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Lagos Boosts Creative Industry with Interest-free Loans, Free Training

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The Lagos State Government has urged film makers, movie producers, content creators as well as others in the creative sector to take advantage of the intervention funds approved for film production purposes and also explore the windows of opportunities and free trainings provided by the present administration for creative practitioners.

Commissioner for Tourism Arts and Culture, Pharm. Mrs Uzamat Akinbile-Yussuf made gave the advice while speaking at the event commemorating the second year anniversary of Mr. Governor, Babajide Sanwo-Olu’s administration at Alausa, Ikeja.

She said that the present administration is greatly committed to improving the quality and standard of film production and the advancement of the huge potentials in the State’s entertainment sector to international standard with its recent partnerships with some household names in the creative sector.

Akinbile-Yussuf disclosed that the Ministry recently entered into partnership with two creative firms, reputable for film production in the country and beyond; Delyork Academy and EbonyLife Academy to train 1,480 creative practitioners in Digital Film making, Documentary, Fashion, Arts and Craft etc.

She informed that this gesture by the government is informed by the need to bridge identified skill-gap in the creative sector and to position residents of the State who are in the creative field to compete globally with their contemporaries.

“As an additional palliative and support for film makers, Governor Sanwo-Olu, earlier this month, approved the constitution of 9-man committee members comprising of veteran film makers and some senior government officials to oversee a seed fund that would be dedicated for film production purposes,” Akinbile-Yussuf added.

According to her, this initiative by Governor Sanwo-Olu, is aimed at addressing financial challenges inhibiting quality film production in the State, stressing that Governor Sanwo-Olu has said that a support up to 40million naira could be accessed based on the recommendation of the committee.

Reiterating that the several interventions by the State Government to the creative sector of the State was in line with the THEMES Agenda of the present administration, especially the Entertainment and Tourism Pillar, the Commissioner called for the involvement of corporate organizations and individuals in empowering more creative practitioners through Lagos State Creative Industry Initiative, LACI.

Akinbile-Yussuf explained that LACI is a concept of the Ministry of Tourism, Arts and Culture and an umbrella for the coordination of all creative partnerships with the Ministry.

She noted that the activities of the Lagos State Film and Video Censors Board, LSFVCB, an Agency under the Ministry is essential to the fulfillment of ideas, innovations and programmes being implemented in the Creative Industry.

“LSFVCB oversees the activities of the film industry in the State and had in the last two years carried out its duties of ensuring that filming activities by all movie producers are achieved within appropriate guidelines and conditions established by law”, Akinbile-Yussuf stated.

The Commissioner added that the agency issued 60 film shoot permit to individuals and corporate organization to shoot their films within the State between 2020 to date, stressing that the figure would have been more but for covid restrictions.

She noted that, “Although the COVID19 pandemic dealt with the entertainment sector last year when we have to shut down sector basically, however, the agency was able to license 15 Associations and Practitioners to fully go about their businesses of improving the film industry.”

Speaking on the importance of registering as movie practitioners with LSFVCB, the Acting Executive Secretary of the Agency, Adebukola Agbaminoja said that registered practitioners have an edge over unregistered filmmakers in benefitting from the government.

Agbaminoja advocated meaningful film contents, capable of bringing about positive and desired changes in the society, just as she frowned at the way the business of filming activities is done by some practitioners across the metropolis without recourse to the ethics of film making.


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DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

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Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.

The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.

In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.

He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.

The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.

Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.

He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.

He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.

Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.

Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.

The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.

The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.

 


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US invests $115m in counter-drone tech for World Cup security

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US invests $115m in counter-drone tech for World Cup security

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The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.

Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.

The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.

DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.


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Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

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The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.

Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.

Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.

With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.

“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”

Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.

Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:

“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”

The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.

 


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