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UBA’s REDTV Sponsors Runway Jazz to Commemorate Lagos @50

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REDTV a dynamic online lifestyle channel, supported by United Bank for Africa (UBA) Plc, that puts the spotlight on Africa with a distinct global appeal, has announced its sponsorship of the Runway Jazz Festival as part of events lined up for the commemoration of Lagos @ 50.

The Runway Jazz Festival scheduled to commence on April 29 and close on the April 30th, is organised by Sweet Sound Production in conjunction with Lagos State Government.

The event, a fusion of world class Jazz performances and fashion, coincides with the international Jazz Day themed “Promoting Peace, Unity and Dialogue through Art”.

Speaking at the press conference held in Lagos at the weekend, Obinna Okerekeocha, Creative Director, Red TV, said the partnership will afford REDTV’s teeming viewers and lovers of contemporary Jazz the opportunity to experience a world class Jazz concert in Lagos.

Headlining Runway Jazz 2017, according to Okerekeocha are two Grammy awards winners; American Saxophonist, Najee and UK Singer-songwriter, Joss Stone.

Others billed to perform at the event to be held in Eko Hotel Convention Centre are some of Nigeria’s finest entertainers including Waje, Yinka Davies, Dede, Heavywind, Tosin Alao, Xerona Duke and host band, Sweet Sound.

The two day event will kick-off with the Music & Business Masterclass on Saturday April 29 and the Runway Jazz Concert on Sunday April 30, 2017

“With haute couture from Jewel by Lisa, and a runway show that captures the evolution of Lagos over the last 5 decades, Runway Jazz is the biggest and most unique music and fashion event to hit the Naija entertainment scene,” Okerekeocha said

Also speaking at the press conference held at the Tony Elumelu Amphitheatre in UBA House, the Executive Producer, Mr Afolabi Oke, said “the Runway Jazz activities this year have been heightened and elevated by two strategic partnerships. The first is with the Berklee College of Music, Boston, USA, which will present a music and Business Masterclass, facilitated by Professor George W. Russell Jr, Chairman of the Harmony Department.  The second is the Lagos State Government; as we team up to celebrate the remarkable anniversary of Lagos State, Lagos@ 50.”

On the theme for the event “Promoting Peace, Unity and Dialogue through Art”, he noted that “At a time when there is so much turmoil, with socio-cultural imbalances, and political unrest across nations, there is no better way to unite the people than through a medium that pushes forward an agenda that promotes peace, unity, acceptance of diversity and intercultural dialogue- Music.”

Ace Musician, Dede Mabiaku and one of the star performers from Nigeria added that the Runway Jazz was birthed to engage music and art enthusiast and Jazz aficionados, giving stylish expression to art and culture through music and fashion. According to him, the focus on Jazz music really broadens its appeal, particularly in Nigeria and across Africa, and introduces an innovative franchise into the Nigerian entertainment scene. He further assured that this year’s event will be the biggest in its history as he promised to perform great songs from Afrobeat King, Late Fela Kuti.

Also present at the press conference were Heavywind, Tosin Alao, Xerona Duke and host band, Sweet Sound.


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Canal+ to Cut Jobs as Part Sweeping Restructuring

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Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

Canal+ to Cut Jobs as Part Sweeping Restructuring

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.

The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.

The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.

MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.

The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.

Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.

By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.

The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.

However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.


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Nigeria tops global rankings for USDT, USDC ownership

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Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

Nigeria tops global rankings for USDT, USDC ownership

USDT, USDC

Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.

According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.

The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.

The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.

Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.

The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.

However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.

More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.

 


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Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

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Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

Spotify's Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.

This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.

Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.

“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”

Key highlights include:

  • 55% year-on-year growth in local streams for Nigerian female artists.

  • 75% surge in streams for independent Nigerian artists.

  • Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.

Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.

The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.

For full details, visit spotify.com/loudandclear.


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