Broadcasting
Ericsson Broadens TV, Media Leadership with New Solutions

Since the acquisition of Mediaroom in September 2013, Ericsson has accelerated efforts and investments to further extend its television and media leadership in the Pay TV space.
As part of this effort, Ericsson on Friday announced a number of solutions that deliver new television experiences for consumers while providing operators with the tools to increase revenue build customer loyalty and drive new business.
Ericsson is introducing the latest release of the industry-leading IPTV platform, Ericsson Mediaroom.
The latest release elevates the TV viewing experience, delivering a host of new consumer-oriented capabilities that empower operators to deliver the highest quality live, video on demand (VOD) and time-shifted television experiences.
New features include making “Restart TV” a core experience; unified search functionality that offers consumers unparalleled levels of simplicity when discovering content; an enhanced user interface that maximizes full-screen viewing; and a new, more visual channel guide.
Providing service operators with the most innovative technology remains a key driver for Ericsson.
Recognizing 4K and HEVC as the next major consumer experience expectation, Ericsson is bringing 4K and HEVC capabilities to the Ericsson Mediaroom platform.
The new Ericsson Mediaroom client for ARM-based System-on-a-Chip (SoC) set top boxes will be available in the second half of 2015, equipping operators to deliver the best video quality on TV screens.
To extend the Ericsson Mediaroom platform to all screens, Ericsson is also introducing Ericsson Mediaroom Reach, a highly scalable solution born out of the company’s acquisition of Azuki Systems earlier this year.
Ericsson Mediaroom Reach quickly, easily and cost-effectively enables the deployment of over-the-top video to any device.
With Ericsson Mediaroom Reach, operators can securely deploy Adaptive Bit Rate (ABR) video streams, servicing more customers and more devices and greatly increasing market footprints.
Per Borgklint, senior vice president and head of Business Unit Support Solutions at Ericsson said: “Ericsson continues to build upon our position as the leading IPTV platform provider. Through the introduction of integrated software and solutions across the entire TV and media value chain, Ericsson is helping our customers create new, compelling entertainment experiences that span multiple screens and have significant business impact.”
Ericsson is also leveraging the technology that powers Ericsson Mediaroom Reach to deliver innovative experiences for digital terrestrial, cable and satellite operators via a connected set top box(STB) with both ABR and Digital Video Broadcasting (DVB) hybrid delivery.
Working with third party partners including iWedia, Marvell, Kaon and Arcadyan, Ericsson is combining the ABR capabilities of Ericsson Mediaroom Reach with traditional broadcast TV offerings to provide hybrid TV delivery platforms for IP/Terrestrial, IP/Cable and IP/Satellite, allowing consumers to access both broadcast and ABR content.
“Ericsson has established itself as a leader within the IPTV market with compelling end-to-end TV anywhere solutions,” said Hans-Jürgen Desor, CEO of iWedia. “We are eager to work with them to deploy the powerful IP technology behind Ericsson Mediaroom Reach to new markets in combination with iWedia’s Android4TV core technology and Comedia hybrid STB middleware.”
Ericsson Mediaroom and Mediaroom Reach are available to operators today. Ericsson will demonstrate its Mediaroom Reach hybrid offerings as a proof of concept at the International Broadcasting Convention (IBC) September 12-16 in Amsterdam.
Together, all three solutions represent the significant investments Ericsson is continuing to make in the TV and media space.
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
Broadcasting
Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.
This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.
Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.
“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”
Key highlights include:
55% year-on-year growth in local streams for Nigerian female artists.
75% surge in streams for independent Nigerian artists.
Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.
Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.
The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.
For full details, visit spotify.com/loudandclear.
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