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M-Net Launches AfricaMagic Plus on DStv

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From Stand Up Zambia to Catwalk Kenya, from Idols to Living It, from Big Brother Africa 2 to Big Brother Africa 3. In the past 6 months M-Net has proudly continued to honor its African roots, investing heavily in African TV production.

Now there’s more. From June this year, DStv viewers will get greater African programming when M-Net launches its newest channel AfricaMagic Plus.

Focused on programming from East and Southern Africa, the launch of AfricaMagic Plus follows the success of the first AfricaMagic channel, which is and will continue to be primarily focused on content from West Africa; especially Nigeria which is the hub of the home video industry.

AfricaMagic launched in 2003 and since then, the channel has quickly become a buzzword on the continent. It’s widely popular with DStv audiences for its mix of African movies, series, talk-shows and specials, all made in Africa for Africa.

The result has been a growing audience demand that will be met with the start of AfricaMagic Plus.

Already the channel’s first month line-up is packed full with content from Botswana, Kenya, Tanzania, Uganda, Zambia and Zimbabwe, encompassing everything from comedy and drama to romance and adventure.

For M-Net’s Joseph Hundah, director of operations for sub-Saharan Africa, AfricaMagic Plus symbolizes growth and action.

"AfricaMagic was the very first channel of its kind anywhere on the continent and it has proven, every day since it began, that African audiences embrace African stories. With Africamagic Plus, we aim to partner with producers in East and Southern Africa and to offer an additional African focused channel."

Welcoming the launch of the new channel was Eben Greyling, MultiChoice Africa chief executive officer who said, "DStv is truly the home for African channels and original African content and we will continue to grow in quantity and depth of programming to service our subscribers in Africa."

Meanwhile, Hamida Suliman, head M-Net’s AfricaMagic division, is also excited about the new channel and the year ahead.

"AfricaMagic Plus has given us a new opportunity to showcase even more African talent. Our homegrown stars, our imaginative directors and our enterprising producers should be celebrated and this channel will allow us to do this, on a bigger scale."

Suliman goes on to encourage filmmakers and producers to send their work to AfricaMagic Plus.

"We are always on the lookout for relevant content and we welcome anyone who wants to make a submission. If you have content that you think is suitable, please do send it to us so we can view it and make a decision on whether to acquire it. You can contact us via on our website www.mnetafrica.com/africamagic."

According to additional information from Segun Fayose of MultiChoice Nigeria, Africamagic Plus will include a special ‘Bollywood’ slot on Sundays at 05:00 pm to test African demand for TV content made in India.

First and foremost though, Africamagic Plus will be focused on African content and will be available on DStv channel 115.

 


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DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

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Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.

The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.

In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.

He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.

The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.

Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.

He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.

He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.

Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.

Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.

The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.

The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.

 


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US invests $115m in counter-drone tech for World Cup security

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US invests $115m in counter-drone tech for World Cup security

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The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.

Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.

The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.

DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.


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Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

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The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.

Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.

Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.

With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.

“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”

Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.

Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:

“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”

The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.

 


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