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Netflix Takes K-Content to New Heights with 2023 Slate

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The global fandom for K-content is continuing to grow, with over 60 percent of all Netflix members watching Korean titles last year. Looking ahead at 2023, Netflix is debuting a diverse array of Korean TV series, films and unscripted shows.

Today, we’re showcasing 34 upcoming titles, including eye-popping original productions alongside returning fan favorites, in our biggest-ever lineup of Korean films and series.

New series and returning favorites

Survival has become a recurring theme across some of the top series, whether it’s battling monsters during the dark days of 1945 in Gyeongseong Creature, struggling to breathe in the dystopian future of sci-fi series Black Knight, or fighting to protect Joseon during Japanese colonial rule in action drama Song of the Bandits.

Fans are set to rejoice with the return of highly anticipated series Sweet Home, D.P., and The Glory this year. Part 2 of revenge drama The Glory will be released in March, with Part 1 being the most-watched non-English TV show during the week of January 2 with 82.48 million viewing hours.

Sweet Home, which set new benchmarks for the creature genre in Korea, will return with an expanded world and story while D.P. brings back the cast from the first season to continue chasing after deserters.

“The global popularity of K-content has continued apace over 2022, with Netflix bringing a wider variety of stories and genres to fans around the world. Over the last year, Korean series and films have regularly featured in our Global Top 10 list in more than 90 countries, and three of Netflix’s most-watched shows ever are from Korea.

“This year, we’re pushing the envelope even further with the stories we tell and how we tell them. With this lineup of Korean titles, Netflix will continue to be the ultimate destination for compelling, diverse and must-watch Korean storytelling,” said Don Kang, VP of Content (Korea).

Other new series this year run the gamut of romance (A Time Called You, Behind Your Touch (WT), Crash Course in Romance, Destined With You, Doona!, King the Land, Love to Hate You, See You In My 19th Life), social commentary and intrigue (Bloodhounds, Celebrity, Mask Girl), drama (Daily Dose of Sunshine, Queenmaker, The Good Bad Mother),and apocalyptic (Goodbye Earth).

More films, more unscripted shows, more choice

The past year has seen Korean movies and unscripted shows becoming increasingly popular with global audiences. Action thriller Carter was one of the top 10 most-watched non-English films last year, while dating reality show Singles Inferno is currently sitting in the Global Non-English Top 10.

This year, Netflix is expanding its film offering with six Korean movies, kicking off with sci-fi thriller JUNG-E on January 20, followed by Kill Boksoon which depicts a professional killer with conflicting maternal instincts, and Believer 2, a sequel to a crime action thriller revolving around drug gangs. Other films explore the topics of revenge (Ballerina), teacher-student rivalry (The Match), and hacking (Unlocked).

Meanwhile those who love living vicariously will be spoilt for choice with a dazzling lineup of reality shows, spanning endurance (Physical:100, Siren: Survive the Island), zombie survival (Zombieverse) coming of age (Nineteen to Twenty), and mind games (The Devil’s Plan).

There are also two new documentaries coming out. Yellow Door: Looking for Director Bong’s Unreleased Short Film (working title) traces the quest for Oscar-winning director Bong Joon-Ho’s debut film while true-crime documentary In the Name of God: A Holy Betrayal explores the self-proclaimed ‘messiahs’ in modern Korean history.

“We are very excited over the variety of the titles that we’re sharing with our members,” said Kang. “There’s truly a series, a film or an unscripted show for everyone, and we look forward to our Korean shows connecting to fans both overseas and at home.”


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Broadcasting

South Africa’s Nomzamo Mbatha Appears on Glo-Sponsored African Voices

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Globally recognized South African actress Nomzamo Mbatha will feature on this week’s edition of African Voices Changemakers, the 30 minute show on Cable News Network International (CNN).

In this episode of the Glo-sponsored programme, Mbatha sits down with CNN’s Larry Madowo for an exclusive conversation while filming the final season of the hit television series Shaka iLembe. The interview was recorded at the historic Cradle of Humankind outside Johannesburg, where she reflects on her career and the legacy she hopes to build beyond the screen.

As her international profile continues to rise, Mbatha has appeared in two Hollywood productions and was named to the prestigious TIME100 Next list in 2025, which celebrates emerging global leaders shaping the future. She is also making strides in the beauty industry as the first South African woman to secure endorsement deals with global skincare brand Neutrogena and haircare brand Cream of Nature.

Mbatha also shares the cultural importance of Shaka iLembe, her journey from South Africa to the global stage, and why giving back remains central to the enduring contribution she aims to leave behind.

The programme will air on Saturday at 8.30 a.m., with additional broadcasts at 12.00 p.m. the same day; Sunday at 4.30 a.m. and 6.00 p.m.; Monday at 3.00 a.m. and 5.45 p.m.; and Tuesday at 5.45 p.m. It will also air again on Saturday, March 14 at 7.30 a.m. and 11.00 a.m.; Sunday, March 15 at 3.30 a.m. and 6.00 a.m.; and Monday, March 16 at 3.00 a.m.

 


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NCAA Orders Overland Airways to Refund VAT Charged on 2025 Tickets

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Nigerian Civil Aviation Authority (NCAA) has directed Overland Airways to refund Value Added Tax (VAT) wrongly charged to passengers on flight tickets purchased in 2025.

NCAA Orders Overland Airways to Refund VAT Charged on 2025 Tickets

NCAA

The directive follows a social media complaint that highlighted the airline’s application of new tax policies to older bookings, prompting NCAA intervention.

Michael Achimugu, NCAA Director of Public Affairs and Consumer Protection, confirmed Friday that Overland Airways agreed to process refunds after receiving clarification from the Nigeria Revenue Service (NRS).

The issue emerged in late January 2026 when a passenger alleged on X (formerly Twitter) that her grandmother faced an extra N11,286 VAT charge at the airport for a 2025 ticket. On January 28, NCAA summoned the airline to justify the additional payments for pre-2026 tickets.

The regulator sought NRS guidance on retroactive VAT application. NRS ruled that updated VAT rules, effective January 1, 2026, exclude tickets issued before that date.

Achimugu updated on X: “This means passengers who paid VAT at check-in in 2026 for 2025 tickets were not supposed to be charged.”

Overland Airways accepted the clarification and pledged refunds, earning NCAA commendation for cooperation. Achimugu noted the airline initially viewed charges as valid under the new framework, but NRS interpretation prevailed.

“The issue has reached a satisfactory conclusion,” he stated, reaffirming NCAA’s commitment to passenger rights and fair policy enforcement.

Affected passengers who paid extra VAT on 2025-issued Overland tickets qualify for full refunds.


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MultiChoice Suspends Yearly DStv Price Hike as Canal+ Pushes Growth

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MultiChoice has said that it will not implement its customary yearly price increase on DStv and GOtv subscriptions.

MultiChoice Suspends Yearly DStv Price Hike as Canal+ Pushes Growth

This is the first time the Pay-TV company will not be adjusting its price in April, as it has in previous years, signalling a clear shift in direction under its new owner, Canal+.

The decision, confirmed by David Mignot, group chief executive,MultiChoice in an interview with TechCentral, comes as the pay television operator grapples with steep subscriber losses across its markets.

For many households accustomed to annual April tariff adjustments, the announcement will be a welcome break.

Responding to questions about whether DStv prices would rise in April as they have in previous years, Mignot gave a firm response: there will be no increase.

He explained that the company’s immediate focus is on rebuilding its subscriber base, making this an unsuitable period to adjust prices upward.

He added that while there are no current plans for a price hike, the company has not completely ruled out adjustments later in the year, especially if economic conditions demand it, such as significant currency movements.

MultiChoice has historically reviewed and raised DStv subscription fees in April, often citing inflationary pressures and rising content costs. As recently as April 2025, bouquet prices were adjusted upwards by between 2.1 per cent and 7.9 per cent.

The DStv Premium package rose from R929 to R979 per month, while DStv Access, the entry-level satellite package, recorded one of the steepest increases.

This year’s pause represents a break from that pattern and forms part of a broader reset following Canal+’s acquisition of MultiChoice in September 2025.

Mignot, who brings three decades of experience in the pay television industry, summed up his mission in simple terms: halt subscriber losses and return the business to growth.

The urgency behind the move is evident in MultiChoice’s recent performance.

The group has lost 2.8 million linear broadcasting subscribers in the two years ended 31 March 2025, with roughly half of those losses occurring in South Africa.

In the financial year to end-March 2025 alone, MultiChoice shed 1.2 million subscribers, representing an eight per cent year-on-year decline and leaving the group with 14.5 million active customers.

The previous year saw an even steeper drop of 1.6 million subscribers. By June 2025, Canal+ indicated that the pace of decline had intensified further.

The financial impact has been significant. Revenue for the year ended 31 March 2025 declined by R4 billion to R52 billion, while trading profit fell sharply by 49 per cent to R4 billion.

According to Mignot, the company’s difficulties stem less from its programming slate and more from weaknesses in its commercial execution.

He argued that in subscription businesses, a churn rate of between 12 and 15 per cent annually is inevitable as customers relocate, experience job losses, adjust household budgets, or change priorities. Without attracting a comparable number of new subscribers each year, losses accumulate.

Mignot maintained that the content offering remains strong, particularly in sport and general entertainment. He cited flagship brands such as SuperSport, M-Net and Africa Magic as evidence of sustained investment in programming. However, he stressed that content strength alone cannot offset a weakening subscriber acquisition engine.

He noted that MultiChoice’s commercial machinery had performed robustly across Africa until around 2022, describing the current challenges as relatively recent.

Drawing on Canal+’s experience in French-speaking African markets, Mignot pointed out that pricing there has remained largely unchanged for close to 14 years, supported by a volume-driven approach. He described his strategy as one focused on growing subscriber numbers while maintaining profitability.

While he did not dismiss the possibility of reviewing prices downward in future, he indicated that no such decision has been taken.


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