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NCC Pledges to Balance Royalty Payments for Good of All

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Mr. John O. Asein, Director-General of Nigerian Copyright Commission (NCC), has given assurances that the Commission would continue to interrogate the tariffs set by collective management organisations (CMOs), in consideration of the realities of the Nigerian environment and prevailing global practices.

The Director-General made this known while speaking at a consultative meeting with executives of the Hotel Owners Forum, Abuja (HOFA), held at the Commission’s Headquarters in Abuja.

President of HOFA and leader of the delegation, Barrister (Mrs.) Funmi Kazeem, urged the NCC to come to the aid of its members who are already overburdened by various taxes and levies, lamenting that the recent demands from some CMOs were excessive.

She decried the manner in which certain CMOs were making demands on hotels without taking cognizance of economic realities, particularly the hardship occasioned by the recent Covid-19 pandemic.

Responding, the Director-General observed that the collective management regime in Nigeria has an inbuilt dispute settlement mechanism allowing the Commission to arbitrate between CMOs and users of works. He assured members of HOFA that the Commission would at all times promote win-win solutions in the interest of parties and the industries they represent.

“The Commission is committed to helping the various components of the creative industries to grow within the copyright system. One of the objectives of the copyright system is to find a balance such that users of copyright material can succeed in business while the right owners get adequate recompense. It is our duty to ensure that none of these interests suffers”, he declared.

The Director-General commended the executives of HOFA for reaching out to the Commission as an affirmation of their faith in the ability of NCC to help parties navigate through the issues in a way that would be congenial to the continued survival of businesses in the hospitality and creative industries.

The Director-General further called on members of HOFA, particularly hotel owners to help ensure that their premises were not used as outlets for pirated materials.

He announced that working with HOFA, the NCC would soon introduce measures to help proprietors of hotels carry out their due diligence on booksellers and vendors of other copyright materials to ensure that they are not outlets for pirated materials.

On her part, the HOFA President assured the Director-General of her members’ commitment to supporting the renewed anti-piracy campaign of the Commission. She welcomed the initiative to check the incidence of copyright infringements on their premises.

Other delegates of HOFA at the meeting were its Head of Administration, Miss. Okany Rose Chime; the General Secretary, Mr. Onofiok Ekong; the Assistant General Secretary, Mrs. Evelyn Chidolue; and the Ex-Officio, Hon. Charles Odedo.


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Canal+ to Cut Jobs as Part Sweeping Restructuring

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Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

Canal+ to Cut Jobs as Part Sweeping Restructuring

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.

The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.

The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.

MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.

The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.

Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.

By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.

The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.

However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.


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Nigeria tops global rankings for USDT, USDC ownership

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Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

Nigeria tops global rankings for USDT, USDC ownership

USDT, USDC

Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.

According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.

The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.

The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.

Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.

The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.

However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.

More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.

 


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Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

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Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

Spotify's Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.

This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.

Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.

“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”

Key highlights include:

  • 55% year-on-year growth in local streams for Nigerian female artists.

  • 75% surge in streams for independent Nigerian artists.

  • Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.

Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.

The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.

For full details, visit spotify.com/loudandclear.


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