Broadcasting
Nigerian Idol Judges Doze off on Stage
A mild drama ensued at the weekend when two of the celebrity judges on the Nigerian Idol Season 5 TV Reality show catnapped on stage during a drab performance by one of the contestants, Iheanacho Nancy who goes by the stage name ‘Nana’.
The two judges, afrobeat maestro, Dede Mabiaku and R ‘n’ B crooner, Darey ‘Art’ Alade could not face the disappointing performance by the contestant, and to express this, they decided to lay down their heads on the table.
After some insipid showing earlier by some of the contestants who made the first batch of ten from the pool of 30 contestants, the judges had expected Nana to put up a re-assuring performance in keeping with her potentials and past experiences on the show having featured consecutively in the past three editions.
But as it turned, the 23 years old Nana who performed the song ‘Bin, Bing, Bang’ by Katy Tiz failed to measure up.
“You sang like you were singing to yourself. You have a lot to offer, not this. Even your auditions were better than this,” Yinka Davies jibes at her.
In a related development, 18 years-old Edo born Aisy (Aisosa Edeh-Nosa), also a contestant on the show, failed to hold back tears on stage after being told by the judges that she had a ‘flat and off’ performance.
Aisy’s group stage performance was a rather uninspiring and disappointing one as she struggled to maintain a balance between the song’s lyrics and her audience.
“You did not own the song,” began Dede. “The character the song needed was not there. The introduction had promises, but on the whole you did not catch the audience,” he concluded.
Speaking shortly after the show, an unperturbed Nana blamed her poor delivery of the song on the difficulty in combining the mastering of the lyrics and delivery on stage, a task she claimed was made more difficult by her lack of previous knowledge of the song.
Meanwhile, eight other contestants also performed in the first batch of the group stage phase. These include Ogunmoyero Modolowamu (Dolu), Iwuchukwu Franca (Franchesca), Oyinkepreye Deborah Toun (Preye), Edema Paradise Weyinmi (Paradise), Okukusie Precious Ajiri (Play P), Ekeoma Victor Chibuzor (Prime), Efuetanu Tobore Ezekiel (Tobore) and Orah Ojochenemi John (Blue C).
From this lot, three contestants with the highest number of votes from the viewing public will automatically qualify for the top 12 round. This process will be repeated when the second and third batches’ contestants take the stage in the coming weeks. A total of nine contestants will emerge through this process while the last three slots will be filled from among un-successful ones on the back of the Judges’ wild cards.
The broadcast of the Nigerian Idol season 5 on both terrestrial and satellite stations continues weekend of April 4 and 5 across the country.
It promises to offer real time fun and quality entertainment to the millions of viewers and fans of the family-oriented talent-hunt show
Nigerian Idol is in its fifth season after a successful debut in 2010 won by Yeka Onka. In the following years which saw the emergence of Mercy Chinwo, Moses Adigwe and Zebili Evelyn (Evelle), it has grown in popularity and followership on the basis of the unique platforms it offers to young Nigerians with exceptional music talent.
It is the only music TV reality show in Nigeria with a global appeal that currently cuts across 46 countries.
Nigerian Idol focuses on discovering Nigerian youths with talent in music and giving them a unique platform to take shots at stardom.
The eventual winner goes home with N7.5 million cash reward, a brand new car, a recording deal worth N7.5 million with Universal Music label, South Africa and some high-end devices.
Broadcasting
Fela Makes History as First African to be Inducted into Rock and Roll Hall of Fame

Fela Anikulapo-Kuti, simply known as Fela, legendary Nigerian musician, has made history as the first African artist to be inducted into the Rock & Roll Hall of Fame.

Fela
This is coming after he was posthumously honored with the 2026 Grammy Lifetime Achievement Award, becoming the first African artist to receive this prestigious special merit recognition.
Fela will be honoured in the early influence category this year, along with Queen Latifah, rapper MC Lyte, country rocker Gram Parsons, and Cuban singer Celia Cruz at this year’s Rock and Roll Hall of Fame event.
The honorees were revealed on Monday night in the US, during an airing of American Idol.
Sade Adu, Nigerian-born British singer, will be honoured in the performance category.
However, Shakira, Mariah Carey, Lauryn Hill, New Edition, and Pink, missed out on the final cut despite being nominated.
Over 1,200 artists, historians and music industry professionals voted to decide the honorees.
The induction ceremony will be held on 14 November at the Peacock Theatre in Los Angeles.
Broadcasting
FG to Gift Nigerians over 100 Free TV Channels from May 15

National Broadcasting Commission (NBC) is set to launch so-called FreeTV, with over 100 channels for news, sports, education, entertainment and children’s programming in multiple Nigerian languages.

The launch is scheduled for May 15.
Charles Ebuebu, director-general, NBC, who disclosed this, said the new platform will offer free-to-air access with no carriage fees, leveraging hybrid satellite and internet delivery via NigComSat-1R.
The new plan is not an upgrade, the NBC stressed. This is a rebuild, according to Ebuebu .
FreeTV will be true free-to-air – no encryption, no set-top box barrier.
Any DVB-T2/S2 television will work. A mobile app will extend reach to phones and tablets.
The platform will launch with over 100 national, regional and state channels across sports, news, children’s programming, education, entertainment and cultural content in Hausa, Yoruba, Igbo, Tiv, Ijaw, Edo, Fulfulde, Ibibio, Efik and Nupe – all in HD.
Crucially, the NBC has partnered with a Bulgarian firm, GARB (operating since 2006 and recognised by the European Broadcast Union), to deliver a 94 per cent-accurate audience measurement system using return-path data, app analytics, demographic panels, and Artificial Intelligence (AI).
To qualify broadcasters, must commit their channels, produce a minimum of 60 per cent local content, and promote FreeTV until January 2029.
After that, a regulated tiered rate card takes effect.
According to NBC, the strategic rationale is simple: build viewers first, monetise later.
The document further revealed that six regional production hubs in Lagos, Abuja, Port Harcourt, Enugu, Kano and Benin would function as local content factories, expected to generate 500 to 1,000 jobs per zone within two years.
Broadcasting
What Adekunle Gold’s Support Means for ‘The Gathering on 100

Popular Nigerian artist Adekunle Gold has lent his support to the growing youth-driven movement behind The Gathering on 100, further amplifying conversations around what is fast becoming one of the most talked-about upcoming experiences among young Nigerians.

Adekunle Gold
Known for his music and his strong connection with youth culture and evolving creative expression, Adekunle Gold’s involvement signals a deeper alignment between the event and the kind of audience it is attracting, a generation that is bold, expressive, and constantly redefining what community looks like.
While details of his involvement remain understated, his visible support adds a new layer of support and cultural relevance to the movement. In a landscape where attention is currency, endorsements from artists of his stature often act as a signal, drawing more eyes, more curiosity, and ultimately, more participation, but beyond visibility, the significance lies in what it represents.
The new father has, over the years, built a reputation for embracing creativity in its many forms, from music to visual storytelling, fashion, and digital engagement. His brand has consistently resonated with young Nigerians navigating similar spaces of self-expression and identity.
From interactive experiences like live music sessions and open performance moments to fashion runways and content creation spaces, the event is designed to blur the lines between audience and participant. It invites attendees to move beyond observation and become part of the moment.
This is a concept that closely mirrors the kind of cultural shift Adekunle Gold has been part of, one where boundaries between creator and consumer continue to dissolve.
His support also reflects a broader trend within Nigeria’s entertainment industry, where artists are increasingly engaging with youth-led initiatives that go beyond traditional performances. Rather than simply appearing on stage, they are aligning with movements that foster community, creativity, and shared experience.
For fans and attendees, this adds another dimension to what The Gathering on 100 represents.
As registrations increase and conversations expand across social platforms, the movement is gradually taking shape through the collective interest of those drawn to it.
Head to gathering.com to register.
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