News
Girls Dominate PH Audition of Glo-sponsored ‘Dance with Peter’

The women folk fought back what had seemed like oppression from the men folk at the three-week long auditions of the dance reality TV show, Dance with Peter sponsored by Globacom, by winning the hearts of the judges in the quest for the available six tickets at the Port Harcourt audition of the show on Thursday night.
The Port Harcourt audition was the last in a series of auditions in four major Nigerian cities and the capital city of Ghana, Accra.
All the previous auditions were dominated by the boys who dazzled the judges with their brilliance.
But at the Port Harcourt audition, the ladies put up a stiff resistance replicating nearly all the tricks up the sleeves of the boys.
The development was applauded by Dance star, Kaffy, who said the outcome would encourage more women to embrace dancing as a profession.
The Port Harcourt audition presented the last opportunity for those interested in participating at the show.
Consequently, many of the contestants who narrowly missed securing qualifying tickets from the previously held auditions travelled to Port Harcourt to try their luck for the final time.
Contestants from Lagos particularly outshone their peers from other regions, including the host city. The Lagos boys and girls were the first to break the ice by securing the nod of the judges to go into the next round of the competition.
This development made the promoter of the show, Peter Okoye of Psquare to jump up from his seat in exasperation at some point. He walked to where the dancers were waiting for their turns to climb the stage, and charged the local contestants to raise their game.
“Port Harcourt, what is happening? You are hosting this audition. Why are you breaking my heart by letting people who came all the way from Lagos to run away with the tickets?
This region is richly talented. It’s just that you people are not taking it as seriously as those guys from Lagos have taken it,” he said as he urged them to put more pep into their performances.
Also at the audition was a talented group of dancers who said they were at the audition because they believed dance was the ticket to get their families out of grinding poverty.
Speaking before the commencement of audition, the leader of the group named Expression, Tunde Olaleye, said the team including a five-year old dance prodigy, Samson Oladipupo, came together to eke a living out of dancing, considering the poor conditions of their individual families.
“I am from a very humble background. My parents are from Osun State, but are in Port Harcourt to hustle and we also need to put in our own efforts to ensure that we are alive and well,” he said.
Olaleye said that when not doing menial jobs to keep body and soul together, members of the group performed at private and public functions and sustained themselves and their families with whatever they received as payments. He said the group was determined to focus on dance as a means of economically empowering themselves and their families.
Their routine at the audition included some stunts and daring dance moves, the climax of which was the multiple back flips by the five year-old member of the group. The group also wowed the judges by creatively forming a motorcycle with their bodies at one point in their performance.
Over 300 individuals and groups fought for the available six qualifying tickets from the Port Harcourt audition.
A total of 30 contestants from the five auditions will now assemble in Lagos where they will slug it out for the star prize of N3million, a Rav4 SUV and a rare opportunity to feature in PSquare next music video.
Also available for grab is a Honda City plus N2m and a Kia Rio with N1m for the first and second runners-up respectively. The first and second runners up will also have the grace to dance with a Glo ambassador each in their next music videos.
News
InsomniaQ Spotlights African Creativity in Lagos

Quickteller successfully hosted the maiden edition of InsomniaQ recently in Lagos, delivering a 12-hour non-stop celebration of African music, culture, and creativity.

A statement from the firm on Sunday stated that the event attracted a diverse audience of music lovers, culture enthusiasts, and festive diaspora returnees, marking a strong debut for what organisers described as a potential signature December event.
InsomniaQ featured a dynamic mix of live performances and DJ sets, showcasing Africa’s rich musical diversity and creative depth. From soulful sounds to high-energy performances, the festival offered a thoughtfully curated journey designed to follow the natural rhythm of its audience’s circadian cycle, sustaining energy, connection, and excitement throughout the night.
Beyond the performances, InsomniaQ emerged as a platform for shared cultural expression, creating space for celebration, discovery, and community. The experience reinforced Lagos’ position as the heartbeat of Africa’s December entertainment season and highlighted the growing appetite for premium, culturally grounded experiences.
Commenting on the success of the event, the Executive Vice President, Group Marketing and Communications, Interswitch Group, Cherry Eromosele, described InsomniaQ as an organic extension of Quickteller’s place in everyday moments of connection, culture, and celebration.
“InsomniaQ was created as a space to celebrate African creativity in its full expression, the music, the energy, and the people who make our culture so powerful.
“Seeing that vision come to life, with thousands of people connecting through sound, movement, and shared experience, has been truly rewarding. This debut edition reinforces our belief in creating platforms that bring people together and spotlights the richness of African talent in meaningful ways,” Eromosele said.
The success of InsomniaQ, according to the organisers, reflects a broader commitment within the Interswitch ecosystem to support experiences that extend beyond transactions into everyday life. By championing platforms that blend culture, innovation, and community, Interswitch continues to shape how people connect, celebrate, and experience Africa’s evolving creative economy.
With its strong debut, InsomniaQ has set the tone for future editions and established itself as a new fixture in Africa’s December calendar, celebrating culture, driving connection, and creating memorable experiences.
News
How Moniepoint’s Founders, Tosin Eniolorunda and Felix Ike are Redefining African Tech and Finance

In an era where global tech giants dominate headlines, two Nigerian entrepreneurs are quietly revolutionizing financial services across Africa, proving that world-class innovation can emerge from homegrown talent and local institutions.

Tosin Eniolorunda and Felix Ike, co-founders of Moniepoint Inc, have built one of Africa’s fastest-growing fintech companies, not despite their exclusively Nigerian education, but in many ways, because of it.
Their journey from the lecture halls of Obafemi Awolowo University and the University of Lagos to the TIME100 Most Influential Companies list stands as a powerful testament to the caliber of talent nurtured within Nigerian universities and the transformative potential of locally-rooted vision.
Tosin Eniolorunda’s path exemplifies how Nigerian educational institutions can cultivate entrepreneurial excellence. After earning his degree in Mechanical Engineering from Obafemi Awolowo University, he didn’t follow the well-trodden path abroad but instead chose to build solutions for Nigerian challenges within Nigeria itself. This decision proved prescient.
Understanding the unique financial ecosystem and infrastructure gaps firsthand from the work at TeamApt Ltd where they were building from majority of the country’s banks, Tosin pioneered several industry firsts: introducing instant POS transfers to Nigeria, launching the country’s first virtual account services, and constructing a vertically integrated payments processing switch with full switching and processing licenses.
These feats and technological achievements must be viewed from the prism that these were deeply contextual innovations born from intimate knowledge of local needs, the kind of understanding that comes from being educated and embedded in the communities one serves.
Felix Ike’s contribution complements this vision with technical brilliance equally rooted in Nigerian educational excellence. Graduating with first-class honors in Computer Science from the University of Lagos, Felix brought to Moniepoint the kind of engineering rigor required to build mission-critical financial infrastructure.
As Chief Technology Officer, he has architected systems that are not just functional but scalable, resilient, and secure enough to serve over 10 million businesses and individuals across Nigeria and Africa. His work demonstrates that Nigerian universities are producing software engineering leaders capable of building world-class technology that can compete on the global stage with technology that processes millions of transactions daily and underpins the financial dreams of an entire continent.
Since its founding in 2015, Moniepoint has evolved into Africa’s largest distributor of financial services in Nigeria, with presence across all 774 local government areas. The company’s all-in-one financial ecosystem offering seamless payments, banking, credit, and business management solutions reflects a sophisticated understanding of what African businesses and individuals actually need to thrive.
The accolades have followed: recognition by TIME as one of the 100 Most Influential Companies in 2025, listing among CNBC’s top UK fintech firms, and ranking in the Financial Times’ Africa’s Fastest-Growing Companies for three consecutive years.
The Moniepoint story as an indigenously rooted but globally compliant player challenges prevailing narratives about where innovation must originate and what credentials are necessary for building transformative companies. Tosin and Felix’s success illustrates that Nigerian universities, when their graduates are empowered with vision, opportunity, and determination, can produce founders who don’t just participate in the global economy but reshape it.
News
FIRS Declares NIN, CAC Numbers as Tax IDs from 2026

Federal Inland Revenue Service (FIRS) has announced that the National Identification Number (NIN) issued by the National Identity Management Commission (NIMC) will automatically serve as the Tax Identification Number (Tax ID) for all Nigerian citizens, while registered businesses will use their Corporate Affairs Commission (CAC) registration numbers.

FIRS
The disclosure was made during a public awareness campaign on the new tax laws posted on X (formerly Twitter) on Monday.
According to the Service, the Nigeria Tax Administration Act (NTAA), which comes into force in January 2026, mandates the use of Tax IDs for certain financial and commercial transactions, including bank account ownership.
FIRS explained that the measure is part of efforts to unify all previously issued Tax Identification Numbers (TINs) by both the federal and state revenue services into a single identifier.
“For individuals, your NIN automatically serves as your Tax ID, while for registered companies, your CAC RC number is used. You do not need a physical card; the Tax ID is a unique number linked directly to your identity,” the Service stated.
The agency noted that the requirement has been in place since the Finance Act of 2019 but has now been strengthened under the NTAA to ensure compliance and ease of administration.
Officials emphasized that the reform would simplify tax processes, reduce duplication, and improve transparency in Nigeria’s tax system.
The Service added that the integration of NIN and CAC numbers into the tax framework would also enhance data accuracy, curb tax evasion, and streamline the monitoring of taxable activities across the country.
Tax experts have described the development as a significant step toward modernizing Nigeria’s revenue administration, noting that it aligns with global best practices where national identity systems are linked to tax compliance.
The FIRS urged Nigerians to ensure that their NINs and CAC registration details are up-to-date, stressing that the identifiers would be required for transactions such as property purchases, contract awards, and access to certain financial services once the NTAA takes effect
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