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Lai Mohammed Restates Importance of Digitisation to Nigeria

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Alhaji Lai Mohammed, minister of Information and Culture as again underscored the importance of the nation joining other countries of the world to maximixe the importance of digitization to the nation’s economy.

The Minister made this known at this year’s CABSAT event in Dubai where he spoke to select top broadcasters and experts from the Middle East, Asia and Africa.

Speaking at the event, Mohammed who was represented by Ms Alheri Saido acting director-general of the NBC told a gathering of media executives and professionals from the regions that Nigeria after missing the initial International Telecommunications Union Digital Switch Over deadline (DSO) was doing everything to achieve the new June 2017 date.

According to the Minister, Nigeria cannot afford to be left behind in reaping from the economic benefits of digitization especially as a leading regional Tv market. Noting that Nigeria has 20.4 million Free-to-Air (FTA) TV households, which is further estimated with digital TV penetration will reach 100% by 2020.

“One of the most interesting and important factors related to digitisation is the link to overall societal welfare. Its impact on GDP per capita reveals that an increase of 10% in a country’s digitisation score fuels a 0.75% growth in its GDP per capita. As an economic accelerant, digitisation therefore is 4.7 times more powerful than the 0.16% average impact of broadband deployment on per capita GDP” the Minister stressed.

Additionally, the economic effect of digitisation accelerates as countries move to more advanced stages of digitisation. Nigeria cannot be left out of this globally beneficial wave of change, which will definitely galvanize our economy.

The Nigeria broadcast regulatory body coordinated the country’s participation at the event and for the first time in its 22 years CABSAT played host to the participation of a sub-Saharan country as exhibiting Pavilion Partners with Nigeria through the National Broadcasting Commission hosting a pavilion of 90 square metres. CABSAT features the mainstream broadcast industry, policy makers/regulators, broadcast and production, satellite communications, equipment, content delivery, digital media, content exchange, monetization and collaboration.

The Minister said, “Nigeria currently has 2.5m digital TV homes, a number that is expected to increase dramatically to 20 million after the Digital Switch Over (DSO), making Nigeria the biggest digital TV market in Africa. Nigeria also boasts of 149 million mobile phone lines, making it one of the fastest growing mobile market in the world. Nigerian TV advertisement market is worth $200m, but with potential to grow up to $600m when we introduce our audience measurement system”. Lai Mohammed enthused. He added that the digital switch over will provide the opportunity to increase the number of channels and enrich local content, thus boosting production and employment of our youth, and contributing significantly to the nation’s GDP and diversifying the economy.

With a privilege of huge youth demography and an exponential thriving movie industry, the Information Minister said, “Nigeria intends to use DSO as an opportunity to diversify the provision of channels and content production. He added that key to this is the Nollywood, as the country’s growing movie industry is known. Nollywood employs over 1 million people, including actors, producers, directors, cameramen, publicists, etc., making it the second largest employer after Agriculture. The Nigerian film industry is worth $5.1 billion as at 2014, and Nollywood generates $600 million dollars for the Nigerian economy annually. After Hollywood and India’s Bollywood, Nollywood is the world’s third largest movie producer, at about 50 movies per week.

While addressing CABSAT Tv at the Dubai World Trade Centre, Mohammed flaunted Nigeria’s friendly investment climate and the regulatory body’s policy framework that seeks to promote healthy competition for a Broadcasting market that will witness valuable service delivery between pay and free to air (FTA) service providers as well as one that will enjoy revenue and profit growth, supported by a strong advertising market.

“The regulatory National Broadcasting Corporation (NBC) will drive new TV channels and services through a Free view-type platform. At present, FTA broadcasters have been highly engaging in the DSO process, stimulating interest in launching new free to air thematic channels”.  The Minister stated that the government has received over 200 expressions of interests from local and international channels which are interested in being part of the new digital TV platform in Nigeria, including BBC, CNBC and CNN.


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Lebara Nigeria Launches Lebara Play, Africa’s First Telecom-Owned Micro-Drama Platform

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Lebara Nigeria has announced the launch of Lebara Play, described as Africa’s first telecoms-owned micro-drama platform aimed at expanding opportunities for African storytellers and distributing local content to global audiences.

Lebara Nigeria Launches Lebara Play, Africa’s First Telecom-Owned Micro-Drama Platform

The company said the platform is designed to support creators by providing a new distribution channel for African narratives while making content accessible to both subscribers and non-subscribers worldwide.

Lebara Nigeria added that the platform will debut with an original production titled Imported Bahu, produced by Forever 7 and starring Osas Ighodaro.

The project is directed by Hamisha Daryani Ahuja, known for her work on Namaste Wahala, and is positioned as the first in a series of original content offerings.

According to the company, Lebara Play is built to serve both creators and audiences, with a focus on showcasing African stories to a global market and strengthening the continent’s growing digital entertainment ecosystem.

Speaking on the company’s vision at the launch, Teniola Stuffman, chief executive officer, Lebara Nigeria, said the organisation was focused on building a telecommunications ecosystem that combined innovation, connectivity, and customer-centric digital experiences.

Stuffman said, “This platform represents an important step in our vision of building a telecommunications brand that delivers more than connectivity. We are creating an ecosystem where technology, innovation, and entertainment come together to provide meaningful experiences for customers while unlocking new opportunities for creative talent and content development across Africa.”

Beyond entertainment, she said, industry stakeholders believed the initiative demonstrated how global telecommunications expertise could be adapted to local market realities.

“Drawing from decades of experience across multiple international markets, Lebara is expected to introduce additional innovative services aimed at enhancing convenience, engagement, and value for Nigerian consumers,” she said.

Stuffman added that the company’s strategy reflected growing recognition that today’s telecom customers demanded more than network access, pointing out that consumers increasingly seek brands that offer seamless digital experiences, personalised services, and access to content that enriches everyday life.

Stuffman stated that LebaraPlay also aligned with the company’s commitment to supporting Africa’s creative economy by creating new distribution channels for content creators, producers, and digital storytellers.

“Through a combination of original productions and strategic partnerships, the platform seeks to create opportunities for talent while delivering quality entertainment to audiences,” she said.

Hamisha Daryani, founder of Forever7 Entertainment, expressed excitement over the partnership with Lebara Nigeria and the premiere of her latest micro-drama series on the LebaraPlay platform.

She stated that Lebara’s customer-centric vision aligns closely with the values of Forever7 Entertainment, making the collaboration a natural fit for both organisations.

Daryani revealed that the new microdrama featured a star-studded cast drawn from both Bollywood and Nollywood, in a compelling romantic story designed specifically for mobile audiences.

According to her, the production is developed with mobile-first consumers in mind, delivering premium entertainment in short, engaging formats at an affordable cost.

“Microdrama, which typically consists of short episodes of about three minutes, is redefining how audiences consume entertainment. It offers a convenient, immersive, and affordable viewing experience for people who increasingly access content through their mobile devices,” she said.

She added that the platform was created to support seamless creative expression while providing new opportunities for content creators across the continent.

Daryani further explained that the microdrama format has already achieved significant success in Asia and the Americas and is now gaining traction across Africa.

She said the initiative would create opportunities for emerging creatives through knowledge sharing, skills development, content curation, and industry collaboration, with the Nigerian rollout of the featured series expected to commence in July.

 


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CANAL+ Partners Samsung to Pre-Load DStv Stream on New Samsung TVs In Nigeria, Other African Countries

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Following an expanded partnership between CANAL+ and Samsung Electronics, the DStv Stream app will now be pre-installed on new Samsung Smart TVs sold in Nigeria and 17 other African countries.

The agreement covers English and Portuguese-speaking African markets, including Nigeria, Kenya, Angola, Tanzania, Uganda, Zambia, Zimbabwe and South Africa. It marks the first pre-installation rollout of a MultiChoice Group streaming application on Samsung Smart TVs.

The development comes after the completion of the combination between CANAL+ and MultiChoice Group. It also extends an existing relationship between both companies that already spans 40 markets across Europe, French-speaking Africa, and Asia.

Through the integration, Samsung customers can now access DStv Stream directly from the television home screen. The app provides access to premium sports and entertainment content, including coverage of the FIFA World Cup 2026, English Premier League football, domestic and international rugby, and local and international television programming.

With the introduction of this connected television which kicked off on June 1, televisions can now connect to the internet, allowing users to stream content directly without requiring a separate decoder or satellite dish. The pre-installation of the app removes the need for users to search for and download it themselves, reducing friction and improving content discoverability.

The rollout is one of the first major distribution initiatives following the integration of CANAL+ and MultiChoice. The combined group has identified streaming growth and enhanced digital distribution as key priorities across Africa, where connected television adoption continues to increase.

David Mignot, CEO of CANAL+ Africa and CEO of MultiChoice Group, affirmed, “We are delighted to extend our longstanding partnership with Samsung across new English and Portuguese-speaking African countries. It marks a significant milestone in the synergies created by the combination of CANAL+ and MultiChoice Group.

“Mignot added, “As viewing habits continue to evolve rapidly across the continent, strengthening the accessibility and discoverability of our content offer on connected devices is key. By expanding the availability of our applications on Samsung Smart TVs across key African markets, we are making it even easier for millions of MultiChoice Group’s subscribers to seamlessly access the content that define the uniqueness of the CANAL+ and MultiChoice Group experience.”

This extended partnership is expected to strengthen Samsung’s position as a key distribution partner for streaming services globally while providing CANAL+ and MultiChoice with a broader route to market as competition intensifies among international and regional streaming platforms across Africa.


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Court Deals Fresh Blow to NBC, Throws Out Appeal over Broadcast Fines

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The Court of Appeal in Abuja has dismissed an appeal filed by the National Broadcasting Commission (NBC) challenging a Federal High Court judgment that restrained the commission from imposing fines on broadcast stations.

Court Deals Fresh Blow to NBC, Throws Out Appeal Over Broadcast Fines

Delivering judgment, Justice Jane Esienanwan Inyang held that the appeal was fundamentally defective and therefore incompetent.

The appeal stemmed from a Jan. 17, 2024 judgment delivered by Justice Rita Ofili-Ajumogobia of the Federal High Court, Abuja, which barred the NBC from enforcing N5 million fines imposed on several broadcast stations in 2022.

The sanctions had been issued over allegations that the stations aired documentaries on banditry and insecurity considered by the commission to be capable of undermining national security.

The affected broadcasters included Multichoice Nigeria Limited, owners of DStv, TelCom Satellite Limited, Trust TV Network Limited and NTA StarTimes Limited.

The suit was instituted by Media Rights Agenda (MRA), which challenged the legality of the fines imposed by the commission.

In her ruling, Justice Inyang pointed to a discrepancy in the appeal documents, noting that the respondent before the Federal High Court was listed as the “National Broadcasting Commission,” while the notice of appeal identified the appellant as the “Nigerian Broadcasting Commission.”

According to the court, the inconsistency was substantial enough to deprive it of the jurisdiction required to entertain the appeal.

“The notice of appeal is the foundation of an appeal and a condition precedent to the exercise of appellate jurisdiction by this court,” the judge held.

Consequently, the appeal was struck out without consideration of the substantive issues raised by the commission.

The ruling represents another setback for the NBC in its efforts to defend its authority to sanction broadcast organisations through administrative fines.

In April 2026, the Court of Appeal similarly dismissed a separate appeal by the commission against another judgment that restricted its powers to impose fines on broadcasters.

Earlier, in May 2023, the Federal High Court in Abuja ruled that the NBC lacked the judicial authority to impose penalties on media organisations without recourse to the courts.

The controversy over the commission’s sanctioning powers dates back to March 2019 when the NBC imposed N500,000 fines on 45 broadcast stations for alleged violations of the Nigerian Broadcasting Code during the general elections.

At the time, the then Director-General of the commission, Is’haq Kawu, said the sanctions were imposed for ethical breaches and violations of broadcasting regulations.

Legal analysts say the latest judgment reinforces previous court decisions limiting the commission’s authority to impose fines on broadcasters without judicial intervention.


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