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NCC Partners MOPPAN, Set to Reintroduce Hologram Stamps

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Nigerian Copyright Commission (NCC), in collaboration with stakeholders, will soon reintroduce the hologram scheme to boost copyright regulation and anti-piracy interventions in selected copyright industries.

NCC Partners MOPPAN, Set to Reintroduce Hologram Stamps

Mr. John O. Asein, director-general of NCC, disclosed this recently in Abuja while receiving a delegation of Motion Pictures Practitioners Association of Nigeria (MOPPAN) and Arewa Film Makers Association of Nigeria (AFMAN) led by Dr. Ahmad M. Safari, MOPPAN national president.

Mr. Asein stated that the Commission would collaborate with the National Film and Video Censors Board (NFVCB) and all relevant stakeholders to ensure that the reintroduction of the hologram stamps would strengthen the Commission’s renewed enforcement drive by aiding the identification of genuine copyright works.

The Commission and MOPPAN representatives also discussed various strategies to sanitise the production and distribution channels in the movie industry, particularly in the northern part of the country.

He noted that while much of copyright dealings were now online, there was still a huge volume of works in the physical space.

Expressing regret that some vested interests had scuttled the implementation of the hologram scheme when it was first introduced by the Commission over two decades ago, he indicated that the scheme would be reintroduced to run first as a voluntary scheme and eventually be made mandatory for certain categories of works.

“All we want is to have a credible, a security marker that would enable the average man on the street distinguish between original and pirated copyright works. This would strengthen the anti-piracy drive of the Commission and enhance copyright protection,” he stated.

The director-general also expressed concerns about the proliferation of dubbing and voice-over of foreign movies which he said constituted copyright infringement under Nigerian copyright law and warned perpetrators to desist from such illegal acts.

Observing that the Commission has a duty to protect the interests of foreign copyright owners as much as other countries have obligations to protect Nigeria’s copyright interests, he cautioned that the Commission would intensify efforts to arrest and prosecute all forms of criminal copyright infringement.

“We must take necessary steps to check the infringing voice-over of local and foreign movies. We may have to combine our powers over piracy with the powers of the NVFCB over uncensored movies, first to enlighten the public and eventually clean up the streets of such criminality across the country” he stressed.

Decrying the socio-economic damage that pirates and copyright thefts cause, Mr. Asein reassured MOPPAN that the Commission would continue to institute and implement policies that would further encourage and secure investments in the copyright industry while making piracy less attractive.

“Nigeria at 60 gives us the creative sector an opportunity to look inwards and celebrate Nigeria. I assure you that, going forward, the Commission will be available to walk the streets and markets with you to send the message in very clear terms that Nigeria is not a dumping ground for foreign movies, with or without voice-over. We should promote this administration’s policy of Nigeria first in the entertainment industry”, he stated.

He appealed to film makers to patronize only legitimate replicating and duplicating plants to further discourage piracy.

The director-general urged stakeholders to support NCC’s regulatory and enforcement initiatives, stressing that despite the challenges of inadequate operational facilities, the Commission remained committed to discharging its statutory mandates.

He gave an assurance that the Commission would review and provide practitioners in the various copyright industries with model contracts to help safeguard their rights and promote rancour-free copyright dealings.

The director-general also disclosed that the Commission has introduced major policy initiatives to respond to the peculiar needs in the copyright industry, such as boarder and international ports policing, the Online Enforcement Unit, the regulation of duplicators, as well as intensified raids of piracy hotspots across the country.

Speaking earlier, Dr. Safari, national president of MOPPAN, identified the main challenges undermining the growth of the movie industry as piracy; illegal voice-over on foreign movies in the Hausa language; unauthorised content upload on social media platforms; and lack of model contractual agreements in the film industry.

While appreciating the efforts of the Commission at repositioning the creative industry, Dr. Safari urged the NCC to sustain its partnership with stakeholders across all the sectors of the copyright industry.

The MOPPAN National President was accompanied on the visit by the Chairman, MOPPAN in the F.C.T., Alhaji Habib Barde Mohammed; National Coordinator of Arewa Film Makers Association of Nigeria (AFMAN), Alhaji Ahmad Turaki Kaka and MOPPAN Secretary, Mr. Dalhatu Sule.

Directors of the Commission in attendance were the Director, Regulatory Department, Mr. Augustine Amodu; Director, Nigerian Copyright Academy (NCA), Mr. Mike Akpan; Director of Enforcement, Mr. Obi Ezeilo; and the Director, Public Affairs, Mr. Vincent A. Oyefeso.


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Court Stops NBC From Punishing Broadcasters over On-Air Opinions

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A Federal High Court in Lagos has restrained the National Broadcasting Commission (NBC) from sanctioning or punishing broadcast stations and presenters over the expression of personal opinions, alleged bullying of guests, or failure to maintain neutrality on air.

Court Stops NBC From Punishing Broadcasters Over On-Air Opinions

NBC

Justice Daniel Osiagor granted the interim injunction following an ex parte application filed by the Socio-Economic Rights and Accountability Project (SERAP) and the Nigerian Guild of Editors (NGE).

The court specifically restrained the NBC, its officers, agents and affiliated persons from enforcing its recently issued “Formal Notice” or imposing sanctions, fines or penalties on broadcasters based on provisions of the 6th Edition of the Nigeria Broadcasting Code, pending the hearing and determination of the substantive suit.

SERAP and NGE had approached the court to challenge what they described as an arbitrary and unlawful move by the commission to punish broadcasters for allegedly expressing personal opinions as facts, bullying or intimidating guests, or failing to maintain neutrality during programmes.

The groups also asked the court to determine whether the provisions of the Nigeria Broadcasting Code relied upon by NBC were inconsistent with the 1999 Constitution, as amended, and Nigeria’s international human rights obligations.

The suit followed an April statement by the NBC in which it raised concerns over what it described as increasing violations of the broadcasting code across news, current affairs and political programmes.

The commission had warned that presenters who expressed personal opinions as facts or bullied guests during live broadcasts would be sanctioned.

However, Justice Osiagor, in his ruling, held that pending the hearing of the substantive matter, the commission must refrain from using the formal notice to threaten, sanction or punish broadcast organisations and on-air personalities under the contested code provisions.

The matter was adjourned until June 1, 2026, for hearing of the motion on notice.


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EFCC Drags Metro Digital to Court over Alleged Illegal Access to Multichoice Signals

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Economic and Financial Crimes Commission (EFCC) has arraigned Metro Digital Limited before a Federal High Court in Port Harcourt over alleged cybercrime and unlawful interception and rebroadcast of content belonging to Multichoice Nigeria.

EFCC Arraigns Metro Digital Over Alleged Illegal Access to Multichoice Signals

Metro Digital

The company was arraigned before Justice A.T. Mohammed on an amended four-count charge bordering on cybercrime-related offences and alleged illegal rebroadcast of protected broadcast content.

According to a statement issued on Wednesday by EFCC’s Head of Media and Publicity, Dele Oyewale, the prosecution counsel, Steve E. Odiase, informed the court that the matter was scheduled for arraignment.

However, defence counsel, S.A. Somairi (SAN), reportedly attempted to halt the proceedings by drawing the court’s attention to a pending preliminary objection.

The judge, however, declined the request and ordered that the plea be taken in line with Section 478 of the Administration of Criminal Justice Act (ACJA), 2015, which allows a corporation to enter a plea in writing through its representative.

One of the charges alleged that Metro Digital Limited, alongside its Managing Director, Ifeanyi John Nwafor, and a staff member, Ikenna Kanu, both said to be at large, conspired between 2015 and 2019 to unlawfully intercept and rebroadcast protected broadcast signals in Port Harcourt, Rivers.

Another charge alleged that the defendants intentionally and without authorisation intercepted and rebroadcast broadcast signals and devices, including tiger boxes and dongles, over which Multichoice Nigeria holds exclusive rights in Sub-Saharan Africa.

The anti-graft agency said investigations into the matter began in 2019 after Multichoice petitioned the commission, alleging that the illegal rebroadcast of its content caused significant financial losses.

Metro Digital Limited, through its representative, pleaded not guilty to all four charges.

Following the plea, prosecution counsel prayed the court to fix a date for trial.

Justice Mohammed subsequently adjourned the case until June 29 and June 30, 2026, for continuation of trial.


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ipNX Powers SPAN’s Queen Esther Musical

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ipNX, one of Nigeria’s telecommunications and connectivity providers, successfully powered the Queen Esther Musical, presented by the Society for the Performing Arts in Nigeria (SPAN), reinforcing its role as a key enabler of innovation across industries through reliable, high-speed connectivity.

Held at Guiding Light Assembly, Parkview, Ikoyi recently, the Queen Esther Musical delivered a captivating blend of music, drama, and visual storytelling to a packed audience. Behind the scenes, ipNX’s advanced fiber-optic infrastructure played a critical role in ensuring seamless execution, supporting the production’s extensive technical requirements, from synchronized audiovisual systems to real-time digital enhancements that enriched the overall experience for the audience within the auditorium and on digital platforms.

As sophisticated technology integrates into live performances, the demand for stable, high-capacity bandwidth to deliver this experience to online audiences has become essential. ipNX provided technical support, delivering uninterrupted connectivity that enabled production teams to coordinate effectively and execute a technically complex show without disruption. The event served as a powerful demonstration of how telecommunications infrastructure can elevate creative expression and redefine audience engagement.

“Our involvement in the Queen Esther Musical reflects our commitment to powering experiences that matter,” said Akintunde Taiwo, Head of Sales, ipNX Retail. “This production broadcast required precision, speed, and reliability, all of which our network is designed to deliver. Beyond telecoms, we see ourselves as partners in progress across sectors, and this collaboration with SPAN highlights how our solutions can seamlessly support the creative industry just as effectively as we do small enterprises and critical services.”

For SPAN, the partnership translated into a production that fully leveraged technology to enhance storytelling and audience immersion.

“We were proud to collaborate with ipNX on the Queen Esther Musical,” said Sarah Boulous, Founder of SPAN. “The scale and ambition of this production required a technology partner we could rely on completely as we wanted audience to enjoy seamless streaming on the Zaia app. ipNX delivered exceptional bandwidth and stability, allowing us to integrate digital elements seamlessly and create a truly memorable experience. Their support played a significant role in bringing our creative vision to life.”

The Queen Esther Musical not only entertained but also illustrated the growing intersection between technology and the arts in Nigeria. ipNX’s role in powering the event highlights its broader mission to connect people, ideas, and industries and ensure that innovation is supported by infrastructure capable of meeting modern demands.

By bridging connectivity and creativity, ipNX continues to demonstrate that its impact extends far beyond traditional telecommunications, positioning the company as a trusted partner in shaping experiences across Nigeria’s evolving economic and cultural landscape.


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