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NCC Calls for Professional Guidelines on Software Use, Support for Copyright Enforcement

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Dr. John Asein, the Director-General of the Nigerian Copyright Commission (NCC), has charged relevant professional associations on the establishment of clear guidelines that will promote the proper use of software, while urging them to proactively support copyright enforcement in Nigeria.

Dr. Asein made this call during an interactive workshop on the legal use of software in the engineering, construction, and building design sectors, held in Abuja.

Welcoming participants, he explained that the initiative was necessitated by the need to align with global best practices, boost professionalism and create seamless cross-border opportunities for Nigerian firms.

He underscored the indispensability of software applications such as AutoCAD, Revit, Civil 3D, and Navisworks in design, structural analysis, and Building Information Modeling (BIM) within today’s technology-driven environment.

Highlighting the dangers of using pirated, unauthorised, or non-compliant software, Dr. Asein warned of legal risks and project failures that could compromise client safety and trust. “Compliance is not merely a legal obligation but an investment in operational safety, project integrity, and long-term profitability,” he stressed, noting that lawsuits, fines, and settlements from infringement often exceed the cost of legitimate licenses.

He further reiterated that Nigeria’s copyright framework is designed to protect the intellectual investments of right owners and innovators, including software developers.

He cautioned against offences such as unauthorised reproduction, possession, or distribution of pirated software; circumvention of digital rights management systems; and compromise of technological protection measures, infractions that attract heavy fines and possible imprisonment.

Dr. Asein urged Chief Executives to reinforce internal controls, conduct periodic software audits, and foster a culture of compliance across all levels of their organisations.

Declaring the workshop open, the Permanent Secretary, Federal Ministry of Justice and Solicitor-General of the Federation, Mrs. Beatrice Jedy-Agba, reaffirmed government’s commitment to creating a legal environment that fosters technological growth while safeguarding intellectual property.

The Permanent Secretary who was represented by Mrs. Aramide Adepoju, Assistant Director in the Solicitors’ Department, described the workshop as timely, offering a platform for legal practitioners, engineers, designers, and policymakers to engage in ethical and lawful deployment of critical software tools.

“The discussions here will no doubt promote awareness, reduce the risks of software piracy, and encourage adherence to licensing regulations, thereby supporting innovation while upholding the rule of law,” Mrs. Jedy-Agba affirmed.

Deputy Director and Head, Regulatory and Compliance, Mr. Kunle Olatunji, delivered a presentation on: Licensing and other Intellectual Property Issues in the Construction and Engineering Industry while the Technical Sales Manager at Worldsview, Engr. Abubakar Lawal (MNSE, MNICE, ACP) also presented a paper on: The Benefits of Using Genuine Autodesk License Software.

The workshop was attended by representatives from Ministries, Departments and Agencies (MDAs), the private sector, professional bodies, officials of the Nigerian Copyright Commission and Worldsview – Autodesk Incorporated.

 


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Canal+ to Cut Jobs as Part Sweeping Restructuring

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Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

Canal+ to Cut Jobs as Part Sweeping Restructuring

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.

The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.

The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.

MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.

The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.

Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.

By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.

The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.

However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.


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Nigeria tops global rankings for USDT, USDC ownership

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Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

Nigeria tops global rankings for USDT, USDC ownership

USDT, USDC

Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.

According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.

The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.

The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.

Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.

The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.

However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.

More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.

 


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Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

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Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

Spotify's Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.

This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.

Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.

“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”

Key highlights include:

  • 55% year-on-year growth in local streams for Nigerian female artists.

  • 75% surge in streams for independent Nigerian artists.

  • Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.

Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.

The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.

For full details, visit spotify.com/loudandclear.


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