Broadcasting
NCC Tasks AVRS on Licensing, Distribution of Royalties
Mr. John Asein, Director General of the Nigerian Copyright Commission,NCC, has urged the leadership of the Audiovisual Rights Society of Nigeria, AVRS, to evolve strategies to manage the impact of the growth in digital technologies that has ushered in a new wave of services that has seen content consumption rise exponentially.
NCC boss made the call at the maiden edition of Stakeholders-Users Forum organized by the AVRS, which held at Eko Hotel and Suites, Victoria Island, Lagos, last week.
While calling on content users to cooperate with AVRS in ensuring that licensing is conducted in the most business-friendly manner, the NCC DG canvassed a situation where the AVRS must be seen to discharge its function in a manner that justifies its existence as a collective management organization.
His words, “I encourage users to cooperate with the AVRS in ensuring that licensing is conducted in the most business-friendly manner.
As long as it is acknowledged that creative contents are vital inputs to the operations of certain businesses, licensing of such content is no longer debatable, but rather a case of ascertaining what the appropriate licensing rates and tariffs should be.”
Asein, however, expressed NCC’s willingness to assist parties who may have difficulties in coming to an amicable conclusion of such licensing deals through alterative dispute resolution.
Speaking in the same vein, Chairman of the forum and former DG of the National Broadcasting Commission, NBC, Emeka Mba, canvassed the need to deconstruct and reconstruct the Nollwood value chain in a way as to maximally secure any real measure of value to the industry practitioners.
Mba was unequivocal in his submission that the industry guild and associations have largely failed to design an engagement strategy with agreed deliverables that the NCC and other agencies can be measured by.
He therefore charged AVRS to rise to the occasion and act in the overall industry interest. According to Mba, “The AVRS should be the last man standing; the industry insurance vehicle to ensure that a measurable portion of the value created by Nollywood comes back to Nollywood for the benefit of industry practitioners.’’
But to effectively play the role of the last man standing, AVRS according to Mba must conduct an audit of what is collectible based on the applicability of the law establishing it and this must be broken down sector by sector.
Earlier in his welcome address, Chairman of the AVRS, Mahmood Ali-Balogun noted that while the AVRS may have recorded some progress in the areas of enlightenment, membership data analysis, capacity building for staff and management and strategic partnership building processes, the collecting society is still lagging behind, given the fact that the CMO was licensed about five years ago and till date, it has not commenced the licensing and distribution of royalties, which as he stressed ‘are the two fundamental purposes for which AVRS was established and approved as a CMO’.
Commending the understanding and spirit of cooperation by users of audiovisual content who have shown commitment to voluntary compliance with copyright regulations by obtaining AVRS license,
Ali-Balogun urged users who are still trying to evade payment for AVRS license to obtain the license as the Nigerian Copyright Act is very clear on the obligation and liabilities of right users.
The event which was hosted by veteran actor, Richard Mofe Damijo, had in attendance big names in the Nigerian motion picture industry, industry regulators like he Nigerian Copyright Commission,NCC, officials of banks and other financial institutions, entertainment lawyers, captains of industry among others.
Participants emphasized the need for the leadership of AVRS to set the machinery for rights collection and administration in motion picture industry, especially against the backdrop of the massive transformation and continuous expansion that the audiovisual landscape has witnessed in the past two decades.
A major shake‑up rocks viewers and subscribers of DSTV/GOTV as many channels are set to shut down and be removed on January 1, 2026.
The trigger for the upcoming shut‑down is a breakdown in negotiations between the owners of multiple global channels and the pay‑TV operator.
As of December 2025, the deal between Warner Bros. Discovery (WBD) and DStv/GOtv has expired and the two parties have not reached a renewal agreement.
Without a new carriage/distribution agreement, the channels belonging to WBD risk being pulled off the DStv/GOtv line‑up.
This is the most significant content cutback the service has seen in years.
The affected channels are:
Discovery Channel
TLC
Cartoonito
Cartoon Network
CNN International
Food Network
The Travel Channel
TNT
Investigation Discovery
Real Time
HGTV
Discovery Family
Paramount Africa is officially shutting down at the end of December 2025, drawing the curtain on more than two decades of operations in South Africa and Nigeria.
The company, which once reached over 100 million viewers across 52 African territories, confirmed it will close its doors as part of a massive global restructuring at its parent company, Paramount Global.
This is the same Paramount Africa behind channels like BET, MTV, MTV Base, Comedy Central, Nickelodeon, and more.
Its digital footprint has also been significant, with millions of monthly page views, social media engagements, and content partnerships across Africa.
But despite that scale, rising costs and a global strategic reset have caught up with the business.
Paramount’s retrenchment has been building for months.
Earlier this year, plans to launch a standalone Paramount+ app in South Africa were quietly shelved.
Then in August, the company said its content would remain available only via DStv and Showmax.
And last month, MultiChoice confirmed that BET Africa and MTV Base will disappear from DStv and GOtv on January 1, 2026, as Paramount Africa winds down entirely.
The shutdown is tied to aggressive cost-cutting after Paramount’s merger with Skydance. The company is targeting a 15% reduction in global staff and $3 billion in savings.
International divisions, including Africa, have taken the hardest hit as the business pivots away from linear TV and doubles down on a more streamlined streaming-first model.
At the same time, the global media landscape is being shaken by Warner Bros. Discovery’s chaotic auction. Netflix, Paramount, and Comcast have all submitted fresh bids for WBD, with some offers reportedly focusing on the studios-and-streaming division, home to HBO, HBO Max, DC, and Warner Bros. Pictures.
Analysts say the crown jewel bundle could go for as much as $70 billion, a deal that would reshape Hollywood and accelerate the decline of traditional TV.
DStv subscribers may lose access to 12 major Warner Bros. Discovery (WBD) channels, including CNN International, Discovery Channel, TLC, and Cartoon Network, from Jan. 1, 2026, if MultiChoice and WBD fail to conclude a new distribution agreement.
DStv
MultiChoice, now owned by Canal+, issued a notice to customers on Monday, warning that its current carriage deal with WBD will expire on Dec. 31, 2025, and negotiations to renew the contract remain inconclusive.
“While discussions between the parties continue, no agreement has been reached at this stage. If this remains unchanged, several Warner Bros. Discovery channels may no longer be available on DStv from Jan. 1, 2026,” the company said.
The channels at risk include Discovery Channel, CNN International, TLC, Discovery Family, Real Time, TNT Africa, Food Network, HGTV, Investigation Discovery, Cartoon Network, Cartoonito, and Travel Channel.
The development comes amid subscriber losses for MultiChoice, which has shed 2.8 million active linear subscribers over the last two financial years.
This includes 1.2 million customers lost in 2025 alone, representing an 8 per cent decline across South Africa and the rest of Africa.
In Nigeria, MultiChoice has lost 1.4 million subscribers in the past two years, largely due to repeated subscription price increases, according to Nairametrics.
The broadcaster is also set to lose additional content in the coming months. Paramount Africa will discontinue BET Africa and MTV Base from Jan. 1, 2026, while CBS Reality and CBS Justice will cease operations on Dec. 31, 2025.
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