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NASS to Amend Act Establishing Film Censors Board

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Sen. Suleiman Adokwe, Chairman Senate Committee on Information and National Orientation, says the National Assembly will soon amend the act establishing the National Film and Video Censors Board (NFVCB).

Adokwe stated this on Tuesday while delivering his goodwill message at the opening of the Consumer Forum of the NFVCB holding in Bauchi State.

He said that the amendment will further strengthen and reposition the board.

The forum with the theme: “The Movie Industry: The case for Peace, Economic Development and Social Engineering”, is holding at the Yankari Games Reserve from Jan. 29 to Feb 1.

According to Adokwe, the NFVCB is a critical agency of government that should be strengthend for it to effectively handle modern realities and challenges in the evolving Nigerian motion picture industry.

“The Senate will give all necessary backing and strengthen the act establishing the NFVCB for it to be more effective in delivering on its mandate.

“Even if it requires amending the act for it to be very effective, we shall do it for the film and video sector to strive.

“Our artistes are struggling because of piracy and other unlawful activities affecting their creativity,” he said.

Adokwe noted that the movie industry was not just an economic venture, but a veritable instrument for peace building and national integration.

He, therefore, urged producers and relevant stakeholders to tell the Nigerian story in good light by promoting what bind Nigerians together.

“The movie is a very crucial tool for social engineering, as it can be used to cause war or promote peace.

However, our movie stakeholders are being called on upon to promote peace and stop war, they should not watch our country fall apart,” he urged.

The Executive Director of the NFVCB, Mr Adedayo Thomas, said that the forum was for stakeholders to brainstorm and chart a common front for the industry in the North-East.

“The Consumer Forum is a flagship program of the board, aimed at sensitising the local population, especially the young and unemployed, entrepreneurs, financiers and government of the enormous potentials available in the film industry.

“This is also a platform to educate participants on how to take advantages of these opportunities for empowerment and building a strong economy and better society.

“We are here to chart a framework that will create a basis for the film and video industry as a tool for economic growth and sustainable peace in the North-East.” he said.

He noted that youths and trained artisans from the region would be exposed to, hitherto, dormant areas of the film industry, get employed and leverage on opportunities.

The representative of the Actors Guild of Nigeria (AGN), Association of Movie Producers (AMP), and other industry players, especially from the North were present at the event. Investors, members of the academia, students and other young talents in film and theatre were also present at the forum.

The NFVCB is a Federal Government body that regulates the films and video industry in Nigeria.

The Board is empowered by law to classify all films and videos whether imported or produced locally.

It is also the duty of the Board to register all films and videos outlet across the country and to keep a register of such registered outlets among other functions.


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DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

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Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.

The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.

In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.

He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.

The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.

Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.

He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.

He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.

Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.

Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.

The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.

The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.

 


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US invests $115m in counter-drone tech for World Cup security

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US invests $115m in counter-drone tech for World Cup security

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The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.

Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.

The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.

DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.


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Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

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The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.

Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.

Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.

With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.

“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”

Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.

Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:

“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”

The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.

 


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