Broadcasting
Airtel Trace Music Star Winner Emerges

On April 18, Tanzanian-born Mayunga Andrew Nalimi reigned supreme in the national broadcast of Airtel TRACE Music Star taking home the first place trophy as winner of the competition.
With 2.3 million calls, Airtel TRACE Music Star is the biggest ever music competition in Africa.
TRACE Urban viewers across Africa tuned into the 2-hour grande finale and finally got to witness the top 13 finalists battle it out for the number one spot and a chance to kick-start their music career.
Cries ensued as the mounting tension took emotions to explosive heights in the Grande Finale, which took place in Kenya on March 28.
Mayunga Andrew Nalimi was crowned by the megastar Akon as President of the jury (composed of renowned music executive Devyne Stephens and top-selling French Caribbean singer Lynnsha) after a merciless selection process.
The Tanzanian beat Jitey from Nigeria and Baz from Congo B who arrived respectively in 2nd and 3rd position. Tension was palpable and Mayunga fainted when he heard his name being announced.
The Tanzania native won the grand prize, which included a record deal with Universal Music, a promotion as well as mentorship campaigns for a total value.
The Tanzania native won the grand prize, which included a record deal with Universal Music, a promotion as well as mentorship campaigns for a total value exceeding $500,000.
Mayunga Andrew Nalimi is the last born son of a humble loving Tanzanian family from the town of Morogoro. Mayunga’s love for music started at the tender age of 5 and has since then flourished into a full blown passion.
Growing up, Mayunga continually searched for opportunities to take to the stage and share his musical talent, whether it was at a school recital or a wedding, the hopeful musician never ceased to captivate his audience with his vocal gifts and visible passion for singing.
In 2009, Mayunga experienced the difficult loss of his father and has since turned to his mother as his rock and endless fountain of support. In the hopes of one day achieving his dream to share his tremendous talent on the world stage, Mayunga decided to commit to his undying love of music after completing secondary school.
Through hard work and dedication, Mayunga managed to record an uplifting track entitled “Break The Rough”.
Mayunga draws his musical inspiration for his unique sound from international artists such as Usher, Chris Brown as well as local Tanzanian artists Nuru and Eli.
Airtel TRACE Music Star is all about making dreams come true and giving aspiring artists a chance to become stars.
The fans voted, the judges loved him and the audience applauded! Congratulations to Mayunga for winning this highly prestigious Airtel TRACE Music Star title.
According to the organizers, the shows on STV Networks hold as follow: Nigeria Winner Mini Movie – Monday May 4th 9:55am; (Repeat : Tuesday May 5th 9:55am|| Wednesday May 6th 9:55am|| Thursday May 7th 9:55 ); Nigeria Finale – 9am-10am Friday May 8th; Repeat : Monday May 11th 9am – 10am) and Africa Grand Finale – Tuesday May 12th 10am-12pm (Repeat: Tuesday May 19th 10am – 12am ).
TRACE is a leading urban and black entertainment group with activities in 180 countries.
It is a signature hub for black and urban entertainment content and offers TV channels, FM radios, mobile services, events etc. to the millennial and young adults audiences.
Broadcasting
Court Stops NBC From Punishing Broadcasters over On-Air Opinions

A Federal High Court in Lagos has restrained the National Broadcasting Commission (NBC) from sanctioning or punishing broadcast stations and presenters over the expression of personal opinions, alleged bullying of guests, or failure to maintain neutrality on air.

NBC
Justice Daniel Osiagor granted the interim injunction following an ex parte application filed by the Socio-Economic Rights and Accountability Project (SERAP) and the Nigerian Guild of Editors (NGE).
The court specifically restrained the NBC, its officers, agents and affiliated persons from enforcing its recently issued “Formal Notice” or imposing sanctions, fines or penalties on broadcasters based on provisions of the 6th Edition of the Nigeria Broadcasting Code, pending the hearing and determination of the substantive suit.
SERAP and NGE had approached the court to challenge what they described as an arbitrary and unlawful move by the commission to punish broadcasters for allegedly expressing personal opinions as facts, bullying or intimidating guests, or failing to maintain neutrality during programmes.
The groups also asked the court to determine whether the provisions of the Nigeria Broadcasting Code relied upon by NBC were inconsistent with the 1999 Constitution, as amended, and Nigeria’s international human rights obligations.
The suit followed an April statement by the NBC in which it raised concerns over what it described as increasing violations of the broadcasting code across news, current affairs and political programmes.
The commission had warned that presenters who expressed personal opinions as facts or bullied guests during live broadcasts would be sanctioned.
However, Justice Osiagor, in his ruling, held that pending the hearing of the substantive matter, the commission must refrain from using the formal notice to threaten, sanction or punish broadcast organisations and on-air personalities under the contested code provisions.
The matter was adjourned until June 1, 2026, for hearing of the motion on notice.
Broadcasting
EFCC Drags Metro Digital to Court over Alleged Illegal Access to Multichoice Signals

Economic and Financial Crimes Commission (EFCC) has arraigned Metro Digital Limited before a Federal High Court in Port Harcourt over alleged cybercrime and unlawful interception and rebroadcast of content belonging to Multichoice Nigeria.

Metro Digital
The company was arraigned before Justice A.T. Mohammed on an amended four-count charge bordering on cybercrime-related offences and alleged illegal rebroadcast of protected broadcast content.
According to a statement issued on Wednesday by EFCC’s Head of Media and Publicity, Dele Oyewale, the prosecution counsel, Steve E. Odiase, informed the court that the matter was scheduled for arraignment.
However, defence counsel, S.A. Somairi (SAN), reportedly attempted to halt the proceedings by drawing the court’s attention to a pending preliminary objection.
The judge, however, declined the request and ordered that the plea be taken in line with Section 478 of the Administration of Criminal Justice Act (ACJA), 2015, which allows a corporation to enter a plea in writing through its representative.
One of the charges alleged that Metro Digital Limited, alongside its Managing Director, Ifeanyi John Nwafor, and a staff member, Ikenna Kanu, both said to be at large, conspired between 2015 and 2019 to unlawfully intercept and rebroadcast protected broadcast signals in Port Harcourt, Rivers.
Another charge alleged that the defendants intentionally and without authorisation intercepted and rebroadcast broadcast signals and devices, including tiger boxes and dongles, over which Multichoice Nigeria holds exclusive rights in Sub-Saharan Africa.
The anti-graft agency said investigations into the matter began in 2019 after Multichoice petitioned the commission, alleging that the illegal rebroadcast of its content caused significant financial losses.
Metro Digital Limited, through its representative, pleaded not guilty to all four charges.
Following the plea, prosecution counsel prayed the court to fix a date for trial.
Justice Mohammed subsequently adjourned the case until June 29 and June 30, 2026, for continuation of trial.
Broadcasting
ipNX Powers SPAN’s Queen Esther Musical

ipNX, one of Nigeria’s telecommunications and connectivity providers, successfully powered the Queen Esther Musical, presented by the Society for the Performing Arts in Nigeria (SPAN), reinforcing its role as a key enabler of innovation across industries through reliable, high-speed connectivity.

Held at Guiding Light Assembly, Parkview, Ikoyi recently, the Queen Esther Musical delivered a captivating blend of music, drama, and visual storytelling to a packed audience. Behind the scenes, ipNX’s advanced fiber-optic infrastructure played a critical role in ensuring seamless execution, supporting the production’s extensive technical requirements, from synchronized audiovisual systems to real-time digital enhancements that enriched the overall experience for the audience within the auditorium and on digital platforms.
As sophisticated technology integrates into live performances, the demand for stable, high-capacity bandwidth to deliver this experience to online audiences has become essential. ipNX provided technical support, delivering uninterrupted connectivity that enabled production teams to coordinate effectively and execute a technically complex show without disruption. The event served as a powerful demonstration of how telecommunications infrastructure can elevate creative expression and redefine audience engagement.
“Our involvement in the Queen Esther Musical reflects our commitment to powering experiences that matter,” said Akintunde Taiwo, Head of Sales, ipNX Retail. “This production broadcast required precision, speed, and reliability, all of which our network is designed to deliver. Beyond telecoms, we see ourselves as partners in progress across sectors, and this collaboration with SPAN highlights how our solutions can seamlessly support the creative industry just as effectively as we do small enterprises and critical services.”
For SPAN, the partnership translated into a production that fully leveraged technology to enhance storytelling and audience immersion.
“We were proud to collaborate with ipNX on the Queen Esther Musical,” said Sarah Boulous, Founder of SPAN. “The scale and ambition of this production required a technology partner we could rely on completely as we wanted audience to enjoy seamless streaming on the Zaia app. ipNX delivered exceptional bandwidth and stability, allowing us to integrate digital elements seamlessly and create a truly memorable experience. Their support played a significant role in bringing our creative vision to life.”
The Queen Esther Musical not only entertained but also illustrated the growing intersection between technology and the arts in Nigeria. ipNX’s role in powering the event highlights its broader mission to connect people, ideas, and industries and ensure that innovation is supported by infrastructure capable of meeting modern demands.
By bridging connectivity and creativity, ipNX continues to demonstrate that its impact extends far beyond traditional telecommunications, positioning the company as a trusted partner in shaping experiences across Nigeria’s evolving economic and cultural landscape.
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