Broadcasting
Big Brother Helped Me Learn More About Other African Cultures – Quinn
South Africa’s Quinn was evicted from Big Brother Africa show penultimate Sunday, alongside his comrade in arms, Crystal. 21-year-old 1st year Media Diploma student from Johannesburg who entered the competition for the experience and to learn more about other African cultures spoke to hilary okeke on the whole Big Brother experience and life after the show.
Winning the Yellow Boot in the Soccer Task
Well, that was not the only moment of glory. I think the whole experience in the House was too much for me. Making it to the House in the first place was an achievement, surviving the first eviction was an achievement, surviving in the House for months was an achievement; so all of that put together was a great experience for me. One of the highlights for me in the House was definitely when the girls came into the House – I was totally blown away. You know it had been like an all-guys thing, and I was beginning to wonder how it would play out. Another was when Keri Hilson came calling. She’s really better looking in real life.
Hostility with Itai
I think the age difference was the reason we did not get along well. You know, I being the youngest in the House of age 21, and Itai being one of the oldest. We being different kind of persons – we didn’t just click. Look I don’t have issues with the guy, I am still going to see him on the 6th of December and shake his hands, so there’s no trouble between us. He did not get my Molotov Cocktail because he had already gotten one from someone who was evicted before me. Also, I promised Eddy (Edward) I was going to give him one. Itai already has one and I might as well just throw it to the next guy and Eddy asked for it, so I gave it to him.
Comrades in Arms Twist
I don’t think that worked against me. I wouldn’t like to say that my comrade put me down, we didn’t just get enough votes from Africa to continue in the game and we are satisfied with the outcome. It was not easy to play as a pair because if I had to leave, she had to leave and if she had to leave, I had to leave. I think it is easier when you are on your own because the decisions you make can only affect you and not your partner, as well. I am not going to say that playing as an individual wouldn’t have been different from playing as a pair, but it happened and it happened. So, no regrets.
Initial Alliance with Kevin, Kaone, Jeremy, Leonel and Itai
Look, the alliance worked up to the extent where we got out all the people we didn’t like – Yacob and others. Once we got them out, putting our friends up for eviction was beginning to turn into something difficult, but it had to be done, and here I am. Come next week, another person would have to leave, and so it is. It gets to a point in the game where anybody who leaves is a friend of the next person.
Distrust for Leonel
Yeah, in the last few weeks Leonel did not treat me as well as he used to. I noticed that and I just thought to myself that it was only a game. I don’t have any grudges against him, he only did what he had to do to survive and that’s fine with me.
Something That Should Have Been Done Differently?
To be honest, there’s nothing I think I should have done differently. The alliances I went into worked for me, and I lingered for 49 days. Like I said, my friends and I were able to get the other guys in the other alliance evicted, so it worked for me. I don’t have any regrets, but if I were to turn back the hands of time, I would go back to when I was the Head of House – and now that I think about it, maybe I would have saved my own countryman. But I saved myself at the end of the day, I think you would have done the same. So all in all, I wouldn’t have played the game any differently from the way I did while in the Big Brother House.
Headstrong Attitude and Survival
Well, it was inevitable that for 49 days I would collide with other personalities in the House. Not making the other housemates beds as a task was a small issue that was blown into something serious. You know, it’s like washing your own plate. Once you are up from sleep, you make your own bed and everyone is happy. Look I understand that it was a task, but I was like “why don’t you just make life simple and make your own bed?” About that incident putting me on a collision course with some housemates and reducing my chances of survival, I don’t think it necessarily did considering that I stayed on long after that.
Kiss with Mzamo and Attraction to Other Female Housemates
I was a bit drunk, she was a bit drunk and I think it was more like a peck – but it happened and is not going to happen again. We have both moved on, and she’s got Leonel now. No I wasn’t particularly attracted to any of the female housemates, although there were some hot chicks in the House, no doubt. I didn’t want to get involved with any chick in the House because I am not the long distance relationship kind of person. Yeah, maybe one kiss here, another there but the long distance thing? No, definitely not for me. More so, I’ve got a relationship back home in South Africa and that helped keep me under check too.
Who to Win the Game
I think Kevin and Eddy are the two strongest in the House right now. I think it’s about their characters – Kevin is like a little bomb that could explode anytime and I loved that when I was inside and still loving it. Eddy I think is the prank master, and his sense of humour is crazy, which I think viewers are also loving. I think they are going to go far in the game. For the girls, I really think that Mzamo is a character on her own. Out of all the girls, I think she will go very far.
Intimidated by Any Housemate(s)?
Not at all, I never felt intimidated by anybody in the house. I think we all had our unique potentials and it was only a matter of time before things played out. My eviction was just one of those incidents. I think I was able to hold my grounds and be myself, and no one’s character got me.
Greatest Lessons from Big Brother Africa Experience
I really learnt a lot there, and one of them was embracing cultures. You know, I met some Naija people in the House and learnt a few words of pidgin English. That was basically what I went for – the experience of being in the House, sharing my culture with people from other societies and learning theirs as well. I think the whole thing would take me a long way because now that I know I’ve got friends in Nigeria, Uganda and elsewhere, I can just fly down there and see them anytime.
What’s Next After BBA?
I am just going to take things easy for now, been really busy having interviews and not really had time for myself. Big Brother Africa show is a platform that would serve as a leverage for my success in the media industry because I more or less marketed myself while in the House, although unconsciously. But I am going to take one day at a time and whatever comes my way, I give a shot. So it’s back to the world, I missed my Facebook, my cellphone and watch. You know, while you are in the House, time stands still and one week could seem like one month. Everything goes slowly and 49 days seemed like forever. Now that I think about it, the person that stays in there for 91 days really deserves the money.
Broadcasting
NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.
Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.
According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.
“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.
She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.
Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.
She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.
While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.
“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.
Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.
James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.
Solafunmi Laelle, media strategist, added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.
According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.
Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.
She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.
The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.
They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.
Broadcasting
Four Must-Watch African Films Debut Free on Glo TV

Globacom, just introduced four brand new movies on its premium entertainment platform, Glo TV, and they are completely free for all subscribers. The company says the release marks another major step in its mission to enrich digital entertainment for millions of viewers across the country.

In a statement from Lagos on Wednesday, Globacom explained that the new titles feature some of Africa’s most celebrated actors and filmmakers, offering a colorful mix of romance, comedy, drama, culture, and emotional storytelling. The lineup includes Johnny Just Come (JJC), Eko Vibes, Bound, and Shifting Desire.
“Each of these movies was chosen to spotlight diverse African stories while delivering world class entertainment unavailable in cinemas, on YouTube, or on any other streaming service. Viewers do not need any subscription or extra payment. Access is completely free,” the company said.
Leading the pack is Shifting Desire, featuring Lilian Afegbai and veteran actor Majid Michel. The film is a gripping romantic drama that dives into marriage, intimacy, betrayal, healing, and the emotional journey of a couple using therapy to rebuild trust. Shifting Desire premiered on Glo TV on December 2 and is already streaming for free.
Johnny Just Come (JJC), starring Patience Ozokwor and Nancy Isime, delivers a hilarious cultural crossover story about an American man trying to navigate love and marriage in an African household. The movie explores themes of identity, family, culture, and coexistence in a warm and relatable way.
The third title, Bound, starring Rita Dominic and Eyinna Nwigwe, is a thought-provoking family drama that follows a successful career woman confronting long hidden personal struggles and the impact on her relationship. The film showcases powerful performances from some of Nollywood’s finest.
Rounding out the collection is Eko Vibes, featuring Broda Shaggi, Josh2Funny, and Nkechi Blessing. The movie captures the energy and hustle of Lagos youth culture, spotlighting ambition, humor, and the vibrant spirit of young people chasing success in the city.
Globacom noted that the new releases reinforce its commitment to delivering original African content at the highest quality. “With these exclusive titles, Glo TV is redefining digital entertainment in Nigeria by offering fresh, premium movies not available anywhere else. We remain committed to growing our catalog with rich African stories that celebrate creativity at its best,” the company added.
Broadcasting
Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

A new study, conducted by pan-African organisation, Paradigm Initiative (PIN), warns of an alarming surge in the prevalence of Technology-Facilitated Gender-Based violence, with 67 percent of respondents being victims of at least one or multiple forms of digital violence.

Online
Released on International Human Rights Day, the research exposes deep systemic failures, weak accountability, and unsafe online spaces driving a rapidly escalating epidemic across Cameroon, Kenya, Nigeria, Senegal, Zambia, and Zimbabwe.
PIN recognises that this gap limits both the understanding of TFGBV and the development of effective solutions. In response, this study adopts a survivor-centred approach that reframes how TFGBV is researched, discussed, and addressed. By prioritising survivors’ perspectives, the research uncovers the emotional, social, and systemic dimensions of digital violence that formal reports and statistics often obscure. It also interrogates how survivors navigate reporting systems, access justice, and play an informed role in digital spaces that are frequently hostile or unsafe.
A key finding of the study is that young people are disproportionately affected, with those aged 18–34 constituting the vast majority of survivors. Most incidents of TFGBV occurred on Facebook, WhatsApp, and X (formerly Twitter), underscoring how mainstream social media platforms continue to function as structurally unsafe spaces for many users—particularly women, activists, and advocates.
“Victims’ experiences range from sexual harassment, threats, and misogynistic attacks to severe violations such as stalking, non-consensual image sharing, hacking, sextortion, and identity-based harassment,” the report notes. “Personal testimonies reveal profound emotional, psychological, and reputational harm.”
The study also highlights that formal systems such as the police, employers, and public institutions, remain underutilised, largely due to fear, mistrust, or an expectation of inaction. While the findings expose wide-ranging gaps across platforms, institutions, and legal frameworks, they also highlight survivors’ resilience and their continued efforts to seek safer digital environments.
In light of these findings, PIN calls for urgent action to make online spaces safer for everyone, in line with this year’s Human Rights Day theme, “Human Rights, our everyday essentials.” Addressing these systemic gaps is critical to advancing democratic engagement, promoting media pluralism, fostering digital inclusion, and achieving gender equality across Africa.
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