Broadcasting
Kingdom Emerges Winner of Nigerian Idol Season 6 in Pulsating Finale
The sixth season of Nigeria’s biggest music reality show, Nigerian Idol, came to an epic end on Sunday with Kingdom Kroseide emerging as the “Nigerian Idol’’ after months of intense musical contest involving over 3000 hopefuls from across the country, and over 16 million votes recorded at the finale.
Kingdom, Francis, Akunna, Comfort, and Faith Jason were the top 5 from the 11 who made it to the live shows from the audition stages.
The competition evolved from the final 5 to the last 2 contestants – Kingdom and Francis – who battled it out on Sunday in a keenly contested affair that saw Kingdom emerge the eventual winner.
The finale night also witnessed performances from some of the biggest acts in Nigeria including Mavin’s newest signee, Ayra Starr who performed her song “Away”; award-winning singer Patoranking who performed his new hit “Celebrate Me”. RnB star, Chike joined Francis Atela on stage for a breathtaking duet of the former’s song, “Roju”. While Kingdom and superstar producer Cobhams Asuquo came together for yet another beautiful performance.
Kingdom’s win further emphasizes his musical talent, which he has displayed from the auditions to the live shows, where he constantly wowed the judges with his flawless performances. Kingdom did just enough at the finale to edge out Francis who has equally been a standout contestant all season.
Reacting to his win, a very emotional Kingdom said,‘’My grandma used to say one day you’ll be very great. And then she died.
And I almost gave up. But I want to thank the judges for believing in me and my fellow contestants for pushing me.”
Commenting on Kingdom’s emergence as the winner of Nigerian Idol season 6, John Ugbe, ceo of MultiChoice Nigeria, said, “We are proud of what Kingdom has achieved on the show. His emergence as the winner is a testament of how much great talent abounds in Nigeria.
“For us at MultiChoice, we are committed to helping talent like Kingdom, as well as other contestants that participated, reach their potential and also launch them to a much bigger audience.”
Kingdom, a Computer Science and Informatics student at Federal University, Otuoke, and a music teacher, walks away with a recording deal of a six track EP, with music video shoots for three of the songs, and over 50 million Naira worth of prizes, which include a N30 million cash prize and a brand new SUV.
National Broadcasting Commission (NBC) has said that Nigerians will no longer pay annual Digital Access Fees under the renewed Digital Switch Over (DSO) project.
Charles Ebuebu, director-general, NBC, disclosed this in an exclusive interview with the News Agency of Nigeria (NAN) on Wednesday in Abuja,
Ebuebu said viewers only need to purchase an approved decoder and satellite dish which cost below N20,000 to enjoy free television permanently.
“Previously, users paid an annual digital access fee of about N1,500, described as an administrative charge.
“The new system removes that annual fee. It provides free access to free-to-air television channels without any payment.
“Premium channels will be introduced later. Viewers who want those additional channels will be able to access them through paid services.
“Nigerian content on free-to-air channels remains free to watch. Unlike Pay TV, this platform does not require monthly subscriptions for its basic service,” he said
Ebuebu said approved decoders for the FreeTV will cost less than N20,000 and authorised sales outlets will soon be announced.
He urged Nigerians to wait for official information on approved dealers for the DSO decoders, warning that unauthorised sellers are exploiting growing public demand.
He reiterated that people only need a free-to-air decoder, along with a satellite dish instead of the old antenna system to receive the DSO signal.
“Once the equipment is installed, viewers can access all available channels across the country without paying any subscription fees,” he stressed
The DG dismissed claims by some retailers that there are different categories of decoders sold at varying prices, stressing that such sellers are not authorised by the commission.
According to him, the NBC will soon publish the list of approved dealers, official prices, and locations where genuine decoder boxes and accessories can be purchased.
The NBC boss said the DSO project is designed not only to improve television broadcasting but also to stimulate economic growth by creating jobs, attracting investment, and opening up opportunities for businesses that support the broadcasting industry.
Ebuebu noted that content producers and broadcasters stand to benefit significantly from the nationwide reach of the DSO platform.
Unlike the previous system, where many stations had limited regional audiences, he said the new platform will make their channels available to viewers across Nigeria.
He added that the introduction of audience measurement technology will provide scientific and reliable data on television viewership.
Ebuebu added that audience measurement technology will give advertisers greater confidence in placing adverts and enable broadcasters to demonstrate the true size and reach of their audiences nationwide.
Uchenna Mbunabo, Nigerian filmmaker, has raised concerns over the alleged unauthorised broadcast of Nollywood films by some Ghanaian television stations, calling on Ghana’s National Film Authority (NFA) to strengthen the enforcement of copyright laws.
Uchenna Mbunabo, Nigerian filmmaker
Mbunabo made the remarks during a conversation with James Gardiner, deputy CEO of the National Film Authority (NFA) of Ghana.
He questioned whether it was permissible for television stations in Ghana to download Nigerian movies from YouTube and air them without obtaining permission from the producers.
“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalised in your country for TV stations to go on YouTube, download people’s sweat and show it for free?”
According to Mbunabo, some Ghanaian television stations have been downloading newly released Nollywood films from YouTube and broadcasting them without authorisation, depriving producers of revenue generated through the platform.
He also stated that he had not witnessed Nigerian television stations engaging in similar practices and questioned what measures Ghana was taking to protect filmmakers’ intellectual property.
Responding to the concerns, Gardiner acknowledged that the issue exists and said the National Film Authority had begun engaging relevant stakeholders to address it.
He disclosed that the NFA has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC) on improving copyright enforcement.
Gardiner explained that while Ghana has copyright laws, enforcement remains challenging because many television stations now operate digitally and may not have physical offices within the country.
“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital.”
He added that authorities are considering a new licensing framework that would require broadcasters to undergo a fresh licensing process to improve monitoring and enforcement.
According to Gardiner, television stations found guilty of illegally broadcasting copyrighted content would be required to compensate affected producers through fines.
He added that repeat offenders could face suspension of their broadcasting licences, while a third violation could result in the revocation of their licences.
Although he did not provide a specific timeline, Gardiner said the reforms were already underway and expressed hope that significant progress would be seen next year.
Mbunabo welcomed the proposed measures but urged the National Film Authority to expedite the process, stating that unauthorised broadcasts continue to affect filmmakers’ ability to recover production costs through legitimate distribution channels such as YouTube.
He also stressed that his comments were not directed at Ghana’s film industry, noting that he has worked with several Ghanaian actors over the years and supports collaborations between Nollywood and Ghallywood.
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