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Africa Magic Says ‘ The CEO’ To Premiere Onboard Air France Flight

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Wednesday, the 11th of May marked another milestone in the African film and television industry as Africa Magic and leading Nigerian filmmaker, Kunle Afolayan officially announced release dates and other plans for the highly anticipated pan-African thriller, The CEO.

The announcement came during a press conference which held at the SilverBird cinemas in Ikeja, and followed a short screening of excerpts from the movie to excited guests, sponsors and members of the press.

The CEO will be exclusively screened on the 1st of June 2016 before a select audience on board an Air France flight from Lagos to Paris, in a first of its kind, in-flight premiere.

Set on a beautiful beach resort on the outskirts of Lagos, Nigeria, The CEO follows five top executives from across Africa who are dispatched on a one-week leadership retreat by a multinational telecommunications firm to determine who gets selected as the new CEO.

Things go awry when one by one the executives are eliminated in sudden death circumstances, with the finger pointing to the last two remaining executive as prime suspects.

Speaking after the screening, the director and producer, Mr. Kunle Afolayan said: “The CEO is an exciting project, a truly pan-African film that boasts a stellar cast drawn from all across Africa. The movie will change the course of filmmaking in Africa, whilst undoubtedly and truly putting Africa on the global cinematic map.”

The CEO boasts an ensemble cast drawn from across Africa including Grammy Award-winning singer, songwriter and entertainer Benin Republic, Angélique Kidjo; Haitian actor and model Jimmy Jean-Louis; Nigerian actor Wale Ojo; French-Ivorian actress and model, Aurelie Eliam; South African actor and presenter, Nicolaos Panagiotopoulos; Nigerian actress, Kemi Lala Akindoju; Moroccan star, Fatim Layachi; Kenyan actor Peter King, Nigerian actress, Hilda Dokubo as well as  Nigerian singer Adekunle Gold and Moroccan artiste, Ahmed Soultan who made cameo appearances in the film.

Speaking at the conference, the Director, M-Net West Africa, Wangi Mba-Uzoukwu said: “The CEO promises to be unlike anything we have ever seen from Africa. We are familiar with the stellar work that Kunle Afolayan does with his Golden Effects company and were therefore more than excited to jump on board The CEO project right from its inception. This partnership is in furtherance of our continued drive to support Nigerian and African cinema by investing in people, ideas and talent, and we can’t wait for fans and lovers of good cinema to watch this movie.”

“The special premiere of The CEO will begin with a Red Carpet show at the check-In counter at the Murtala Mohammed International Airport in Lagos. There shall be the best of media coverage from media partners such as Africa magic. For our sponsors, partners, the cast and crew of The CEO and those accredited to attend NollywoodWeek Paris, the fun continues with a cocktail party at the boarding gate.

Thereafter, the movie will be screened onboard the plane where other passengers will get the chance to partake in the show.

An after party follows the screening and you can literally imagine this happening 35,000ft to 40,000ft above sea level. It is sure going to be a unique experience.

This will be followed by a special premiere at the NollywoodWeek Paris, taking place from June 2nd to 5th at the popular Cinema l’Arlequin,” Afolayan added.


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Broadcasting

Canal+ to Cut Jobs as Part Sweeping Restructuring

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Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

Canal+ to Cut Jobs as Part Sweeping Restructuring

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.

The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.

The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.

MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.

The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.

Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.

By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.

The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.

However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.


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Nigeria tops global rankings for USDT, USDC ownership

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Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

Nigeria tops global rankings for USDT, USDC ownership

USDT, USDC

Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.

According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.

The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.

The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.

Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.

The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.

However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.

More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.

 


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Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

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Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

Spotify's Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.

This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.

Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.

“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”

Key highlights include:

  • 55% year-on-year growth in local streams for Nigerian female artists.

  • 75% surge in streams for independent Nigerian artists.

  • Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.

Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.

The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.

For full details, visit spotify.com/loudandclear.


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