Broadcasting
MPAN Petitions NCC Over State of Music Publishing Business in Nigeria

The Music Publishers Association of Nigeria, (MPAN), through Olumide Mustapha its Chairman, has petitioned the Nigeria Copyright Commission over the state of the music publishing business in Nigeria.
This took place during the inaugural town hall meeting of the association recently held in Lagos, which sought to address the varying issues of publishing rights rocking the industry.
The theme ‘The Music Publishing Business in Nigeria – Regulations, Challenges and the Future’ was well tackled by the members of the panel at the meeting.
Each of the panelists, made up of MPAN members, gave an overview of the issues plaguing the music industry and they all agreed that the Copyright Society of Nigeria has not been transparent enough in some of its functions.
MPAN Chairman, Olumide Mustapha revealed that four sections of petitions will be submitted at the Nigerian Copyright Commission (NCC) office and these petitions were presented during the meeting and signed by those in attendance.
“We presented four petitions to all the attendees and those petitions cover areas we’ll forward to the Copyright Commission. We are confident we’ll have a significant impact in the decision making of how to resolve this issue in the industry after meeting the commission,” he said.
The petition that reads in part says, “That the Nigerian Copyright Commission issues a directive to all collating societies in the music industry to allocate no less than 60% of gross royalties collected per annum for specific distribution for a period of three years after which a further directive shall be passed limiting general distribution to a maximum of 10 per cent of gross royalties collected per annum.”
Mustapha, with the aid of a detailed data analysis, explained that the avoidable loss of revenue was as a result of lack of industry knowledge and know-how around music publishing, adding that lack of data was responsible for the irregularities. He added that specific distribution of revenue is important.
The meeting was graced by music stakeholders and artistes including Programme Director Beat 99.9FM, Olisa Adibua, and Efe Omorogbe of Hypertek Digital, amongst others.
Broadcasting
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EFCC Arik
Broadcasting
NIPR Postpones Maiden PRICE Awards to January 25, 2026

Nigerian Institute of Public Relations (NIPR) has announced the postponement of its maiden annual Public Relations, Reputation, Ideas, Concepts and Excellence (PRICE) Awards and Prizes to January 25, 2026.

NIPR
The event, earlier scheduled for December 7, 2025, was deferred to accommodate stakeholders whose observance of Christmas festivities had commenced earlier than expected.
Chairman of the Organising Committee, Mr. Israel Opayemi, urged stakeholders to note the new date and prepare to participate in the ceremony.
He said the awards would motivate professionals, practitioners and scholars, while enhancing Nigeria’s global competitiveness in the public relations ecosystem and strengthening brand equity for all stakeholders.
Opayemi reaffirmed the Committee’s commitment to delivering a best-in-class award administration and ceremony, describing the PRICE Awards as a credible and enduring platform to identify, celebrate and elevate outstanding individuals, campaigns and organisations shaping the public relations landscape across sectors.
The development of the PRICE Awards peaked in September 2025 when the NIPR President and Chairman, Council, Dr. Ike Neliaku, inaugurated a 12-man committee to organise the maiden edition. The inauguration followed the Council’s adoption of the report of a technical team tasked with establishing the awards.
Broadcasting
Netflix Seals $82.7bn Deal to Acquire Warner Bros., HBO Max

Netflix has announced a landmark agreement to acquire Warner Bros. and HBO Max in a transaction valued at $82.7 billion, a move analysts say will reshape the global entertainment industry.

Netflix
The deal, which includes Warner Bros.’ film and television studios, HBO, HBO Max, and Warner Bros. Games, was unanimously approved by the boards of both companies. Under the terms, Warner Bros. Discovery (WBD) shareholders will receive $23.25 in cash and $4.50 in Netflix shares for each WBD share.
Netflix co-CEO Ted Sarandos described the acquisition as “a defining moment” for the streaming giant, noting that the company intends to maintain Warner Bros.’ current operations while expanding its production capacity.
“By combining Warner Bros.’ incredible library of shows and movies with Netflix’s culture-defining titles, we can give audiences more of what they love and help define the next century of storytelling,” Sarandos said.
The transaction is expected to close within 12 to 18 months, following the planned spin-off of WBD’s TV networks division, Discovery Global, in 2026. Netflix projects annual cost savings of $2–3 billion by the third year after completion and expects the deal to be accretive to earnings per share by year two.
Industry groups, including the Directors Guild of America and Cinema United, have raised concerns about the impact on movie theaters, while regulators are expected to scrutinize the deal over antitrust issues. Netflix has pledged to continue supporting theatrical releases, with Warner Bros.’ cinema commitments running through 2029.
Warner Bros. Discovery CEO David Zaslav hailed the agreement, saying it “combines two of the greatest storytelling companies in the world to bring to even more people the entertainment they love.”
Observers note that the acquisition comes 15 years after former Time Warner chief Jeff Bewkes dismissed Netflix as “the Albanian army,” underscoring the dramatic shift in the entertainment landscape.
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