Broadcasting
AFRIMA Seeks Covid-19 Palliatives for African artistes, Culture Industry Stakeholders

International Congress of the All Africa Music Awards (AFRIMA) has lent its voice to the advocacy for COVID-19 palliative measures for artistes and other practitioners in the music, culture and entertainment industries of Africa.

Mr. Rikki Stein, international advisor of AFRIMA
This is in awakening to a new economic and social reality as a result of the impact of the COVID-19 crisis on the African culture and creative industries.
This decision was reached during the two-hour Conference/Meeting of the International Congress of AFRIMA held via Zoom on Tuesday, August 11, 2020, with the theme; Post COVID-19 Developmental Gaps and Challenges in the African Music and Entertainment Industries: African Regions and Countries Perspective.
The entertainment industry of Africa is among the worst hit industries in the coronavirus crisis.
Stage and concert performances have been suspended, thereby affecting performance artistes, the technical production and support businesses where users can access entertainment without restriction thereby causing millions of dollars in ticket-sales losses and generating an unprecedented level of financial anxiety for artistes, event organizers and other behind-the-scenes workers who rely on events to make ends meet.
Mr. Rikki Stein, international advisor of AFRIMA who joined the Zoom conference from his base in the United Kingdom, opined that it would not be easy to predict when things would return to normal, even after the pandemic, “the world has undergone a major paradigm shift in the way of doing business especially in the entertainment industry.
Therefore, virtual shows won’t be a perfect financial substitutes for artistes who have lost touring income in the short term, buts online events provide a similar sense of co-presence and community for both artistes and fans”.
In his submission, Mr. Mike Dada, president and executive producer, AFRIMA stated, “The quickest, most direct way to support artistes and industry workers affected by shows, festivals and events cancellations is for both national and regional level funding programs to open to contributions from the general public.
Such programs can usually deliver funds to qualifying artists and other production support businesses for growth and sustenance”.
Other Congress members also voiced their support for creative industry focused solutions to support and help needy musicians and other stakeholders.
Reacting, Ms.Angela Martins, head of Culture Department, African Union Commission, (AUC), who joined the meeting from the AU Headquarters in Addis Ababa revealed some of the plans underway to support the industries.
“I wish to inform the meeting that the African Union held a virtual forum of Ministers for Culture and Creative Industries in Africa and there are some countries providing support to artists already.
The final communiqué of the Virtual Meeting of Ministers includes a call for all AU Member States to provide this much needed support to artists.
She added, “The African Union Commission is currently in collaboration with the African Export and Import Bank (AFREXIM Bank) in developing a scheme to request Member States to provide these grants for artists and relevant creative industry stakeholders”
Ms.Martins concluded that the AU would be open to work with AFRIMA to bring much needed relief to the creative and culture sectors of Africa
The conference saw the turnout of members of the International Congress of AFRIMA who collectively make up the International Committee of AFRIMA, the International Jury of AFRIMA and the International Production Committee of AFRIMA.
These distinguished professionals in various sectors of the music, culture and production industries of Africa and other parts of the world linked into the conference from countries such as Benin Republic, Cameroon, DRC, Egypt, Ethiopia, France, Gambia, Ghana, Ireland, Kenya, Mali, Morocco, Mozambique, Nigeria, South Africa, Tanzania, Togo, United Kingdom, USA and Zimbabwe, among others
In partnership with the African Union Commission, AFRIMA is a youth-focused music property that celebrates Africa, recognizes and rewards the work and talents of myriad of African artists across generations.
AFRIMA is committed to the stimulation of conversations among Africans and between Africa and the rest of the world about the potentials of the cultural and creative economy for real enterprise on the continent, contributing significantly to social cohesion and continental integration as well as sustainable economic growth and development in Africa by lending its voice to promotion of education and campaign against extreme poverty and preventable.
Broadcasting
NIPR Postpones Maiden PRICE Awards to January 25, 2026

Nigerian Institute of Public Relations (NIPR) has announced the postponement of its maiden annual Public Relations, Reputation, Ideas, Concepts and Excellence (PRICE) Awards and Prizes to January 25, 2026.

NIPR
The event, earlier scheduled for December 7, 2025, was deferred to accommodate stakeholders whose observance of Christmas festivities had commenced earlier than expected.
Chairman of the Organising Committee, Mr. Israel Opayemi, urged stakeholders to note the new date and prepare to participate in the ceremony.
He said the awards would motivate professionals, practitioners and scholars, while enhancing Nigeria’s global competitiveness in the public relations ecosystem and strengthening brand equity for all stakeholders.
Opayemi reaffirmed the Committee’s commitment to delivering a best-in-class award administration and ceremony, describing the PRICE Awards as a credible and enduring platform to identify, celebrate and elevate outstanding individuals, campaigns and organisations shaping the public relations landscape across sectors.
The development of the PRICE Awards peaked in September 2025 when the NIPR President and Chairman, Council, Dr. Ike Neliaku, inaugurated a 12-man committee to organise the maiden edition. The inauguration followed the Council’s adoption of the report of a technical team tasked with establishing the awards.
Broadcasting
Netflix Seals $82.7bn Deal to Acquire Warner Bros., HBO Max

Netflix has announced a landmark agreement to acquire Warner Bros. and HBO Max in a transaction valued at $82.7 billion, a move analysts say will reshape the global entertainment industry.

Netflix
The deal, which includes Warner Bros.’ film and television studios, HBO, HBO Max, and Warner Bros. Games, was unanimously approved by the boards of both companies. Under the terms, Warner Bros. Discovery (WBD) shareholders will receive $23.25 in cash and $4.50 in Netflix shares for each WBD share.
Netflix co-CEO Ted Sarandos described the acquisition as “a defining moment” for the streaming giant, noting that the company intends to maintain Warner Bros.’ current operations while expanding its production capacity.
“By combining Warner Bros.’ incredible library of shows and movies with Netflix’s culture-defining titles, we can give audiences more of what they love and help define the next century of storytelling,” Sarandos said.
The transaction is expected to close within 12 to 18 months, following the planned spin-off of WBD’s TV networks division, Discovery Global, in 2026. Netflix projects annual cost savings of $2–3 billion by the third year after completion and expects the deal to be accretive to earnings per share by year two.
Industry groups, including the Directors Guild of America and Cinema United, have raised concerns about the impact on movie theaters, while regulators are expected to scrutinize the deal over antitrust issues. Netflix has pledged to continue supporting theatrical releases, with Warner Bros.’ cinema commitments running through 2029.
Warner Bros. Discovery CEO David Zaslav hailed the agreement, saying it “combines two of the greatest storytelling companies in the world to bring to even more people the entertainment they love.”
Observers note that the acquisition comes 15 years after former Time Warner chief Jeff Bewkes dismissed Netflix as “the Albanian army,” underscoring the dramatic shift in the entertainment landscape.
Broadcasting
It is Official, DStv Confirms Termination of 16 Major Channels

A major shake‑up rocks viewers and subscribers of DSTV/GOTV as many channels are set to shut down and be removed on January 1, 2026.

The trigger for the upcoming shut‑down is a breakdown in negotiations between the owners of multiple global channels and the pay‑TV operator.
As of December 2025, the deal between Warner Bros. Discovery (WBD) and DStv/GOtv has expired and the two parties have not reached a renewal agreement.
Without a new carriage/distribution agreement, the channels belonging to WBD risk being pulled off the DStv/GOtv line‑up.
This is the most significant content cutback the service has seen in years.
The affected channels are:
Discovery Channel
TLC
Cartoonito
Cartoon Network
CNN International
Food Network
The Travel Channel
TNT
Investigation Discovery
Real Time
HGTV
Discovery Family
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