Broadcasting
Technology and the Revolution in Big Brother Africa
If the earliest psychologists had Big Brother, perhaps some of their conclusions would have been different. Technology as it relates to this very popular reality television show has turned many viewers into what could be referred to as pseudo-psychologists.
The Big Brother Africa season is nigh and there have been animated discussions concerning the airing of the hugely popular reality television show on DStv. This year’s edition will be the fourth in the series, and the discussions have swung from extremes.
In the last two seasons, the debate was on the propriety of including all the scenes captured by television cameras in the 24-hour reality TV show, seeing that parental guidance was necessary to prevent minors from seeing scenes of supposedly indecent exposure of flesh or scenes that may be considered sexual. The scenes Nigerians strongly objected to, as articulated by some members of the legislature and sections of the media, were the bathroom sessions and uncut versions. With the announcement of the fourth edition, which is scheduled to start in September this year, at a media launch recently, another uproar followed? M-net, owners of the content said that the shower hour and uncut versions had been expunged. What would people look forward to if shower hour and uncut versions of Big brother Africa are removed? Many of the journalists queried.
The reality show is not different from other reality shows on television, especially those programmed along the same lines as the BBA. Indeed, there is Big Brother reality show in Europe as well as the United States. Many more countries are signing up to staging their version of the very popular show which sequesters people of different backgrounds for a certain period of time. Based on the rules of the house, the most persevering of the housemates, or the one with the most guile, based on viewers’ perception and determined by their votes, wins and goes home with the prize money and unto subsequent fame. But the process leading up to the finale reveals the housemates in their basic characters and looks, sometimes without their cloths to the viewing public.
When human beings are sequestered for that long – BBA usually runs for three months – their tact concerning exposing only a part of the part of their body they want people to see falls. Sometimes, they get carried away and fall in love with other housemates and what follows thereafter are not left to the imagination of the viewing public but are brought to their living rooms in bright colours and sensual scenes.
But this time around, BBA will have nothing of that. All manner of sexual relationships have been banned. Shower hour, which used to beam the behaviour of housemates while in the bathroom to viewers, has also been deleted. The uncut versions which are unedited recordings of the house which may not be appropriate for young viewers that in the past were beamed late in the night have been cut. Replacing these are innovations that are set out to make this edition of the reality show even more enjoyable. But what is BBA without the shower hour and uncut versions?
What is New in BBA4?
The biggest innovation and one that will have the most impact in the new season of BBA tagged “Big Brother Africa: The Revolution” is the technology. There will be 40 all-seeing, all-knowing cameras, and 100 microphones to search out all the sights and sounds that are open and hidden. There will be no hiding place for any of the housemates, nor will they have the ability to hide conspiracies, intrigues, plots, and even whispers! All will be laid bare before the viewing public! The technology accompaniment promises to be bigger than the seasons 1, 2 and 3 of Big Brother Africa combined.
To put this into perspective, a football match of clubs in top European leagues are usually covered by about 20 cameras. Now, the standard football pitch is bigger than the BBA house and has more players (25, including the referee and his assistants), than the Big Brother House. All the actions missed by the referee and his assistants are captured by the cameras. Then how much more in a smaller environment with fewer participants?
In addition to the number of cameras and microphones is the prize money, which has been upped from US$100,000 to a massive, life-changing US$200,000 winner-takes-all. Also, the old rules banning conspiracy in the house has been lifted. Contestants will be free to forge alliances, discuss strategy openly and play the game in an entirely different way. The voting pattern has also changed. This season, audiences will be asked to vote for the housemates they want to see remain in the house rather than the housemates they want to see leave the house. Fourteen housemates, an increase of two from previous seasons, will compete for the ultimate prize.
“The team has been working for months already, fine-tuning the latest edition, focusing on delivering the ultimate Big Brother Africa. We’ve got quite a few secrets this time around…After three seasons; it was time for a fresh spin, time for bright ideas. This series is for the fans, to say thank you for supporting Big Brother since it began. So we are giving them the best gift we can – a show to beat others,” said Biola Alabi, director of M-NET Africa. Following up on this vision, the producers Endemol have also been busy analysing and observing other Big Brother successes around the world to develop innovative elements in order to inject fresh new creativity into the production of BBA season 4.
In the new season, housemates will once again be asked to nominate their fellow housemates for eviction, based on whom they want to see evicted from the house. This time around, viewers will then vote for the housemate they want to see remain in the house. This is expected to keep the best housemates in the house for as long as possible.
Another innovation, although making a return, is the head of the house role. This will allow the player who wins the Head of House task each week the special power to save a housemate who is up for eviction and replace this housemate with one of their own choosing. In addition, the head of the house will have extra powers and other special privileges this season.
But without the new technology, the promises made by Alabi will not materialise because this edition will not be different from previous editions. The technology underpins everything that has been put together to make this year’s edition the best ever.
The All-Seeing, All-Knowing Big Brother
The Big Brother in this year’s edition of Big Brother Africa has 40 eyes and over 100 ears to search out and record everything the housemates do or say. This will be recorded and broadcast on television and the internet. The housemates cannot eat, rest or sleep without viewers seeing their every move. With the higher scrutiny the housemates will receive this year, it is even possible for viewers to literarily see into their minds to explain the motivations for the actions they will take. And this one of the most interesting feature of this year’s series.
The general format of Big Brother provides interesting demographic and sociological perspectives on human behaviour. Confining 14 people from different backgrounds and countries, with the only connection being the English language, to a house for three months, they are forced to interact with one another. Living together under continuous observation, the programme relies on four basic props for providing these perspectives: the stripped-bare back-to-basics environment in which they live; the evictions; the weekly tasks set by Big Brother and the Diary Room in which the housemates individually convey their thoughts, feelings, frustrations and of course their nominees for eviction. Forced to live with total strangers for three months, Big Brother helps viewers see how people react when they are removed from their usual environment and placed among total strangers. Without the aid of cameras and microphones and the television and the internet, it is not normally possibly to observe such interactions vividly. But with the aid of technology, insights are gained into the motivations and actions of people when removed from their comfort zones and forced to put up with strangers for a lengthy period of time.
Predictably, many of the airs the housemates came with to the house, which are facades that cover up their real self, fade within a very short time. Alliances in the form of friendship are struck for many reasons. For some, it is to survive for as long as long as possible in the house, or somebody to simply bond with, or in some cases, real attraction between some of the housemates and they then go on to become friends. As the show progresses and the number of housemates thin out, strategies are devised by the housemates to eliminate other housemates that they consider a threat to their ultimate goal of going home with the prize. All these mirror, to a smaller or larger extent, the competitive nature of man in the real world.
BBA housemates will be drawn from Nigeria, Angola, Botswana, Ghana, Kenya, Malawi, Namibia, South Africa, Tanzania, Uganda, Zambia, Zimbabwe, Mozambique and Ethiopia, a collection of diverse people from countries with different histories and cultures, languages, ethos, and aspirations, creating a melting pot of personalities, tempers, and ambitions. It is a psychologist’s delight as he will be presented innumerable opportunities to watch and analyse the human mind and the motivations behind many of the actions we take.
If Freud had Big Brother…
The growth of technology and its application in many human endeavours have helped to create deeper insights into behaviour, greatly contributing to the understanding and growth of the behavioural sciences. The Big Brother reality television series is a platform that has turned many viewers into pseudo-psychologists, generating issues that are argued via text messages and internet.
If Sigmund Freud, still regarded as the doyen of behavioural sciences had had help from Big Brother, perhaps many of his conclusions would have been different. Freud was quite influential in two related but distinct ways: he simultaneously developed a theory of how the human mind is organised and operates internally, and a theory of how human behaviour both conditions and results from this particular theoretical understanding. His theories laid the foundation for the growth of psychology and psychoanalysis. But he operated in an era technology was not as advanced as it is now. Moreover, he had no help from hundreds of cameras and microphones to capture the expressions of the thoughts of his subjects.
But audiences will have more powers than Freud had with his subjects in that they can determine to vote out of the house housemates whose behaviours in their estimation falls short of their expectations. This they will do by voting for the housemates they want to see remain in the house, while the housemates that is not as well liked is evicted.
Technology, that great leveller of divides, has made the Big Brother television series a phenomenal success.
Broadcasting
Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

A new study, conducted by pan-African organisation, Paradigm Initiative (PIN), warns of an alarming surge in the prevalence of Technology-Facilitated Gender-Based violence, with 67 percent of respondents being victims of at least one or multiple forms of digital violence.

Online
Released on International Human Rights Day, the research exposes deep systemic failures, weak accountability, and unsafe online spaces driving a rapidly escalating epidemic across Cameroon, Kenya, Nigeria, Senegal, Zambia, and Zimbabwe.
PIN recognises that this gap limits both the understanding of TFGBV and the development of effective solutions. In response, this study adopts a survivor-centred approach that reframes how TFGBV is researched, discussed, and addressed. By prioritising survivors’ perspectives, the research uncovers the emotional, social, and systemic dimensions of digital violence that formal reports and statistics often obscure. It also interrogates how survivors navigate reporting systems, access justice, and play an informed role in digital spaces that are frequently hostile or unsafe.
A key finding of the study is that young people are disproportionately affected, with those aged 18–34 constituting the vast majority of survivors. Most incidents of TFGBV occurred on Facebook, WhatsApp, and X (formerly Twitter), underscoring how mainstream social media platforms continue to function as structurally unsafe spaces for many users—particularly women, activists, and advocates.
“Victims’ experiences range from sexual harassment, threats, and misogynistic attacks to severe violations such as stalking, non-consensual image sharing, hacking, sextortion, and identity-based harassment,” the report notes. “Personal testimonies reveal profound emotional, psychological, and reputational harm.”
The study also highlights that formal systems such as the police, employers, and public institutions, remain underutilised, largely due to fear, mistrust, or an expectation of inaction. While the findings expose wide-ranging gaps across platforms, institutions, and legal frameworks, they also highlight survivors’ resilience and their continued efforts to seek safer digital environments.
In light of these findings, PIN calls for urgent action to make online spaces safer for everyone, in line with this year’s Human Rights Day theme, “Human Rights, our everyday essentials.” Addressing these systemic gaps is critical to advancing democratic engagement, promoting media pluralism, fostering digital inclusion, and achieving gender equality across Africa.
Broadcasting
CKay’s “Love Nwantiti” Crosses Billion-Stream Mark on Spotify

Nigerian singer, songwriter, and producer CKay has officially surpassed one billion streams on Spotify with his breakout hit Love Nwantiti, making him one of the few African artists to reach this milestone and the first Nigerian solo act to do so.

Ckay
The rise of the emotional Afrobeats anthem
Originally an early hit when it dropped in 2019, “Love Nwantiti” (released on CKay’s EP – CKay the First) began as a slow-burn masterpiece that captured a global audience. The song broke out by blending the grooving rhythm of Afrobeats with an emotional feeling and an entrancing melody, a sound CKay himself pioneered and coined as “Emo-Afrobeats,” fusing African rhythms with raw, heartfelt emotion.
The song, which translates to “sweet gentle love” in the Igbo language, communicates an intense desire for a love interest. Its journey from a homegrown Nigerian track to a cultural sensation fueled by countless dance challenges, social virality, and international remixes is proof of the widespread power of its sound. The song remains a fixture on playlists globally, with over 3.9 million playlist adds and sustained streaming momentum across continents.
A solo milestone, a global legacy
Love Nwantiti’s sustained global appeal is undeniable: in the last 28 days alone, listeners from the United States , India,, Indonesia, Brazil , and the United Kingdom continue to press play, proof of the track’s staying power well beyond its viral peak.
This achievement places CKay in an elite group of African artists with billion-stream records on Spotify, which includes hits driven by collaborations with Nigerian artists, such as Drake’s One Dance (featuring Wizkid and Kyla), Future’s Wait For U (featuring Drake and Tems), and Rema’s Calm Down (featuring Selena Gomez), and solo song Water, by Tyla.
CKay achieved this historic mark with a solo, non-collaborative lead release by a Nigerian artist. This distinction highlights his unique vision and singular impact as both a writer and performer, making him a true torchbearer for the new generation of African music talent.
“Love Nwantiti” is more than a viral hit; it is a cultural reset. Demonstrating the rich storytelling and emotional depth of his sound, CKay didn’t just break borders, he built a powerful bridge for the global crossover of authentic African music, proving its resonance on the global stage.
CKay’s success is a signal for the future of African music on the global stage. Let us know if you’d like more on CKay’s journey or the song’s global streaming story.
Broadcasting
Global South Alliance Launches $72,000 Datafication and Democracy Fund to Support 2026 Research Projects

The Global South Alliance, a coalition of 26 digital rights organizations, launched today the second edition of the “Datafication and Democracy Fund” on December 9.

Global South Alliance
The Fund will provide more US$ 72,000 to support research and advocacy projects focused on datafication and democracy to be implemented in 2026.
The Datafication and Democracy Fund was launched during the fourth edition of the Data Privacy Global Conference, organized in São Paulo, Brazil. The Global South Alliance is jointly managed by Data Privacy Brasil, Aapti Institute, and Paradigm Initiative.
The members are Asociación por los Derechos Civiles, Bolo Bhi, Center for Communication and Governance, CIPESA, Derechos Digitales, Digital Rights Foundation, Dukingire Isi Yacu, Internet Bolivia, Pollicy, Research ICT Africa, Fundación Multitudes, InternetLab, Thraets, Jokkolabs Banjul, Aláfia Lab, Centre for Policy Alternatives, KICTANET, Tech Global Institute, Freedom Forum, TEDIC, Digital Access, Center for AI and Tech Innovation for Democracy and Masaar.
The call for proposals is open to non-profit, non-governmental organizations based in the Global South working on digital rights and related public policy issues. Previously supported organizations have addressed topics such as online child protection, data governance in electoral processes, biometric technologies in stadiums and large events, mandatory biometric data collection of migrants, and discriminatory surveillance and datafication practices.
According to the launch announcement, the Datafication and Democracy Fund “aims to finance research and public policy analysis projects that address critical questions arising from the impact of datafication on democracy.” The Alliance emphasizes that “datafication is a deep and complex process of social transformation: it shapes the provision of public services mediated by information technologies, the emergence of digital public infrastructures, the data-driven nature of elections, the reconfiguration of markets and platforms, and many aspects of civic life. Beyond deliberative processes and elections, datafication exacerbates democratic challenges such as transparency, due process, and respect for citizens’ autonomy.”
Selected applicants will receive grants of up to US$ 8,000 to support their research projects. Depending on the proposals submitted, between 8 and 12 projects will be funded. All funded projects must be carried out during 2026.
Applicants are required to submit:
A one-page cover letter outlining the organization’s background, experience, and motivation for participating in the research program;
A proposal of up to five pages detailing the topic, scope, methodology, expected results, and relevance of the project to digital rights and democracy in the Global South;
A detailed budget, not exceeding US$ 8,000, specifying how resources will be allocated across the proposed project’s components.
Applications must be submitted in English by January 30th 2026, through the designated online form.
E-Financial2 days agoCBN Rejigs Financial Inclusion Strategy to Boost Economic Growth
E-Financial2 days agoSEC Urges IST to Freeze all CBEX Bank Accounts in Nigeria
News2 days agoFG to Use Digital Economy Initiatives to Curb Corruption Among Youth
E-Business2 days agoFinancial Sector Faced AI, Blockchain and Organised Crime Threats in 2025 – Report
Broadcasting2 days agoEnd of an Era as Multichoice Delists from JSE After Canal+ Takeover
Broadcasting2 days agoGlobal South Alliance Launches $72,000 Datafication and Democracy Fund to Support 2026 Research Projects
Telecom2 days agoCOUCH 2025 Grand Finale Highlights Student Breakthroughs, Secures Government Pledge for University Research Commercialization
Telecom2 days agoGoogle Invests $2.1m to Boost Nigeria’s AI Development












