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iTEC 75-Inch UHD TV: Redefining the Viewing Experience in the Nigerian Market

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iTEC is solidifying its position as one of the top brands in the electronics marketplace with the launch of its latest 75-inch UHD TV. This television, a product of Africa’s leading tech company, Zinox, is a masterpiece and nothing short of a marvel, as it provides an immersive visual experience that captivates casual viewers and tech enthusiasts across Nigeria and the broader Sub-Saharan market. 

itec 75 inch tv

Impressive Display and Resolution

One of the significant features of the iTEC 75-inch UHD TV is its stunning 3840×2160 resolution. This display produces clear, detailed images that bring your favourite shows, movies, and games to life. The 16:09 aspect ratio ensures that every scene is perfectly proportioned, and the display’s astounding 1.07 billion colours provide a vivid and rich palette. This TV expertly captures every hue, whether it’s the intense reds of a sunset or the deep blues of the ocean.

The colour spectrum of this TV is a real standout, offering a wide range of tones with an exceptionally natural feel. The uniformity of luminance guarantees that brightness will be dispersed equally over the screen, making for a consistent and enjoyable viewing experience from any angle. The backlighting is also top-notch. It offers excellent contrast between the darkest blacks and the brightest whites, enhancing every image’s depth and clarity.

Fast Performance and Smart Features

Beyond the visuals, this iTEC TV runs on the Android 11 operating system. It allows for a world of apps, streaming services, and customisation options. The TV has a Mali-G52 MC1 550MHz GPU and an ARM Cortex-A53 1.5GHz Quad-Core processor for snappy performance and seamless navigation. With 2GB of RspdifAM and 8GB of internal storage, users can easily download and store apps, games, and other content.

Seamless Connectivity

Staying connected is a breeze with the TV’s range of connectivity options. Its LAN and wireless networking capabilities make it simple to sync with other smart gadgets in your house or stream information from the internet. The multiple HDMI and USB ports ensure you can connect various external devices like gaming consoles, soundbars, or USB drives without hassle. The SPDIF and AV ports further add to the versatility of this TV, making it a hub for all your multimedia needs.

Stunning Sound Quality

No modern TV is complete without excellent audio, and iTEC delivers on this front with its Dolby speakers. The sound quality is rich and immersive, making you feel like you’re right in the middle of the action. Whether you’re watching a high-energy action film or enjoying your favourite music, the Dolby audio elevates the entire experience.

Designed for Every Viewing Angle

One of the most impressive features of this TV is its wide viewing angle. No matter where you’re seated in the room, the picture remains clear and bright. This is perfect for family gatherings or group viewing sessions, ensuring that everyone enjoys the same high-quality visuals from any corner of the room. The TV’s rapid response time also ensures smooth motion, making it ideal for watching sports or playing fast-paced video games.

Energy Efficiency and Power

Despite its large size, the iTEC 75-inch UHD TV is designed with energy efficiency in mind. With power consumption rates of 200W, 250W, and 270W, depending on the mode of operation, this TV balances performance with eco-friendliness. This is particularly important in regions where power supply can be inconsistent, making this TV a practical choice for the Nigerian and Sub-Saharan markets.

iTEC’s 75-inch UHD TV is a stellar offering for anyone looking to elevate their home entertainment experience. Its powerful performance, vibrant display, seamless connectivity, and immersive sound make it a must-have for tech-savvy individuals. With its impressive energy efficiency and robust features, this TV is sure to resonate with consumers in Nigeria and across Sub-Saharan Africa. Suppose you’re in the market for a cutting-edge TV that ticks all the boxes, iTEC’s latest model is definitely worth considering. Shop your iTEC TV now on konga.com for the best deals and seamless service.

 


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Ugo Onwuaso is an ICT enthusiast. He believes technology should be used for general good. He holds a Master of Public Administration (MPA) degree from the Lagos state University. Dear Reader, Your support matters. But we believe that technology makes life more exciting and helps improve the lives of people around Nigeria and indeed the world. That is why, we have devoted our energy to independent reportage of technology and finance and how they affect lives. Our incisive and analytical view of how technology news affects the daily life help individuals and organizations make up their minds. Quality journalism costs money. Today, we're asking that you support us to do more. Kindly support our effort to deliver technology and finance journalism to everyone in the world. Donate as little as N1,000. Bank transfers can be made to: UBA Plc 1017156876 Communication Week Media Ltd

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NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

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Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.

Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.

According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.

“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.

She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.

Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.

She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.

While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.

“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.

Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.

James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.

Solafunmi Laelle, media strategist,  added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.

According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.

Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.

She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.

The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.

They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.


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Four Must-Watch African Films Debut Free on Glo TV

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Globacom, just introduced four brand new movies on its premium entertainment platform, Glo TV, and they are completely free for all subscribers. The company says the release marks another major step in its mission to enrich digital entertainment for millions of viewers across the country.

In a statement from Lagos on Wednesday, Globacom explained that the new titles feature some of Africa’s most celebrated actors and filmmakers, offering a colorful mix of romance, comedy, drama, culture, and emotional storytelling. The lineup includes Johnny Just Come (JJC), Eko Vibes, Bound, and Shifting Desire.

“Each of these movies was chosen to spotlight diverse African stories while delivering world class entertainment unavailable in cinemas, on YouTube, or on any other streaming service. Viewers do not need any subscription or extra payment. Access is completely free,” the company said.

Leading the pack is Shifting Desire, featuring Lilian Afegbai and veteran actor Majid Michel. The film is a gripping romantic drama that dives into marriage, intimacy, betrayal, healing, and the emotional journey of a couple using therapy to rebuild trust. Shifting Desire premiered on Glo TV on December 2 and is already streaming for free.

Johnny Just Come (JJC), starring Patience Ozokwor and Nancy Isime, delivers a hilarious cultural crossover story about an American man trying to navigate love and marriage in an African household. The movie explores themes of identity, family, culture, and coexistence in a warm and relatable way.

The third title, Bound, starring Rita Dominic and Eyinna Nwigwe, is a thought-provoking family drama that follows a successful career woman confronting long hidden personal struggles and the impact on her relationship. The film showcases powerful performances from some of Nollywood’s finest.

Rounding out the collection is Eko Vibes, featuring Broda Shaggi, Josh2Funny, and Nkechi Blessing. The movie captures the energy and hustle of Lagos youth culture, spotlighting ambition, humor, and the vibrant spirit of young people chasing success in the city.

Globacom noted that the new releases reinforce its commitment to delivering original African content at the highest quality. “With these exclusive titles, Glo TV is redefining digital entertainment in Nigeria by offering fresh, premium movies not available anywhere else. We remain committed to growing our catalog with rich African stories that celebrate creativity at its best,” the company added.


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Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

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A new study, conducted by pan-African organisation, Paradigm Initiative (PIN), warns of an alarming surge in the prevalence of Technology-Facilitated Gender-Based violence, with 67 percent of respondents being victims of at least one or multiple forms of digital violence.

Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

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Released on International Human Rights Day, the research exposes deep systemic failures, weak accountability, and unsafe online spaces driving a rapidly escalating epidemic across Cameroon, Kenya, Nigeria, Senegal, Zambia, and Zimbabwe.

PIN recognises that this gap limits both the understanding of TFGBV and the development of effective solutions. In response, this study adopts a survivor-centred approach that reframes how TFGBV is researched, discussed, and addressed. By prioritising survivors’ perspectives, the research uncovers the emotional, social, and systemic dimensions of digital violence that formal reports and statistics often obscure. It also interrogates how survivors navigate reporting systems, access justice, and play an informed role in digital spaces that are frequently hostile or unsafe.

A key finding of the study is that young people are disproportionately affected, with those aged 18–34 constituting the vast majority of survivors. Most incidents of TFGBV occurred on Facebook, WhatsApp, and X (formerly Twitter), underscoring how mainstream social media platforms continue to function as structurally unsafe spaces for many users—particularly women, activists, and advocates.

“Victims’ experiences range from sexual harassment, threats, and misogynistic attacks to severe violations such as stalking, non-consensual image sharing, hacking, sextortion, and identity-based harassment,” the report notes. “Personal testimonies reveal profound emotional, psychological, and reputational harm.”

The study also highlights that formal systems such as the police, employers, and public institutions, remain underutilised, largely due to fear, mistrust, or an expectation of inaction. While the findings expose wide-ranging gaps across platforms, institutions, and legal frameworks, they also highlight survivors’ resilience and their continued efforts to seek safer digital environments.

In light of these findings, PIN calls for urgent action to make online spaces safer for everyone, in line with this year’s Human Rights Day theme, “Human Rights, our everyday essentials.” Addressing these systemic gaps is critical to advancing democratic engagement, promoting media pluralism, fostering digital inclusion, and achieving gender equality across Africa.


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