Broadcasting
NCC Poised to Introduce Model IP Policy for Nigeria

As Nigerian Copyright Commission (NCC) partners stakeholders to develop a Model Intellectual Property (IP) Policy for Nigerian Universities, it has also appointed the 15 winners of the World Intellectual Property Organisation (WIPO) maiden National IP Essay Competition as Copyright Ambassadors.

Mr. John O. Asein, Director-General of NCC, who revealed this in Abuja recently at a reception for the winners, remarked: “As winners and finalists of the maiden competition, you represent the product of a new dawn in the relationship between WIPO and Nigeria; a new beginning in the strategic dissemination of IP knowledge amongst students and young persons.”
The Director-General commended Ms. Susan Chioma Omeh of the Faculty of Law, University of Nigeria, overall winner of the competition organised by the WIPO Nigeria Office (WNO) as part of activities marking the 2020 World Intellectual Property Day.
Addressing the winners, led on the study visit to NCC Headquarters by the Programme Officer of WNO, Mr. Oluwatobiloba Moody, the Director-General disclosed that the Commission was already collaborating with the Association of Vice Chancellors of Nigerian Universities (AVCNU), the National Universities Commission and other stakeholders to develop a Model IP Policy for Nigerian Universities.
According to him, the policy would guide institutions on legally safe and sustainable use of IP in Nigerian tertiary institutions and provide a template for other areas of pro-active intervention.
“As Copyright Ambassadors and frontline stakeholders in your academic communities, your inputs will be required in the formulation and implementation of that Policy”, he pointed out, adding, “Together we can ensure that the intellectual property system in Nigeria provides the required support for the growth of our creative and innovation industries. Together we must make the IP system work in Nigeria and for Nigeria”.
Assuring that the Commission would not relent in the dissemination of IP knowledge, the Director-General noted that while Government and its constituent organs would continue to provide legislative and administrative frameworks, “the ultimate responsibility for the sustainable use of any IP system lies with the critical stakeholders”.
He observed that the theme of last year’s World IP Day celebrations and the topic of the essay: “Making Innovation Work for a Green Future in Nigeria” did not only focus on the global issue of the environment but also has metaphoric significance for Nigeria as a land with abundant creative talents, immense potentials and endowed with imaginative and talented people. In his words, “It is our collective responsibility to make intellectual property work for a greener, safer and more prosperous Nigeria”.
According to Mr. Asein, creativity and innovation have become the universal currency in today’s technology driven, knowledge-based economy: “Fortunately, there are very few barriers to creativity which is increasingly dominated by the younger generation; your generation; the digital generation. I am therefore delighted that we have a credible essay competition that gives students and young persons a voice in the policy space”.
The Director-General further charged the winners: “You are the bright hope of a better Nigeria where the value of IP as an inexhaustible national resource is well appreciated and accorded due respect at every level of society.
We see all around us a generation of vibrant, determined and committed young creators, innovators and entrepreneurs and it is my belief that with the appropriate support, they can use the intellectual property system to bring about rapid turn-around in the economic fortunes of our great nation”.
The responsibilities of the Copyright Ambassadors include: assisting in the dissemination of copyright knowledge; initiating relevant programmes and activities to promote respect for copyright and other forms of IP; serving as liaisons between their institutions and the Commission on matters of copyright; providing feedback for the Commission on various aspects of intellectual property; assisting in policy formulation and implementation; and carrying out other assignments that the Commission may from time to time require.
In his remarks, Mr. Moody assured of the commitment of the WNO to the advancement IP capacity in the country. He indicated that the office was awarding the winners internship and scholarship opportunities within and outside the country.
While appreciating the DG, NCC for hosting the finalists, he assured that the WNO would continue to work with the Commission to strengthen IP and Copyright knowledge in Nigeria.
Other winners of the essay competition are the first runner-up, Ms. Chantelle Chiwetalu of the Faculty of Law, University of Nigeria; second runner-up Mr. Olanrewaju Toheeb Balogun of the Faculty of Law, Lagos State University, Ojo; Mr. Rotimi Owolabi, a law student of Obafemi Awolowo University, Ile-Ife; Mr. Chibuzor Ndubisi, a mechanical engineering student of University of Nigeria, Nsukka; Mr. Habeebullah Asudemade, a law student of University of Ibadan; among others.
Broadcasting
NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.
Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.
According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.
“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.
She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.
Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.
She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.
While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.
“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.
Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.
James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.
Solafunmi Laelle, media strategist, added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.
According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.
Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.
She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.
The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.
They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.
Broadcasting
Four Must-Watch African Films Debut Free on Glo TV

Globacom, just introduced four brand new movies on its premium entertainment platform, Glo TV, and they are completely free for all subscribers. The company says the release marks another major step in its mission to enrich digital entertainment for millions of viewers across the country.

In a statement from Lagos on Wednesday, Globacom explained that the new titles feature some of Africa’s most celebrated actors and filmmakers, offering a colorful mix of romance, comedy, drama, culture, and emotional storytelling. The lineup includes Johnny Just Come (JJC), Eko Vibes, Bound, and Shifting Desire.
“Each of these movies was chosen to spotlight diverse African stories while delivering world class entertainment unavailable in cinemas, on YouTube, or on any other streaming service. Viewers do not need any subscription or extra payment. Access is completely free,” the company said.
Leading the pack is Shifting Desire, featuring Lilian Afegbai and veteran actor Majid Michel. The film is a gripping romantic drama that dives into marriage, intimacy, betrayal, healing, and the emotional journey of a couple using therapy to rebuild trust. Shifting Desire premiered on Glo TV on December 2 and is already streaming for free.
Johnny Just Come (JJC), starring Patience Ozokwor and Nancy Isime, delivers a hilarious cultural crossover story about an American man trying to navigate love and marriage in an African household. The movie explores themes of identity, family, culture, and coexistence in a warm and relatable way.
The third title, Bound, starring Rita Dominic and Eyinna Nwigwe, is a thought-provoking family drama that follows a successful career woman confronting long hidden personal struggles and the impact on her relationship. The film showcases powerful performances from some of Nollywood’s finest.
Rounding out the collection is Eko Vibes, featuring Broda Shaggi, Josh2Funny, and Nkechi Blessing. The movie captures the energy and hustle of Lagos youth culture, spotlighting ambition, humor, and the vibrant spirit of young people chasing success in the city.
Globacom noted that the new releases reinforce its commitment to delivering original African content at the highest quality. “With these exclusive titles, Glo TV is redefining digital entertainment in Nigeria by offering fresh, premium movies not available anywhere else. We remain committed to growing our catalog with rich African stories that celebrate creativity at its best,” the company added.
Broadcasting
Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

A new study, conducted by pan-African organisation, Paradigm Initiative (PIN), warns of an alarming surge in the prevalence of Technology-Facilitated Gender-Based violence, with 67 percent of respondents being victims of at least one or multiple forms of digital violence.

Online
Released on International Human Rights Day, the research exposes deep systemic failures, weak accountability, and unsafe online spaces driving a rapidly escalating epidemic across Cameroon, Kenya, Nigeria, Senegal, Zambia, and Zimbabwe.
PIN recognises that this gap limits both the understanding of TFGBV and the development of effective solutions. In response, this study adopts a survivor-centred approach that reframes how TFGBV is researched, discussed, and addressed. By prioritising survivors’ perspectives, the research uncovers the emotional, social, and systemic dimensions of digital violence that formal reports and statistics often obscure. It also interrogates how survivors navigate reporting systems, access justice, and play an informed role in digital spaces that are frequently hostile or unsafe.
A key finding of the study is that young people are disproportionately affected, with those aged 18–34 constituting the vast majority of survivors. Most incidents of TFGBV occurred on Facebook, WhatsApp, and X (formerly Twitter), underscoring how mainstream social media platforms continue to function as structurally unsafe spaces for many users—particularly women, activists, and advocates.
“Victims’ experiences range from sexual harassment, threats, and misogynistic attacks to severe violations such as stalking, non-consensual image sharing, hacking, sextortion, and identity-based harassment,” the report notes. “Personal testimonies reveal profound emotional, psychological, and reputational harm.”
The study also highlights that formal systems such as the police, employers, and public institutions, remain underutilised, largely due to fear, mistrust, or an expectation of inaction. While the findings expose wide-ranging gaps across platforms, institutions, and legal frameworks, they also highlight survivors’ resilience and their continued efforts to seek safer digital environments.
In light of these findings, PIN calls for urgent action to make online spaces safer for everyone, in line with this year’s Human Rights Day theme, “Human Rights, our everyday essentials.” Addressing these systemic gaps is critical to advancing democratic engagement, promoting media pluralism, fostering digital inclusion, and achieving gender equality across Africa.
News2 days agoFRC, ICPC Seal Anti-corruption Alliance
Telecom1 day agoMinister Claims Bandits Exploit Poor Network, Bounce Calls Off Multiple Towers
News2 days agoDebt Rises in AI Data Centre Boom
Telecom2 days agoMoMo PSB Brings Relief to UNILAG Students with Ultra-Cheap Bus Fares
E-Financial2 days agoSterling Bank, Pan-Atlantic University Partner to Certify Non-Oil Export Academy Graduates
E-Financial1 day agoFIRS says MOU with DGFIP Won’t Compromise Nigeria Tax Data Sovereignty
Broadcasting2 days agoYoung Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports
General News2 days agoFidelity Bank to Host Virtual Masterclass on New Tax Law
















