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Nigeria’s Burna Boy, Tanzania’s Diamond Platnumz Lead the Pack in MAMA Kampala 2021

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The second list of nominees for the upcoming MTV Africa Music Awards Kampala 2021 (MAMA) on 20 February spotlights Nigeria’s Burna Boy and Tanzania’s Diamond Platnumz who top the list with three nominations each.

Five talented African musicians – Innoss’B, Master KG, Nomcebo Zikode, Simi, and Wizkid – also topped the second nominees list with two awards each.

Consistent to previous MAMAs, category announcements are phased over several weeks in lead up to the main event on 20 February. The six categories in total announced in the second round of nominations comprise – Best Collaboration, Best Alternative, Best Fan Base Award, Best International Act, Personality of the Year and Song of the Year.

The remaining three categories – the MAMA Legend Award, the Video of the Year Award and the MAMA Generation Change Award – will be revealed on the night of the MAMA Kampala 2021.

Monde Twala, Senior Vice President and General Manager at ViacomCBS Networks Africa (VCNA) said, “Congratulations to all our nominees who have been recognised as we build up to the MAMA Kampala 2021 virtual awards ceremony. African artists deserve the recognition and must be celebrated for their commitment and dedication in driving the power of creativity and music to inspire the youth on the continent to take African culture to the world.”

For the category of Best Collaboration, Burna Boy was nominated twice, for his song ‘Monsters You Made’, with global artist Chris Martin, and with South Africa’s Master KG and Nomcebo Zikode for ‘Jerusalema Remix’.

Diamond Platnumz also made this list with his collaboration with Innoss’B, ‘Yope Remix’. Other nominees in this category include Yemi Alade and Angelique Kidjo for ‘Shekere,’ Wizkid and H.E.R. for ‘Smile,’ and ‘Already’ by Beyoncé, Shatta Wale and Major Lazer.

The Best Alternative category features some of the continent’s most successful alternative artists, including Nigeria’s Adekunle Gold and Simi; Ami Faku, who hails from South Africa; Ghana’s Amaarae; AfrotroniX from Chad and Kenya’s Matata.

The most highly contested category is the Song of the Year, which features 12 nominees in total, including artists from South Africa, Kenya, Nigeria, the Democratic Republic of Congo, Uganda, Tanzania, and São Tomé and Príncipe.

Equally a heated contest category is the Best Fan Base Award which features a diversity of 10 nominations across the continent from eight countries to compete for fan favourite.

“Uganda, the Pearl of Africa, is excited to bring the best of Africa’s musical talent to the world,” noted The Honourable Godfrey Kiwanda, State Minister for Tourism Uganda. “It is an honour to be part of the MAMA Kampala 2021 and support its commitment to the growth of African music. This is also a great opportunity for Uganda to share its heritage and culture beyond music to its people, landscapes, wildlife and history.”

The nominees are selected by the MAMA Kampala 2021 Academy, an esteemed group of music industry, opinion formers and tastemakers from across the African continent who are tasked with selecting the very best of African talent who have received airplay on MTV Base over the previous year. In addition, the nominees they select must bring Africa’s culture, music and pulse to a global audience and serve as an inspiration to the youth.

Voting for MAMA KAMPALA 2021 is open at www.mtvmama.com, and affiliated Twitter, Facebook and Instagram accounts. Voting in all categories closes on 31 January 2021.

The MTV Africa Music Awards Kampala 2021 will be broadcast on MTV Base (DStv Channel 322) and MTV Africa (DStv Channel 130) on Saturday 20 February 2021 at 20:00 WAT / 21:00 CAT / 22:00 EAT. The show will also be aired on MTV channels across multiple continents as a one-hour MAMA-themed MTV World Stage feature.


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DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

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Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.

The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.

In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.

He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.

The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.

Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.

He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.

He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.

Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.

Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.

The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.

The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.

 


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US invests $115m in counter-drone tech for World Cup security

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US invests $115m in counter-drone tech for World Cup security

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The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.

Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.

The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.

DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.


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Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

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The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.

Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.

Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.

With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.

“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”

Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.

Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:

“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”

The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.

 


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