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ICPC/DSO: Interrogating the Investigator

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BY HAMID HENDRIX

Actions are governed by intentions.

 

This a very profound principle of divine justice in Islam which reflects the exalted insight into the essence of determining the true nature of the overt action of human beings from the inner impulses of the mind, known only to the Omniscient,  rather than the “obvious” outward perceptions of the action itself.

 

This underscores the sanctity of divine judgment.

 

However, at our level as mere mortals, it often does not require divine wisdom to decipher the link between human action and the intended purpose of the action because of our imperfection.

 

The same applies to the actions of our corporate entities which are, after all, imprinted with our inherent weaknesses.

 

A very revealing episode that captures this element of transparent treachery in the activities of human institutions ostensibly established to uphold rectitude and dispense justice has manifested in the recent outrageous outing of the Independent Corrupt Practices and Related Offences Commission (ICPC) through an update on an investigation into an alleged “misapplication” of N2.5 billion by the National Broadcasting Commission (NBC) in respect of payment to Pinnacle Communications Limited under the Digital Switch Over (DSO) from analogue to digital terrestrial television broadcasts.

 

The statement dished out by the ICPC’s now thoroughly thrashed spokesperson, Mrs Rasheedat Okoduwa, turned out to be the most disastrous display of the damning disparity between outward action and ulterior motive by a government agency that was established purposely to be “independent” of undue influences in combating corrupt practices in public institutions.

 

Barely 24 hours after its self-indicting statement went public, the ICPC plunged from the heights of institutional probity to the valleys of villainous vendors of “corrupt practices and other related offences”

The ensuing barrage of bricks and bats buried the ICPC/Okoduwa howler under a scandalous summation of terminological inexactitudes, unpardonable factual errors and even unbelievable fabrications of fictitious events by a flabbergasted Pinnacle Communications Limited, an embarrassed NBC (renamed “Nigerian Broadcasting Corporation” by ICPC) and an array of dumbfounded commentators, turning the ICPC into an absurd caricature of a corrective commission, caught-in-print in the dock of public ignominy with speechless surrender.

 

Outside its quarantined quarters, there were deafening denunciations of the apparent hijacking of its investigative independence by a subterranean “Disgruntled Saboteurs’ Organization” viciously determined to destroy and pull-down the high-definition successes of Pinnacle Communications Limited and the NBC in turning the jinxed serially-postponed Digital Switch Over(DSO) from analogue to digital terrestrial television broadcasts into progressively unfolding impressive reality.

 

This disturbing attempt by unscrupulous private interests to misuse a government agency such as the ICPC to sabotage a strategic national project like the DSO is yet another diabolical dimension to the vulnerability of important public institutions and their top officials to the deeply embedded cankerworm of corruption and a veritable vindication of President Buhari’s unyielding focus and determination to fight it on all fronts.

 

For the avoidance of doubt, there is no way for the ICPC to be so pathetically uninformed, dis-informed and misguided on an issue as straight forward and well-publicized as the DSO NIGERIA project as the Okoduwa statement exposed if it had genuinely and independently carried out investigations into the project in general and the payment of N2.5 billion in particular which was so obviously the bone of dubious contention.

 

How could it not have known the correct meaning of NBC, for example, and be referring to the defunct Nigerian Broadcasting Corporation, long-forgotten precursor of the Federal Radio Corporation of Nigeria?

 

How could ICPC advertize its stark ignorance of the basic technical subject of the DSO being migration from analogue to digital terrestrial TELEVISION signal broadcasting and not TELEPHONE as its Okoduwa “fake news” declared? How could the ICPC which is supposedly so far gone in its investigations into DSO, NBC and Pinnacle Communications Limited, issue a public statement whose references are replete with fiction, fallacious figments of deliberate distortion and misrepresentation and other barely concealed prejudicial parodies of the well-documented pivotal and progressive role of Pinnacle Communications Limited in most eventful last four years of the chequered history of the DSO project?

 

Arguably, the most despicable aspect of the ICPC’s stupefying statement on so-called investigations into “misapplication” of N2.5 billion by the NBC is the manipulation of the narrative from update on investigation to speculative indictment by premeditated references to selected portions of “findings”.

 

Apart from the ICPC’s uncharacteristic recourse to EFCC-style trial-by-media which must be linked to the loss of “independence”, this again raises questions about the sources of the litany of lies and other misleading contents of the Okoduwa statement since neither NBC nor Pinnacle Communications Limited could have been the source.

 

In the corrective context of the Buhari Administration’s anti-corruption crusade, the mind-boggling matters arising from the ICPC/Okoduwa Statement constitute a rude awakening to the infiltration and hijacking of a major “fixer” in its arsenal by the “Disgruntled Saboteurs Organization”, targeting the Digital Switch Over, one of its high definition corrective achievements.

 

The loud silence of Madam Okoduwa and the ICPC over this scandalous case of collective culpability in out-sourcing its strategic core mandate to unpatriotic enemies of progress demands a drastic and decisive dose of defensive action, not just to save the DSO NIGERIA project but also to salvage the ICPC, now the weakest link in the war against corrupt practices, in action as well as intention.

HAMID HENDRIX, PUBLIC AFFAIRS COMMENTATOR, WROTE FROM ABUJA


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Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

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The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.

Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.

Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.

With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.

“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”

Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.

Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:

“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”

The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.

 


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Aig-Imoukhuede Foundation Wrapped Up 2025 with Real Change in Governance, Health, Media Across Africa

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Aig-Imoukhuede Foundation has announced its 2025 achievements, marking a year of accelerated impact, systemic reforms and innovation in public leadership and service delivery across Africa.

Aig-Imoukhuede Foundation Wrapped Up 2025 with Real Change in Governance, Health, Media Across Africa

Aig-Imoukhuede Foundation

A statement issued on Wednesday in Lagos said the foundation strengthened governance, improved primary healthcare, drove digital transformation and elevated media’s role in promoting public sector accountability.

It said the AIG Public Leaders Programme (PLP) trained 72 public sector leaders from Nigeria, Egypt, Tanzania, Cameroon, Zambia, Malawi and Kenya—its fastest growth to date—bringing the alumni network to 309.

These alumni are driving 237 reform projects to enhance public institutions, from faster decision-making to greater transparency, with nine promoted to higher roles for their contributions.

On civil service modernisation, the foundation accelerated digitalisation at the Office of the Head of the Civil Service of the Federation (OHCSF), streamlining 19 processes and achieving a 75 per cent increase in work speed through automated workflows.

It also trained over 400 officials from the Federal Ministry of Justice, Federal Civil Service Commission and Federal Ministry of Innovation, Trade and Investment in digital skills to support the FCCSIP 25 initiative and ongoing digital rollouts.

In healthcare, the Adopt-A-Healthcare-Facility Programme renovated four primary healthcare centres in Edo State, boosting antenatal visits by 73 per cent, immunisation coverage over 100-fold and fully vaccinating 554 children, while supporting 6,788 patients.

The foundation recognised 18 outstanding public servants with ₦500,000 each via the Emily Aig-Imoukhuede Endowment Awards and received a partnership award from the OHCSF for civil service reform efforts.

To empower media, it trained 50 journalists from top Nigerian media houses in impact storytelling, data analysis, visual and ethical reporting to better inform citizens on public sector changes.

Over five years (2021–2025), the foundation invested £2.6 million in PLP, saved ₦2.38 billion for the public sector through capacity building, trained 1,500+ civil servants, upskilled 660 digitally, trained 40 permanent secretaries and awarded 33 scholarships driving seven policy changes.

Other milestones include digitising 5,000 files, automating 333 processes, a 61 per cent efficiency gain, 60 per cent digital file creation at OHCSF, 128 excellence awards, 116 process reforms, 23 advocacy projects, 25 capacity initiatives, 18 podcasts, four healthcare articles, three policy papers, 23 adopted PHCs (four renovated) and 878+ fully immunised children aged 0–9 months.

Executive Vice Chair, Mr Aigboje Aig-Imoukhuede, said: “2025 was a year of real, measurable impact. From training hundreds of public servants to improving healthcare, helping ministries go digital, and equipping journalists to tell stories that matter, our work is making governments work better for citizens and communities across Africa.”


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Showmax Unlocks Easier Payments for Nigerian Subscribers via Baxi

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Showmax, Africa’s leading streaming service, has expanded its payment options in Nigeria through a partnership with Baxi by Onafriq, giving customers an easier and more convenient way to subscribe and stay connected to world-class streaming entertainment.

Started Monday, 22 December 2025, existing Showmax customers can log into the Baxi by Onafriq app, select and pay for any of Showmax plans including: Showmax Entertainment Mobile, Showmax Entertainment (All Devices), Showmax Premier League Mobile, Showmax Entertainment (All Devices) + Premier League Mobile, Showmax Entertainment Mobile + Premier League Mobile.

This update allows customers to complete their entire subscription process within the Baxi app, delivering a more efficient payment experience.

Alternatively, existing customers with verified mobile numbers can top up their Baxi by Onafriq app or through its Baxi POS agent device to load funds directly into their Showmax account. These funds can then be used to pay for a Showmax plan.

For new customers, subscribing is also seamless. After creating a Showmax account on their mobile device, they will receive an OTP via SMS or WhatsApp, which allows them to verify their mobile number and immediately return to the app to top up and activate their subscription.

Speaking on the announcement, Tope Oshunkeye, Executive Head of Marketing, West Africa, MultiChoice, said: “With these new payment options from Baxi by Onafriq, we are making streaming on Showmax more accessible, allowing our customers to pay quickly and securely through a trusted financial service provider. This is a significant step forward in our mission to deliver world-class streaming experiences for our customers”.

“This launch is about making entertainment access seamless,” said Mxolisi Msutwana, Managing Director, Anglophone West Africa, Onafriq. “By automating the renewal process, we are not only providing greater convenience for customers but also helping to drive the adoption of digital payments across Nigeria.”

With more people turning to digital services, Showmax is doubling down on its commitment to make it affordable and effortless for customers to access and stream the stories they love. By partnering with Baxi by Onafriq, a popular agent and digital payment network, Showmax is meeting subscribers where they already are.

Showmax, launched in 2015 and available in more than 40 markets across the continent, is a leading African streaming service. It offers a unique combination of original African content, first and exclusive international series, popular movies, premium documentaries and the best kids’ shows, plus a mobile-only product to watch the Premier League.

Onafriq is an omnichannel network of networks, making borders matter less by providing our partners with a single pathway to unlock the full power of cross-border and cross-platform payment solutions. With a network spanning 43 African markets, Onafriq connects over 1 billion mobile money wallets, 500 million bank accounts, and over 400,000 agents in Nigeria, enabling domestic and cross-border disbursements and collections, card issuing and processing, agency banking, and treasury services.

In Nigeria, Onafriq operates as a B2B payments enabler with an extensive agency banking network through its flagship product, Baxi. Baxi connects over 400,000 agents nationwide, offering essential financial services such as bill payments, airtime and data purchases, funds transfers, cash-in and cash-out transactions, and more, driving financial inclusion and providing seamless access to digital financial services for millions.

 


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