sections 302 and 303 of ACJA, adding that the onus lies on the prosecution to prove its case and not the other way round.
He pointed out that PW4 and PW9 said there was no complaint or petition against the defendant but in the cause of investigating ITS, they stumbled on the N2.5bn released to Pinnacle Communications (4th defendant).
“PW9 said the Minister said he was misled. The Minister is the mouthpiece of the Federal Government. It is not in the mouth of a technocrat to interpret the Whitepaper on DSO project.
Also, Izinyon noted that the prosecution did not make any move to correct the contradictions in the evidence of the witnesses.
He therefore urged the court to hold that the prosecution has failed to prove its case against the defendants, and that they should be discharged and acquitted.
The 4th defendant represented by Ama Etuwewe SAN also urged the court to uphold Pinnacle’s no case submission just as he adopted the submissions of counsel to the 1st, 2nd and 3rd defendants.
Etuwewe said the prosecution did not controvert the fact that the 4th defendant is a critical stakeholder in the DSO project of the FG.
Reacting, the prosecution counsel, Henry Emoreh urged the court to dismiss the no case submission of the defendants, insisting that he was able to make a prima facie case against them.
He said there were no contradictions in the evidence of the witnesses, and that he has been able to link the defendants with the offence.
“It is not in dispute that the Minister of Information gave the approval, but if the defendants so wish, they can call the Minister to give evidence, the prosecution counsel said.
After the adoption, the judge fixed March 26, for ruling.
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
Broadcasting
Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.
This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.
Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.
“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”
Key highlights include:
55% year-on-year growth in local streams for Nigerian female artists.
75% surge in streams for independent Nigerian artists.
Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.
Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.
The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.
For full details, visit spotify.com/loudandclear.
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