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Nigerian Sensation Dunnie Joins Spotify’s EQUAL Africa as November’s Artist Ambassador

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Spotify is thrilled to announce Dunnie, the multi-talented Nigerian artist and producer, as its EQUAL Africa ambassador for the month of November. This announcement underscores Spotify’s commitment to promoting diversity and inclusivity in the music industry.

Dunnie, born Dunni Alexandra Lawal, is a remarkable Afro-fusion singer, songwriter, and record producer who has captured the hearts of audiences with her soulful and melodious sound, earning her a dedicated fanbase. With an impressive musical background, Dunnie first gained recognition as a finalist on the popular music show ‘StarThe Winner Is’ in 2014.

Since then, Dunnie has consistently exceeded expectations by writing, producing, and providing background vocals for both international and local award-winning artists such as Burna Boy, Yemi Alade, Kidi, Falz, Oxlade, Becca, Busiswa, Sean Tizzle, and more.

She gained fame for her hit singles, including Overdose featuring Oxlade, Already Won featuring Chike, and her recent release, DND. Her past collaborations have been highly successful, leading to a nomination at the All Africa Music Awards (AFRIMA) in 2021 for her outstanding feature in “Love Song” by Busiswa. Notably, Dunnie recently produced two songs, ‘Nobody Holy’ and ‘Dues,’ for Nigerian superstar Wande Coal’s latest album, “Legend or No Legend.”

Dunnie expressed her enthusiasm for the opportunity, stating, “My experience working in a male dominated industry has been a learning curve, and although challenging, it’s been a blessing being part of the people breaking barriers in an uncharted territory.

“I am immensely honoured and grateful to be part of the EQUAL program, and I hope to inspire more women to know that they too can do whatever they put their mind to.”

Spotify remains committed to fostering diversity, equality, and inclusion within the music community, and its partnership with Dunnie as the EQUAL Africa ambassador is a testament to its dedication to this cause.

“We are delighted to have Dunnie as our EQUAL Africa ambassador for November. She embodies the spirit of diversity and creativity that we aim to champion with this initiative.

“Dunnie’s music has touched the hearts of many, and we believe that her story and her voice will inspire others within and beyond the African music community,” says Spotify’s head of music for Sub-Saharan Africa, Phiona Okumu.

Explore Dunnie’s single Jalo on the EQUAL Africa playlist, and get to know more about her with our artist Q&A below:

  1. What is that one surprising thing your fans might not know about you?

I love cars, absolutely obsessed with cars, and I love old things, vintage houses, vintage cars, vintage fashion, old people. The older the item the better for me.

  1. When did you realise that making music was in your destiny and what is your WHY for pursuing this craft?

Music has always been a part of my life, but it was when I was in university I discovered I could actually make a living out of this, my WHY for making music is that music has been an integral part of my communication, as a child growing up, I struggled with expressing my emotions and thoughts verbally until I discovered music, and it became my safe haven where I could express in songs the things I couldn’t say with just words. That for me is the primary reason I make music. The icing on the cake is when other people can relate with what I’m saying.

  1. Which African songs or artists did you grow up listening to?

I grew up listening to Asa, Sunny Ade, Fela kuti, Flavour and a few others.

  1. To someone who has never heard your music, how would you describe the sound, tone, and style?

I describe my music as a fusion of Afrobeats, soul and high life sounds. Groovy percussive beats, ethereal soulful singing and infectious melodies and harmonies.

  1. Any advice for someone dreading following their dreams?

Starting is the hardest part, once you start it gets easier. Do not be scared of being told ‘No’, do not be scared of the obstacles, they will build your capacity. And lastly, it is a marathon not a race.


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NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

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Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.

Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.

According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.

“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.

She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.

Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.

She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.

While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.

“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.

Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.

James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.

Solafunmi Laelle, media strategist,  added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.

According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.

Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.

She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.

The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.

They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.


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Four Must-Watch African Films Debut Free on Glo TV

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Globacom, just introduced four brand new movies on its premium entertainment platform, Glo TV, and they are completely free for all subscribers. The company says the release marks another major step in its mission to enrich digital entertainment for millions of viewers across the country.

In a statement from Lagos on Wednesday, Globacom explained that the new titles feature some of Africa’s most celebrated actors and filmmakers, offering a colorful mix of romance, comedy, drama, culture, and emotional storytelling. The lineup includes Johnny Just Come (JJC), Eko Vibes, Bound, and Shifting Desire.

“Each of these movies was chosen to spotlight diverse African stories while delivering world class entertainment unavailable in cinemas, on YouTube, or on any other streaming service. Viewers do not need any subscription or extra payment. Access is completely free,” the company said.

Leading the pack is Shifting Desire, featuring Lilian Afegbai and veteran actor Majid Michel. The film is a gripping romantic drama that dives into marriage, intimacy, betrayal, healing, and the emotional journey of a couple using therapy to rebuild trust. Shifting Desire premiered on Glo TV on December 2 and is already streaming for free.

Johnny Just Come (JJC), starring Patience Ozokwor and Nancy Isime, delivers a hilarious cultural crossover story about an American man trying to navigate love and marriage in an African household. The movie explores themes of identity, family, culture, and coexistence in a warm and relatable way.

The third title, Bound, starring Rita Dominic and Eyinna Nwigwe, is a thought-provoking family drama that follows a successful career woman confronting long hidden personal struggles and the impact on her relationship. The film showcases powerful performances from some of Nollywood’s finest.

Rounding out the collection is Eko Vibes, featuring Broda Shaggi, Josh2Funny, and Nkechi Blessing. The movie captures the energy and hustle of Lagos youth culture, spotlighting ambition, humor, and the vibrant spirit of young people chasing success in the city.

Globacom noted that the new releases reinforce its commitment to delivering original African content at the highest quality. “With these exclusive titles, Glo TV is redefining digital entertainment in Nigeria by offering fresh, premium movies not available anywhere else. We remain committed to growing our catalog with rich African stories that celebrate creativity at its best,” the company added.


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Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

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A new study, conducted by pan-African organisation, Paradigm Initiative (PIN), warns of an alarming surge in the prevalence of Technology-Facilitated Gender-Based violence, with 67 percent of respondents being victims of at least one or multiple forms of digital violence.

Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

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Released on International Human Rights Day, the research exposes deep systemic failures, weak accountability, and unsafe online spaces driving a rapidly escalating epidemic across Cameroon, Kenya, Nigeria, Senegal, Zambia, and Zimbabwe.

PIN recognises that this gap limits both the understanding of TFGBV and the development of effective solutions. In response, this study adopts a survivor-centred approach that reframes how TFGBV is researched, discussed, and addressed. By prioritising survivors’ perspectives, the research uncovers the emotional, social, and systemic dimensions of digital violence that formal reports and statistics often obscure. It also interrogates how survivors navigate reporting systems, access justice, and play an informed role in digital spaces that are frequently hostile or unsafe.

A key finding of the study is that young people are disproportionately affected, with those aged 18–34 constituting the vast majority of survivors. Most incidents of TFGBV occurred on Facebook, WhatsApp, and X (formerly Twitter), underscoring how mainstream social media platforms continue to function as structurally unsafe spaces for many users—particularly women, activists, and advocates.

“Victims’ experiences range from sexual harassment, threats, and misogynistic attacks to severe violations such as stalking, non-consensual image sharing, hacking, sextortion, and identity-based harassment,” the report notes. “Personal testimonies reveal profound emotional, psychological, and reputational harm.”

The study also highlights that formal systems such as the police, employers, and public institutions, remain underutilised, largely due to fear, mistrust, or an expectation of inaction. While the findings expose wide-ranging gaps across platforms, institutions, and legal frameworks, they also highlight survivors’ resilience and their continued efforts to seek safer digital environments.

In light of these findings, PIN calls for urgent action to make online spaces safer for everyone, in line with this year’s Human Rights Day theme, “Human Rights, our everyday essentials.” Addressing these systemic gaps is critical to advancing democratic engagement, promoting media pluralism, fostering digital inclusion, and achieving gender equality across Africa.


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