Broadcasting
Cartoon Network Launches Unique African Localised Series

The leading kids channel on the African continent, Cartoon Network, is proud to announce that they have teamed up with one of Africa’s leading content creators, Urban Brew Productions, to launch an innovative, locally produced series of short inserts called ‘Pop Up Party’, aimed at entertaining audiences on the African continent with Cartoon Network’s signature innovative and creative show-stopping fun on DStv, channel 301.
“This is the first time that Cartoon Network has teamed up with an African production company to produce something original and exclusive for its African audiences, full of local flavour, whilst still being true to the Cartoon Network brand and style,” said Pierre Branco, VP and Managing Director of Turner Africa. “The final product is not only fun, but also surprising, and that is exactly what Cartoon Network’s Pop Up Party is all about. With a proudly “African” edge, not only is the show taking place in South Africa, but it is mainly centred on dance, which Cartoon Network believes appeals to our African audience and their culture.”
Africa is a continent synonymous for its rich rhythmic music and dance culture; hence the new short inserts will follow a young crew of local dancers as they pop up and infiltrate unexpected locations to create a vibrant, unique and fun Pop Up Party. “We chose a group of kids that are all the same age as our core target market and from the unique and diverse African cultures to appeal to our viewers. They bring various personalities and different elements to the show, but one thing is for certain, they all are incredibly talented!”
The crew are currently all students from the Michelle Oppenshaw Dance Studio. Michelle, one of South Africa’s most versatile and elite dancers, is best known for her work in the Hollywood movie, Honey 3, Strictly Come Dancing, the South African version and being the choreographer and a dancer in Mi Casa’s ‘Turn You On’ music video.
The African-flavoured dance party has been shot in South Africa, but for any future series of the show, Cartoon Network will investigate the possibility of popping up in other African countries.
The unexpected locations for the first season were predominantly places where kids would never be found dancing…..until the music starts and the magic happens and everyone becomes part of the fun, until the party is done.
Over the last couple of years, the internet has seen many viral dance fads that have taken the internet by storm and got the world moving, but this will be the first time that a show like this will be shown on Cartoon Network.
African audiences can look forward to surprise, intrigue and lots of fun with this brand new local production. “The show will definitely take our African audiences by surprise, make them smile and appeal to them through the universal language of dance,” says Urban Brew Studios.
With lots of excitement ahead of the launch in July, audiences will be able to follow this most contagious, African-flavoured dance party by logging on to the pop up party website , where viewers will send in their own dancing videos and learn some of the signature moves from the series through choreographed videos with Michelle and the crew.
Viewers will be encouraged to upload their videos and the best dancers will get some screen time on Cartoon Network!
In the meantime, all Cartoon Network fans should be shining their dancing shoes in anticipation to catch the first of all ten Pop Up Party shorts by tuning in to the brand new series which kicks off on the 23rd of July 2016 on Cartoon Network, channel 301 on DStv at 16:30 CAT.
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
Broadcasting
Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.
This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.
Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.
“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”
Key highlights include:
55% year-on-year growth in local streams for Nigerian female artists.
75% surge in streams for independent Nigerian artists.
Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.
Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.
The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.
For full details, visit spotify.com/loudandclear.
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