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British Artist to Make Fela Kuti Biopic

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Turner prize-winning artist and film-maker, who won a Bafta for debut feature Hunger, will direct and write a movie about the Afrobeat creator and Nigerian activist. British artist-turned-director Steve McQueen has signed up to direct a biopic of Fela Kuti, the larger-than-life musician who created Afrobeat, inspired James Brown to make funk music, almost ran for the presidency of Nigeria, and at one point had 27 wives. Variety reports that McQueen will also co-write the screenplay for Fela with Biyi Bandele. The film, partly based on Michael Veal’s book Fela: The Life and Times of an African Musical Icon, is announced at a time of renewed interest in the controversial Nigerian star – he is also the subject of a new Broadway musical. Fela Kuti, who died of an Aids-related illness in 1997, fused American jazz and funk rhythms with highlife to form Afrobeat, which became hugely popular across the continent and beyond in the 70s. He is said to have coined the phrase upon his return from a US tour with his group Africa 70.
The musician, who practised traditional African spiritualism, also spoke out publicly against the Nigerian dictatorship – and suffered the consequences. His 1977 album Zombie, with its attack on the country’s military, resulted in a raid on Kuti’s commune home and his elderly mother being thrown from a window to her death. Kuti responded by placing the coffin outside Nigerian president General Olusegun Obasanjo’s home. In 1979 the musician, who called himself the Black President, attempted to run in Nigeria’s first elections for more than a decade, though his candidature was refused. In 1984 he told the Observer’s Peter Culshaw: "Anything could happen in Nigeria. If they get to the point that everyone trying to rule the place isn’t making any headway they might drop their guard and ask, ‘Fela, do you want to rule us today?’ "It would be a cultural and spiritual revolution. Every individual would feel like a president – nothing would obstruct people getting what is due to them." When he died, more than a million mourners filled the streets of Lagos.
James Schamus of Focus Pictures, which is producing Fela, said the musician might be "the most globally influential pop artist outside the Beatles in the last 50 years". He added: "The Broadway show is pure joy, but Steve and Biyi’s vision is very cinematic and distinctive. Fela was a revolutionary figure in world culture, and Steve is an artist who had a strong vision of politics and the world even before he made his first film. They are kindred spirits." Hunger, McQueen’s feature-length directorial debut, about the last six weeks of IRA hunger striker Bobby Sands’ life, won him a Bafta for most promising newcomer earlier this year, as well as the Golden Camera award at Cannes and two gongs at the British independent film awards in 2008. McQueen turned to feature film-making after making his name as an artist, winning the Turner prize in 1999.

 


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Broadcasting

Canal+ to Cut Jobs as Part Sweeping Restructuring

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Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

Canal+ to Cut Jobs as Part Sweeping Restructuring

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.

The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.

The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.

MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.

The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.

Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.

By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.

The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.

However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.


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Nigeria tops global rankings for USDT, USDC ownership

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Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

Nigeria tops global rankings for USDT, USDC ownership

USDT, USDC

Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.

According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.

The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.

The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.

Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.

The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.

However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.

More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.

 


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Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

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Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

Spotify's Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.

This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.

Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.

“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”

Key highlights include:

  • 55% year-on-year growth in local streams for Nigerian female artists.

  • 75% surge in streams for independent Nigerian artists.

  • Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.

Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.

The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.

For full details, visit spotify.com/loudandclear.


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