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Broadcasting

Nigerian Idol Begins Live Shows As Voting Lines Open

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With Theatre Week over, the spotlight beamed on the top 11 contestants of the sixth season of Nigeria’s popular music talent show, Nigerian Idol.

The contestants had to take on the task of performing to impress the judges – Seyi Shay, Obi Asika and DJ Sose – as well as the viewing fans at home.

Sunday, May 9, 2021, was the day for the first live performances of the season, and there was a lot to play for, as the two contestants with the least votes would be eliminated the following week.

The theme of this week’s performance was “African Legends”, and 23-year-old Akunna stepped up to deliver her rendition of Angelique Kidjo’s “Wombo Lombo”.

Dressed in a regal purple dress, she clearly showed that her voice had recovered from the setback of Theatre Week.

Assisted by a live band, she delivered an energetic performance which was well-received by the judges, with DJ Sose commenting on her growth, and Seyi Shay noting that Akunna had put up a “fantastic” display.

Beyonce  chose to perform Angelique Kidjo’s “Agolo”, revealing that it was a song that she enjoyed listening to in her childhood days.

Matching the energy of an African classic is no easy task, but she put in a good shift, with Seyi Shay stating that her voice had become “a lot stronger”, and Obi Asika commenting on her improved confidence.

Clinton dedicated his cover of “Sweet Mother”, the classic composed by the late Prince Nico Mbarga, to his mother.

Assisted by an enthusiastic live band and backing vocalists, he delivered an energetic performance, with cute dance moves to boot. Obi Asika lauded his infusion of ad-libs, but DJ Sose noted that there was a drop in the quality of delivery.

Styl-Plus’ 2004 classic “Olufunmi” was the song that Comfort chose for her debut live performance. She struggled with her vocals, and the judges felt that she did not bring her A-game, even though Obi Asika commended her fashion choices.

Daniel, dressed in a red suit, elected to try out Lucky Dube’s reggae hit “I’ve Got You Babe”. Obi Asika noted that he looked comfortable, and DJ Sose seemed to be satisfied by his performance.

Dotun, who opted to perform a cover of Miriam Makeba’s “Malaika”, was praised by Obi Asika and DJ Sose for his vocal range and emotive display, and Seyi Shay described the rendition as “captivating.”

Emmanuel handed in a scintillating cover of Majek Fashek’s “Send Down The Rain”, earning plaudits from the judges for his “stage presence” and “originality.”

Donning a bowler hat, Faith went for Sir Victor Uwaifo’s “Joromi”, with some help from the live band. He maintained his vocal energy from start to finish, and the judges seemed pretty pleased with his performance.

Salif Keita’s “Africa” is a difficult pick for any singer, but Faith Mac stepped up to the plate, bringing the high pitch and strong projection that the song deserved.

Francis took on Lucky Dube’s “Remember Me” for his live performance, partly because his father loved the song, and partly because he wanted to spare a few thoughts for people who had to grow up without a father figure.

Seyi Shay positively commented on his vocal range, and Obi Asika also felt that the singing was “emotive.” The final performance of the night had Kingdom performing Lebo M’s “The Lion Sleeps Tonight” (from the movie Lion King), a rendition which sat well with the judges: Obi Asika commented on his “presence.”

At this stage of the competition, the power is solely in the hands of the viewers, as they get to determine who stays and who leaves. Voting on Nigerian Idol is via website, mobile site, MyDStv and MyGOtv apps and via SMS, which is available only in Nigeria.

You may vote for your favourite contestant via the Africa Magic website, www.africamagic.tv/nigerianidol and the Africa Magic mobile site by selecting contestants of your choice and entering your number of votes and click VOTE. Voting via these platforms are limited to 100 votes per user.

MyDStv App and MyGOtv App votes are free and votes are allocated based on your subscription packages. You can also send an SMS of your favourite contestants’ number to 32053, which costs N30 per SMS.

Votes via SMS are limited to 100 votes per user. VAS rates apply. Participating networks are MTN, Airtel & 9mobile. The voting window closes by 9pm on Wednesday, May 12, 2021.

Nigerian Idol Season 6 is sponsored by Bigi Drinks and Tecno Mobile. To catch up on the live performances by the Top 11, viewers can tune in to Channel 198 on DStv and Channel 29 on GOtv.

They can also follow this season of Nigerian Idol via the DStv app on multiple devices at no additional cost. The app is available for download on iOS and Android devices.


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Ugo Onwuaso is an ICT enthusiast. He believes technology should be used for general good. He holds a Master of Public Administration (MPA) degree from the Lagos state University. Dear Reader, Your support matters. But we believe that technology makes life more exciting and helps improve the lives of people around Nigeria and indeed the world. That is why, we have devoted our energy to independent reportage of technology and finance and how they affect lives. Our incisive and analytical view of how technology news affects the daily life help individuals and organizations make up their minds. Quality journalism costs money. Today, we're asking that you support us to do more. Kindly support our effort to deliver technology and finance journalism to everyone in the world. Donate as little as N1,000. Bank transfers can be made to: UBA Plc 1017156876 Communication Week Media Ltd

Broadcasting

DStv Makes History: Inducted into Brand Africa Hall of Fame as Africa’s Most Admired Media Brand

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DStv, Africa’s leading entertainment platform, has been officially recognised as the #1 Most Admired African Media Brand in the Brand Africa 100 | Africa’s Best Brands 2025 rankings.

This recognition also sees DStv inducted into the prestigious Brand Africa Hall of Fame, a distinction reserved for iconic African brands that have significantly shaped the continent’s global image and competitiveness over the years.

The announcement was made at a high-profile ceremony hosted at the United Nations Economic Commission for Africa (UNECA) in Addis Ababa, where leaders from across the African media and branding landscape gathered to honour the continent’s most impactful brands.

Launched in 1995, DStv has evolved from a digital satellite television pioneer into a content powerhouse, transforming the African viewing experience through continuous innovation, investment in local content, and a deep commitment to telling African stories.

“This honour reflects the incredible journey we’ve taken with our audiences across Africa. Being named Africa’s most admired media brand and joining the Brand Africa Hall of Fame is not just a celebration of where we’ve come from—it’s a reaffirmation of where we’re going.

“Our commitment to local storytelling, cultural authenticity, and innovation remains stronger than ever.

“We are proud to be a brand that not only entertains but uplifts and connects Africans through stories that matter.” States Calvo Mawela, Group CEO of MultiChoice.

Each year, the Brand Africa 100 survey identifies the most admired brands across the continent, based on independent research conducted in over 30 African countries, representing over 85% of Africa’s population and GDP, with more than 150,000 brand mentions and 5,930 unique brands.

The rankings are compiled through a rigorous process led by research partners including GeoPoll, Kantar, Integrate, and Analysis, making it the only pan-African, research-led and non-commercial brand equity study of its kind.

DStv’s induction into the Hall of Fame further cements its position not just as a media brand, but as a cultural force that continues to shape narratives and inspire pride across Africa. Through its investments in local productions, partnerships with African creators, and focus on quality storytelling, DStv remains at the forefront of Africa’s growing creative economy.

DStv was also honoured with the same top recognition in 2024, reinforcing its consistent excellence and enduring connection with audiences across Africa. Since its launch 30 years ago with just 16 channels, DStv has evolved into a dynamic content powerhouse, offering a rich mix of local productions, global entertainment, and integrated streaming options.

Today, it serves millions of households across the continent, delivering hundreds of channels and platforms that reflect the diversity, creativity, and aspirations of African viewers.


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The Silent Killer of Great Companies: A Guide To Why Your Processes Will Break (and How to Fix Them) 

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By Tolulope Obianwu

Every high-growth company experiences a moment when its engine sputters—quietly at first. Emails slip through cracks, customers wait too long, and once-smooth systems start breaking under pressure. This rarely looks like failure; it feels like chaos.

Tolu Obianwu

The truth? Your team didn’t fail. Your process did.

More accurately, the process you never designed to scale.

I’ve led operations and strategy at some of Africa’s fastest-growing fintech companies, building teams and systems that power complex payment infrastructure. And I’ve seen it repeatedly: velocity hides inefficiency—until it doesn’t.

This isn’t just a fintech problem. It’s a scaling problem. And if you’re a founder, operator, or builder, this article is your early warning: poor process doesn’t announce itself. It accumulates, silently, until your best people are fighting fires they didn’t start.

So, before things break, let’s talk about what makes processes fail, and what it takes to build operational structures that scale with your ambition.

  1. DO NOT Confuse Speed with System: Startups are built on hustle. That’s part of the magic. But hustle without design leads to fragile outcomes. What works when you’re a 5-person team becomes a burden when you’re 50. Manually sorting payments, ad-hoc decisions, Slack approvals; these shortcuts become operational debt.

DO THIS INSTEAD:
Build systems early. They don’t have to be perfect, but they must be repeatable. Even lightweight process maps give your team breathing room and build investor confidence.

  1. DO NOT Build Around Individuals: We romanticise “indispensable” team members; the only person who knows how X works. But hero-driven execution is unsustainable. When your process depends on one person being online, awake, or available, you’re not building a company. You’re gambling on burnout.

DO THIS INSTEAD:
Document workflows, spread context, and make knowledge transfer part of your onboarding and offboarding. Structure should outlive talent.

  1. DO NOT Mistake Micromanagement for Control: I’ve seen it too often: leaders respond by inserting themselves into every decision when processes start breaking down. It’s understandable, but counterproductive. Micromanagement is not a fix. It’s a symptom.

DO THIS INSTEAD:
Create trust frameworks. Use process audits, not pressure. Empower teams with clear guardrails, not constant approvals. The goal of an exemplary process isn’t control – it’s clarity.

  1. DO NOT Design for the Happy Path Only: Most processes look beautiful on paper until real users, real edge cases, and real stress tests come in. If your refund process fails when the volume spikes or your reconciliation breaks on public holidays, that’s not a people problem. It’s a design flaw.

DO THIS INSTEAD:
Anticipate failure. Ask “What could go wrong?” Run simulations. Processes must bend without breaking. That’s true resilience.

  1. DO NOT ignore the Role of Culture: Even the best-designed processes die in hostile environments. If your culture rewards shortcuts, ignores documentation, or treats processes as bureaucracy, nothing will stick.

DO THIS INSTEAD:
Make ‘process’ a language, not a punishment. Celebrate people who fix broken steps. Tie operational excellence to career growth. Culture is what makes a process sustainable.

  1. DO NOT Launch Processes Without Data Loops: If you’re not tracking turnaround times, errors, or usage, you’re not managing a process; you’re just hoping it works.

DO THIS INSTEAD:
Instrument every stage. Set KPIs that matter. Let data flag inefficiencies before customers feel them. A great process isn’t just followed – it’s monitored.

Final Thoughts

The truth is: every fast-growing company outgrows its old ways of doing things. There comes a time when velocity alone can’t carry the vision anymore. That’s inevitable. What isn’t inevitable is being caught off guard when it happens.

If you’re building for scale, process isn’t a bottleneck; it’s your runway. The best systems don’t slow people down; they let good teams move faster, with clarity and confidence.

Don’t wait for failure to expose what structure could have prevented it. Build deliberately. Review often. Automate what you can. And above all, make sure your process is strong enough to carry the weight of your ambition.

Because in the long run, it’s not speed that wins.

It’s the ability to move fast, without breaking yourself.

Tolulope Obianwu is a highly experienced professional in operations and technology strategy and currently is Head, Core Operations at TeamApt Ltd


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The Rave Revolution: How Gen Z and EDM Are Rewriting Nigeria’s Nightlife

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In the heart of Nigeria’s ever-pulsing music scene, a quiet rebellion is unfolding. While Afrobeats remains the dominant sound echoing from car radios to club speakers, a parallel movement is rising; electronic dance music, championed by a new generation of Nigerian DJs, collectives and ravers. This isn’t just a shift in sound; it’s a cultural rewire.

 

EDM in Nigeria is more than beat drops and strobe lights. It’s a form of resistance; a way to build inclusive, community-first spaces in a nightlife landscape often defined by social hierarchy. Through underground raves and carefully curated experiences, Gen Z is rejecting the velvet-rope exclusivity of traditional clubs and creating something that feels real, raw and theirs.

And it’s working. According to Spotify data, EDM streams in Nigeria have grown by an astonishing 403% over the past three years, with user-generated EDM playlists rising by 353%. Over a million playlists now feature electronic tracks curated by Nigerian listeners alone. The genre is resonating and fast.

Afrobeats Meets EDM: A Sonic Cross-Pollination

But this isn’t a genre turf war. In fact, the data suggests a symbiotic relationship: Afrobeats remains the most streamed genre among EDM listeners in Nigeria outside of electronic music itself. That connection shows up on the dancefloor, where genre-fluid sets seamlessly blend Afro rhythms with electronic sound..

Take Particula, the genre-bending hit by Major Lazer featuring Patoranking, Ice Prince, Nasty C, Jidenna, and DJ Maphorisa. It’s one of the top five most-streamed EDM tracks in Nigeria. At number one? Marshmello and Khalid’s Silence, followed by Project Dreams with Marshmello and Roddy Ricch. These tracks reflect the hybrid sound Gen Z is embracing: emotionally resonant, rhythmically bold, and globally aware.

Building a Tribe, Beat by Beat

Collectives like Group Therapy, Element House, Sweat It Out, and Activity Fest are not just hosting events, they’re creating cultural hubs. These spaces, driven by intention and sound, have become sanctuaries for young Nigerians looking for connection over clout. The ethos is clear: come as you are, dance as you feel.

The increasing prominence of EDM in Nigeria was demonstrated when Spotify recently partnered with Group Therapy for their May Edition on Friday, the 23rd. The event, packed to the brim, showcased the community’s surging energy and deep love for electronic music. With performances by Dlala Thukzin, Frigid Armadillo, Aniko, Abiodun, Billy’s Room, and Jarlight, it was clear from the moment the first beat dropped that this was a thriving movement rooted in rhythm, intention, and real human connection.

Spotify data backs this shift. Listeners aged 18–24 account for nearly half (48%) of EDM streams in Nigeria, with men making up 76% of listeners. Lagos leads the movement, followed by Abuja and Port Harcourt. EDM is now among the top 40 most streamed genres by Gen Z Nigerians.

Friday Nights, Reimagined

EDM’s rise syncs perfectly with how Gen Z engages with nightlife. Fridays are peak streaming days, aligning with some rave schedules where events crescendo around midnight and spill deep into the night. These aren’t just parties, they are rituals, freeing attendees from the performative pressures of conventional nightlife.

“This is a scene that trades bottle service for belonging,” says Phiona Okumu, Spotify’s Head of Music, Sub-Saharan Africa. “One that prioritises joy over status. For many young Nigerians, EDM offers the rare chance to be fully present, immersed in sound, unbothered by social posturing.”

She adds: “EDM’s explosion in Nigeria is no accident. It’s the result of a generation hungry for new rhythms—of life, identity, and expression. DJs are the architects, Spotify is the amplifier, and Gen Z is the beating heart. Together, they’re reshaping not just how Nigerians party, but what nightlife can mean.”

So here’s your cue: the lights are low, the beat is rising and the revolution is already on the dancefloor.


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