Broadcasting
NCC Seizes Pirated Law Books, Others in Abuja Raid

The Nigerian Copyright Commission (NCC) has seized some pirated law books and several other popular literally works in its renewed its antipiracy drive.

Some of the seized suspected pirated books included Criminal Law in Nigeria by Okonkwo and Naish; The Nigerian Law of Tort by Kodilinye and Aluko; The Lion and the Jewel by Wole Soyinka and Introduction to Nigerian Legal System (2nd Edition) by John O. Asein. Other titles confiscated were Nigerian Law of Contract by Itse Sagay; The Drummer Boy by Cyprian Ekwensi; The Passport of Mallam Ilia by Cyprian Ekwensi; and several other school textbooks.
Dr. John Asein, the Director-General of the NCC, who disclosed this in Abuja said the Commission would intensify its enforcement activities while also sustaining the sensitisation of printers and booksellers on the ills of piracy.
According to him, “We have made a firm resolve that enforcement will be top priority in our intervention programmes. We spent a lot last year enlightening booksellers and educating them on the ills of piracy.
However, it appears they are unrepentant. That is why we also will not relent in our antipiracy drive to send a strong message that it will no longer be business as usual in the book value chain.”
While condemning the illicit business of copyright piracy in all aspect of the creative industry, Dr. Asein stated; “Piracy is cancerous, and we must root it out before it destroys the educational system in Nigeria. It is a serious offence that impoverishes authors, paralyses the business of publishing and destroys the foundation of learning.”
He expressed worry that the activities of the pirates discourage authors who otherwise would have been producing quality books and contributing significantly to the country’s GDP.
The Director-General who promised the Commission’s commitment to bringing succour to authors and publishers, charged all booksellers in Wuse Market and other markets in Abuja to stock and sell only original texts or move out of the business as those found to be compromising the copyright system would meet the full wrath of the law.
A statement by Vincent Oyefeso, the Director, Public Affairs of the Commission, Asein further assuring that the Commission would not relent in its efforts, the Director-General solicited the continued support of the media in the renewed strategic fight against piracy through public enlightenment and prompt reportage of the Commission’s enforcement operations.
He added that the Commission would continue to collaborate with market authorities across Nigeria “to ensure that their markets do not become outlets for pirates and other miscreants in the copyright ecosystem”.
Backed by armed Policemen, the antipiracy raid was coordinated by Directors of the Commission, including the Director of Operations, Mr. Obi Ezeilo; Director of Finance and Accounts, Mr. Mark Obasi; Director, Administration, Dr. Idowu Ogunkuade and Director, Regulatory, Mr. Augustine Amodu.
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
Broadcasting
Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.
This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.
Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.
“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”
Key highlights include:
55% year-on-year growth in local streams for Nigerian female artists.
75% surge in streams for independent Nigerian artists.
Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.
Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.
The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.
For full details, visit spotify.com/loudandclear.
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