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IBAN Asks NBC to Suspend  Controversial  Broadcasting Code

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Independent Broadcasters Association of Nigeria (IBAN) has asked the National Broadcasting Commission (NBC) to suspend the implementation of the amended 6th broadcasting code.

IBAN Asks NBC to Suspend  Controversial  Broadcasting Code

Guy Murray-Bruce, the association’s secretary, in a statement, said the amendment should be subjected to a new round of wide stakeholder consultation to avoid a legal crisis.

He said the committee in charge of the amendment did not circulate a draft of its work to stakeholder groups before its ratification.

“We at The Independent Broadcasters Association of Nigeria (IBAN) wish to make a few observations which will touch on issues of stakeholder consultations, the committee’s terms of reference vis a vis its outcome and the practicality of the amendments as enunciated,” he said.

“First of all as a vital organ of the broadcasting value chain we feel that we deserved a seat on the committee. Granted that IBAN is a part of BON, we still needed to be represented on the committee in our capacity as private sector investors in broadcasting.

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“We believe that the fact that as a body the committee didn’t deem it fit to avail us with a draft of its findings before formalizing its ratification with Mr. President’s approval is somewhat demeaning. We also find that the presumably inadvertent timing of the release of the amendments in the midst of the COVID-19 pandemic fears may have hampered our ability as a group to internally consult and express our views.

“We strongly feel that a draft of the committee’s work ought to have been circulated to stakeholder groups before its ratification. On the issue of the committee’s terms of reference, we find that the amendments do not reflect the core issues highlighted by the minister in his terms of reference which in the main centered on licensing of Web TV, recruitment of monitoring staff and allied issues.

“We all the same have reservations as to the practicality of implementing the amendments in their present form. We have observed what we believe could be areas of possible conflict with other government agencies due to overlapping mandates. We most humbly submit that the NBC hold off on the implementation of the amendments at this time. Indeed we recommend that a new round of wide stakeholder consultation be embarked upon.”

A call for position papers on the amendments to the broadcasting code by the board of the NBC had led to a controversy.

Armstrong Idachaba, acting director-general of the NBC, issued a statement disowning the call for position papers on the amendments.

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Ikra Bilbis, chairman of the commission’s board, had in a notice called for the papers on the amendments over concerns he said were raised by stakeholders.

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Broadcasting

NBC Tasks Broadcasting Stations over 2028 DSO Global Deadline

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Mrs. Clementine Wamba, head, Digital Switch Over (DSO) at the National Broadcasting Commission (NBC), has stressed the need for broadcasting stations and practitioners nationwide to work towards meeting the 2028 global deadline for the switch over.

She made the call in her presentation titled, “DSO Big Picture: Free TV Audience Measurement and the Evolving Media Landscape”, at the 2026 NBC South West Summit held in Ibadan.

Wamba harped on the need for practitioners to adopt DSO in the transmission of  news and other programmes in order to meet future challenges, stating that any country that fail to align with the DSO by 2028 will be shut out of practice.

This development, according to her, may result in job losses and other consequences that could hinder the growth of the industry in Nigeria, noting that Free TV is tailored towards the DSO, with provision for many channels in contrast to the age-long analogue system.

According to her, “The Digital Switch Over is a technological improvement on the age-long analogue style of broadcasting in the country. With the adoption of the DSO, practitioners will be in tune with global practice of broadcast journalism.

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“Also, its benefits include efficient use of spectrum, changing of industry landscape, more access to national development programmes and better viewing experience.”

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NBC Scraps Annual Digital Access Fee on DSO

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National Broadcasting Commission (NBC) has said that Nigerians will no longer pay annual Digital Access Fees under the renewed Digital Switch Over (DSO) project.

NBC Scraps Annual Digital Access Fee on DSO

Charles Ebuebu, director-general, NBC, disclosed this in an exclusive interview with the News Agency of Nigeria (NAN) on Wednesday in Abuja,

Ebuebu said viewers only need to purchase an approved decoder and satellite dish which cost below N20,000 to enjoy free television permanently.

“Previously, users paid an annual digital access fee of about N1,500, described as an administrative charge.

“The new system removes that annual fee. It provides free access to free-to-air television channels without any payment.

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“Premium channels will be introduced later. Viewers who want those additional channels will be able to access them through paid services.

“Nigerian content on free-to-air channels remains free to watch. Unlike Pay TV, this platform does not require monthly subscriptions for its basic service,” he said

Ebuebu said approved decoders for the FreeTV will cost less than N20,000 and authorised sales outlets will soon be announced.

He urged Nigerians to wait for official information on approved dealers for the DSO decoders, warning that unauthorised sellers are exploiting growing public demand.

He reiterated that people only need a free-to-air decoder, along with a satellite dish instead of the old antenna system to receive the DSO signal.

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“Once the equipment is installed, viewers can access all available channels across the country without paying any subscription fees,” he stressed

The DG dismissed claims by some retailers that there are different categories of decoders sold at varying prices, stressing that such sellers are not authorised by the commission.

According to him, the NBC will soon publish the list of approved dealers, official prices, and locations where genuine decoder boxes and accessories can be purchased.

The NBC boss said the DSO project is designed not only to improve television broadcasting but also to stimulate economic growth by creating jobs, attracting investment, and opening up opportunities for businesses that support the broadcasting industry.

Ebuebu noted that content producers and broadcasters stand to benefit significantly from the nationwide reach of the DSO platform.

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Unlike the previous system, where many stations had limited regional audiences, he said the new platform will make their channels available to viewers across Nigeria.

He added that the introduction of audience measurement technology will provide scientific and reliable data on television viewership.

Ebuebu added that audience measurement technology will give advertisers greater confidence in placing adverts and enable broadcasters to demonstrate the true size and reach of their audiences nationwide.

 

 

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Mbunabo, Nigerian Filmmaker Accuses Ghana TV Stations of Pirating Nollywood Films

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Uchenna Mbunabo, Nigerian filmmaker, has raised concerns over the alleged unauthorised broadcast of Nollywood films by some Ghanaian television stations, calling on Ghana’s National Film Authority (NFA) to strengthen the enforcement of copyright laws.

Mbunabo, Nigerian Filmmaker Accuses Ghana TV Stations of Pirating Nollywood Films

Uchenna Mbunabo, Nigerian filmmaker

Mbunabo made the remarks during a conversation with James Gardiner, deputy CEO of the National Film Authority (NFA) of Ghana.

He questioned whether it was permissible for television stations in Ghana to download Nigerian movies from YouTube and air them without obtaining permission from the producers.

“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalised in your country for TV stations to go on YouTube, download people’s sweat and show it for free?”

According to Mbunabo, some Ghanaian television stations have been downloading newly released Nollywood films from YouTube and broadcasting them without authorisation, depriving producers of revenue generated through the platform.

He also stated that he had not witnessed Nigerian television stations engaging in similar practices and questioned what measures Ghana was taking to protect filmmakers’ intellectual property.

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Responding to the concerns, Gardiner acknowledged that the issue exists and said the National Film Authority had begun engaging relevant stakeholders to address it.

He disclosed that the NFA has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC) on improving copyright enforcement.

Gardiner explained that while Ghana has copyright laws, enforcement remains challenging because many television stations now operate digitally and may not have physical offices within the country.

“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital.”

He added that authorities are considering a new licensing framework that would require broadcasters to undergo a fresh licensing process to improve monitoring and enforcement.

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According to Gardiner, television stations found guilty of illegally broadcasting copyrighted content would be required to compensate affected producers through fines.

He added that repeat offenders could face suspension of their broadcasting licences, while a third violation could result in the revocation of their licences.

Although he did not provide a specific timeline, Gardiner said the reforms were already underway and expressed hope that significant progress would be seen next year.

Mbunabo welcomed the proposed measures but urged the National Film Authority to expedite the process, stating that unauthorised broadcasts continue to affect filmmakers’ ability to recover production costs through legitimate distribution channels such as YouTube.

He also stressed that his comments were not directed at Ghana’s film industry, noting that he has worked with several Ghanaian actors over the years and supports collaborations between Nollywood and Ghallywood.

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