Broadcasting
Coca-Cola Foundation, IGEC Partner for Women Economic Empowerment

The Initiative for Gender Empowerment and Creativity (IGEC), which was created to inspire creativity and empower vulnerable women, has unveiled its Climate Smart Shea Processing Facility project funded by The Coca-Cola Foundation on July 28, 2021.

L-R: Mrs Bolanle Emmanuel, State Director, Nigerian Export Promotion Council (NEPC); Mr Samson Ilori, Head of the Atisbo LG, representing the LG Chairman; Executive Director, Initiative for Gender Empowerment & Creativity (IGEC); Nwamaka Onyemelukwe, Director, Public Affairs, Communications & Sustainability, Coca-Cola Nigeria, and Mrs F.F Akande, Secretary, Oyo State Agribusiness Development Agency, at the launch of the Climate Smart Shea Processing Facility project, sponsored by The Coca-Cola Foundation, recently.
The NGO officially launched the much-anticipated project at a commemorative event in Tede, Oyo State, following a grant awarded by the Coca-Cola Foundation (TCCF), the philanthropic arm of The Coca-Cola Company.
The project, one of many to receive funding from the Coca-Cola Foundation this year, is focused on supporting rural community women who make a living through farming and trade in the Shea Butter value chain.
Speaking at the launch of the project, Nwamaka Onyemelukwe, director, Public Affairs, Communications & Sustainability, Coca-Cola, emphasized the economic opportunities the facility presented to the women of Tede community and expressed her faith in the implementing partners, IGEC, to deliver beyond expectations.
In her remarks, she said, “The Coca-Cola Foundation (TCCF) is deeply committed to improving lives and creating a better-shared future for its host communities. 2020 was a challenging year that taught us more about how to adapt to new realities in the face of a harsh economic situation.
“We are confident that this grant that has been awarded to IGEC will go a long way in economically empowering the women in the Tede community.
“The Climate Smart Shea Processing Facility is a project that offers these women in the less privileged communities a competitive edge in shea butter production while providing economic opportunities for the community at large.’’
Ekuma Eze, director, Public Affairs & Communications, Nigerian Bottling Company (NBC), expressed delight as the Oyo State has hosted its bottling operations for so many years.
“As the company celebrates its 70 years of doing business in Nigeria, we believe there is no better time to unveil this project.
“we are deeply excited at the huge impact the project will have on the community and the economy.
“The Climate Smart Shea Processing Facility offers unprecedented economic opportunities and inclusion for the women.” he added.
Shea butter production is known as a major preoccupation of the rural dwellers in the Tede community and most of the Shea processors are women, often without formal education.
Over the years, these Shea processors have relied on crude techniques that are often time-consuming and physically demanding.
As part of efforts to support sustainable community initiatives around the world, TCCF awarded this grant to IGEC, an NGO that has sought to alleviate poverty through economic empowerment in less privileged communities.
The project, which runs through 2021, birthed the establishment of the Climate Smart Shea Processing Facility in the Tede community.
Olasunmbo Adeleke, executive director, Initiative for Gender Empowerment and Creativity (IGEC), lauded the financial support from TCCF, reflecting on the positive impact that this project will have on the community.
“At IGEC, we are very honoured to receive the grant towards the establishment of the Climate Smart Shea Processing Facility which will empower women and youths in Tede Community.
“With the establishment of this facility, there are now huge economic opportunities for women in this community in Shea butter production. Undoubtedly, this project will empower the women of Tede who are the most involved in this trade and create job opportunities for others in the production and supply chain.
“We are very pleased to be implementing this exciting project and thank our partners Coca-Cola System for providing us with their support,’’ she said.
A community water project was also deployed with three source taps which would provide the community with treated potable water.
The facility was unveiled by the ATISBO local government Chairman, Honorable Adeagbo Fasasi Ademola and the wife of Onitede of Tedeland traditional ruler who commended Coca-Cola for this impactful intervention.
Other dignitaries in attendance include the Nigeria Export Promotion Council represented by Mrs Bolanle Emmanuel, Oyo state Ministry of Agriculture and Rural Development, Raw Materials Research and Development Council and many others.
Broadcasting
Mbunabo, Nigerian Filmmaker Accuses Ghana TV Stations of Pirating Nollywood Films

Uchenna Mbunabo, Nigerian filmmaker, has raised concerns over the alleged unauthorised broadcast of Nollywood films by some Ghanaian television stations, calling on Ghana’s National Film Authority (NFA) to strengthen the enforcement of copyright laws.

Uchenna Mbunabo, Nigerian filmmaker
Mbunabo made the remarks during a conversation with James Gardiner, deputy CEO of the National Film Authority (NFA) of Ghana.
He questioned whether it was permissible for television stations in Ghana to download Nigerian movies from YouTube and air them without obtaining permission from the producers.
“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalised in your country for TV stations to go on YouTube, download people’s sweat and show it for free?”
According to Mbunabo, some Ghanaian television stations have been downloading newly released Nollywood films from YouTube and broadcasting them without authorisation, depriving producers of revenue generated through the platform.
He also stated that he had not witnessed Nigerian television stations engaging in similar practices and questioned what measures Ghana was taking to protect filmmakers’ intellectual property.
Responding to the concerns, Gardiner acknowledged that the issue exists and said the National Film Authority had begun engaging relevant stakeholders to address it.
He disclosed that the NFA has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC) on improving copyright enforcement.
Gardiner explained that while Ghana has copyright laws, enforcement remains challenging because many television stations now operate digitally and may not have physical offices within the country.
“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital.”
He added that authorities are considering a new licensing framework that would require broadcasters to undergo a fresh licensing process to improve monitoring and enforcement.
According to Gardiner, television stations found guilty of illegally broadcasting copyrighted content would be required to compensate affected producers through fines.
He added that repeat offenders could face suspension of their broadcasting licences, while a third violation could result in the revocation of their licences.
Although he did not provide a specific timeline, Gardiner said the reforms were already underway and expressed hope that significant progress would be seen next year.
Mbunabo welcomed the proposed measures but urged the National Film Authority to expedite the process, stating that unauthorised broadcasts continue to affect filmmakers’ ability to recover production costs through legitimate distribution channels such as YouTube.
He also stressed that his comments were not directed at Ghana’s film industry, noting that he has worked with several Ghanaian actors over the years and supports collaborations between Nollywood and Ghallywood.
Broadcasting
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Broadcasting
BON Establishes Six Ad Hoc Committees to Modernize Broadcasting

Broadcasting Organization of Nigeria (BON) has established six committees to help strengthen and modernize the country’s broadcasting industry.

The committees will focus on content creation, skills development, digital transformation, sustainability, policy and commercial opportunities
The initiative aims to support industry growth and improve collaboration between broadcasters, regulators and media experts
The official launch recently, was led by Tony Akiotu, president, BON and attended by media professionals, program directors, former journalists and heads of specialized media organizations.
The event brought together several prominent figures in Nigeria’s media industry, including veteran broadcaster and trainer Bimbo Oloyede, Tony Uyah of M4S TV, Kingsley Uranta of Channels Television, Ismael Sani of Platinum TV and Ibrahim Shehu of Trust TV.
Together, they are expected to help drive innovation and support the growth of Nigeria’s broadcasting sector.
According to Akiotu, the committees are intended both to help shape industry policy and to provide a forum for dialogue between BON and broadcasting experts.
Akiotu said the ad hoc committees were intended to strengthen BON’s work and ensure that the umbrella body for Nigeria’s broadcasters played a more direct and meaningful role in developing the country’s broadcasting sector.
The six committees reflect the sector’s main priorities. The first focuses on collaboration and innovation to promote content creation.
The second is dedicated to training and talent development, while the third focuses on industry sustainability by improving the sector’s long-term financial viability.
A fourth committee will focus on digital transformation and work with the National Broadcasting Commission (NBC) on regulatory issues.
The remaining two committees will oversee public policy advocacy and the development of sports and commercial rights to help broadcasters increase revenue and attract more investment. Together, the committees are expected to guide BON’s efforts to modernize and strengthen Nigeria’s broadcasting industry.
The committees, chaired by members of BON’s General Assembly and supported by the organization’s Secretariat, have an initial 12-month mandate that may be renewed if necessary.
They are required to submit a progress report within three months and implement approved recommendations within the following six months.
The arrangement is intended to ensure close oversight and the timely implementation of their work.
Akiotu also reminded committee members that Nigeria pioneered television broadcasting in Africa and urged them to carry out their work with greater effectiveness and efficiency.
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