Broadcasting
NCC, Nigeria Customs to Strengthen Border Controls Against Copyright Piracy

In a renewed measure to encourage creativity and boost Nigeria’s creative economy, the Nigerian Copyright Commission (NCC) and the Nigeria Customs Service (NCS) have agreed to strengthen collaboration between the two agencies and develop new anti-piracy strategies.

This agreement was reached during a courtesy visit by the Director-General, NCC Dr. John O. Asein to the Comptroller-General of Customs (CGC), Bashir Adewale Adeniyi, MFR at the NCS Headquarters, November 21, 2023.
The heads of both agencies acknowledged the strategic importance of Intellectual Property, particularly Copyright, to the growth of the country and noted the devastation caused by the activities of copyright pirates in the sector.
They therefore expressed their commitment to introduce ICT driven proactive measures and enhance their operations through training and intelligence sharing as envisaged in the Memorandum of Understanding (MoU) to check copyright piracy and other illicit activities in the copyright sector.
Dr. Asein, expressed optimism that the provision of section 168 of the Nigeria Customs Act which specifically grants the Service powers to detain, arrest and seize any material that infringes the Copyright Act will complement the criminal provisions of the new Copyright Act to strengthen border policing and the anti-piracy efforts of the two agencies.
While appreciating the CGC and the management of NCS for helping the Commission to deliver on its mandate in the fight against piracy, Dr. Asein announced that the Commission would introduce a pre-import notification system to facilitate the clearance of genuine imports of copyright materials and make the detection of illicit imports easier.
He also confirmed that the Commission was working with book publishers to introduce antipiracy stamps for use on books to discourage pirates.
Explaining that importers of copyright works are also smugglers, the Director-General assured the CGC that the Commission will identify with the renewed war against all forms of smuggling and rid Nigerian ports of pirated materials.
He therefore warned Nigerians who collude with foreigners to import pirated books to desist and patronize legitimate channels for their imports.
In his response, the CGC commended the DG and the entire staff of NCC for their proactive and sustained drive in rebuilding the nation’s copyright system to benefit its creatives.
He therefore urged stakeholders to come together to promote and protect the copyright system. “Here at Nigeria Customs Service, we will do the best we can to ensure that this sector gets the desired attention” the CGC assured.
He noted that there is need for more awareness creation, capacity building on copyright matters and joint training programmes for entry and exit point officers, as pirates are devising all manners of tricks to outsmart officers. To this end, both agencies immediately identified the low hanging fruits and agreed on the first round of training and activities to be held before the end of the year.
The Management teams from both NCC and NCS were also at the courtesy meeting.
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
Broadcasting
Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.
This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.
Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.
“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”
Key highlights include:
55% year-on-year growth in local streams for Nigerian female artists.
75% surge in streams for independent Nigerian artists.
Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.
Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.
The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.
For full details, visit spotify.com/loudandclear.
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