Broadcasting
NCC Canvasses for Emerging Digital Platforms

Mr. John O. Asein, director-general of Nigerian Copyright Commission (NCC), has challenged music practitioners and rights managers in the country to make necessary changes in their business models to enable them take advantage of new opportunities offered by emerging digital platforms to boost the returns on their intellectual and financial investments.

The Director-General made the call while addressing participants at a Sensitisation Webinar on the US Music Modernization Act (MMA) organised by the Nigerian Copyright Commission (NCC) and the United States Copyright Office on 27 August 2020.
Mr. Asein informed participants that the focus of the webinar was to enlighten stakeholders in the music industry on the new Act, noting that “the US Music Modernization Act shows how a country can, through appropriate legislative intervention, take advantage of consumer trends and leverage on technological development”.
The Director-General used the opportunity to reassure Nigerians that the new Nigerian Copyright Bill which has already been approved by the Federal Executive Council (FEC) will go a long way to modernise the Nigerian copyright system. “It will certainly equip the Commission and right owners with the required tools to better address the new challenges posed by an ever-changing digital landscape and make it easier to check online abuses,” he said.
While observing that weak regulatory and administrative framework for rights management was part of the challenges facing the Nigerian music industry, he reiterated Government’s willingness to “provide the necessary legislative and regulatory support to achieve a strong, balanced and efficient copyright system that works for the benefit of the creative industries”.
Speaking at the webinar, Mr. John Riley, Assistant General Counsel, US Copyright Office, stated that in a bid to streamline copyright related issues in music to address emerging challenges of new forms of technology for digital streaming, the United States signed the Music Modernization Act into law on 11th October 2018.
He added that the MMA which will come into force on 1st January 2021 has provisions for the music licensing process to enable right holders to be remunerated when their music is streamed online.
Mr. Riley explained that music authors and composers across the globe were required under the Act to register with the Mechanical Licencing Collective (MLC) to enable them enjoy due remuneration for their music when streamed in the digital environment. According to him, “The MLC is a structure set up and covered by the Act which ensures that royalties will actually be collected and distributed”.
The webinar was moderated by Ms. Aurelia Schultz, Counsel, Policy and International Affairs, US Copyright Office and Mr. Mike Akpan, Director, Nigerian Copyright Academy (NCA).
Prominent industry stakeholders who participated in the webinar included representatives of the following associations: Music Publishers Association of Nigeria (MPAN), Musical Copyright Society of Nigeria (MCSN), Performing Musicians Employers Association of Nigeria (PMAN) and the Intellectual Property Law Association of Nigeria (IPLAN).
Broadcasting
NBC Boss Urges Content Ceators to Participate in DSO

Mr. Charles Ebuebu, director General of the National Broadcasting Commission (NBC), has called on Nigerian content creators to actively participate in the country’s Digital Switchover (DSO), describing the transition as a major opportunity for visibility, revenue growth, and industry collaboration.

Mr. Charles Ebuebu, DG, NBC
Speaking as Special Guest of Honour at the induction ceremony of the Electronic Media Content Owners Association of Nigeria (EMCOAN) in Lagos, Ebuebu stressed that the success of the DSO depends on engaging content to populate the nation’s new digital channels.
“Without content, the DSO’s success would be incomplete. We are urging content owners to collaborate with the Commission to ensure Nigeria’s digital future is rich, diverse, and sustainable,” he said.
The NBC boss highlighted that the upcoming FreeTV Direct-to-Home (DTH) platform, along with its mobile applications, would provide content creators with nationwide reach, advanced analytics, and brand partnership opportunities.
Nigeria’s DSO, which marks the shift from analogue to digital broadcasting, is being implemented by the NBC using the Nigcomsat satellite infrastructure. The programme aims to deliver over 100 nationwide channels and expand access to Nigerians in remote areas via hybrid decoders, addressing long-standing infrastructure and funding challenges. The project, which has experienced delays since 2012, now has strong government backing and is scheduled for launch in April 2026.
Ebuebu commended EMCOAN members for their contributions to strengthening Nigeria’s creative economy and encouraged them to leverage the opportunities offered by the DSO to promote local stories, culture, and creativity on both national and global stages.
During the ceremony, EMCOAN honoured its distinguished members, naming Wale Adenuga, MFR, as Grand Patron and Mr. Yinka Adebayo as Patron.
Prominent figures in the broadcasting content industry, including Wale Adenuga, Opa Williams, Agatha Amata, Jibe Ologeh, High Chief Emeka Ossai, Debbie Odetayo, Amina Mohammed, and Frank Elaboya, attended the event.
Representing the NBC at the event was Mr. Ralph Akpan, director of the Lagos Zone, while EMCOAN president, Mr. Adeniji Omirin, MD of ADNOM Media, urged members to fully engage in the digital switchover.
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
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