Broadcasting
Paradigm Initiative Opens Portal for DRIF21 Registration
Paradigm Initiative has announced the opening of registration for the Digital Rights and Inclusion Forum, 2021 starting on Monday, January 18th to Thursday, February 18th, 2021.
DRIF21 will run from April 12th to 30th, 2021 with a series of virtual and in-person country interactions in 12 African Countries.
DRIF is an important platform where conversations on digital policy in Africa are shaped, policy directions debated and partnerships forged for action. It hosts diverse skills and capacities for enhancing digital rights and inclusion within the African continent and beyond.
“In this 8th edition, PIN looks forward to co-hosting 12 in-person DRIF21 sessions with 13 partners in the following countries; Somalia, Ethiopia, Uganda, South Sudan, Kenya, Tanzania, Chad, Nigeria, Namibia, Cameroon, Zambia, and the Central African Republic”, says PIN Community Manager, Thobekile Matimbe.
“This will be an extraordinary platform so timely in these COVID-19 times when deliberations on digital rights and inclusion have become most urgent”, she added.
DRIF21 will commence with a Virtual Open Day on April, 12th 2021, followed by a series of in-person sessions, and end with virtual closing sessions on April 28th, 29th, and 30th, 2021.
This will be a distributed multi-country festival! Paradigm Initiative is pleased to announce its partnership with the following organisations hosting in-person sessions for DRIF21;
Digital Shelter in Somalia, Consortium of Ethiopian Human Rights Organisations in Ethiopia, Digital Human Rights Lab in Uganda, Koneta Initiative in South Sudan, Zaina Foundation in Tanzania, Internet Society Chad Chapter, Conseil des Panafricanistes du Tchad in Chad, Namibia Digital Foundation in Namibia, Internet pour tous en Centrafrique in Central African Republic, TechHerNigeria, Premium Times Centre for Investigative Journalism, A&E Law Partnership and Edunovative Concept, and Consultancy in Nigeria.
In-person sessions will only be attended by a limited number of participants within the specific countries in line with COVID-19 in-country guidelines and live-streamed on social media platforms.
In extending the DRIF21 conversations globally, PIN is also excited to partner with a diverse range of virtual session hosts including Media Defence, the Global Network Initiative, AIRA, CIPESA, and the University of Connecticut Human Rights Institute.
PIN invites diverse businesses, civil society, the technical community, academia, government, and private sector to register to attend these enriching engagements on the following platform https://drif.paradigmhq.org/ registration/.
For inquiries on attending in-person country sessions, please email [email protected].
Uchenna Mbunabo, Nigerian filmmaker, has raised concerns over the alleged unauthorised broadcast of Nollywood films by some Ghanaian television stations, calling on Ghana’s National Film Authority (NFA) to strengthen the enforcement of copyright laws.
Uchenna Mbunabo, Nigerian filmmaker
Mbunabo made the remarks during a conversation with James Gardiner, deputy CEO of the National Film Authority (NFA) of Ghana.
He questioned whether it was permissible for television stations in Ghana to download Nigerian movies from YouTube and air them without obtaining permission from the producers.
“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalised in your country for TV stations to go on YouTube, download people’s sweat and show it for free?”
According to Mbunabo, some Ghanaian television stations have been downloading newly released Nollywood films from YouTube and broadcasting them without authorisation, depriving producers of revenue generated through the platform.
He also stated that he had not witnessed Nigerian television stations engaging in similar practices and questioned what measures Ghana was taking to protect filmmakers’ intellectual property.
Responding to the concerns, Gardiner acknowledged that the issue exists and said the National Film Authority had begun engaging relevant stakeholders to address it.
He disclosed that the NFA has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC) on improving copyright enforcement.
Gardiner explained that while Ghana has copyright laws, enforcement remains challenging because many television stations now operate digitally and may not have physical offices within the country.
“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital.”
He added that authorities are considering a new licensing framework that would require broadcasters to undergo a fresh licensing process to improve monitoring and enforcement.
According to Gardiner, television stations found guilty of illegally broadcasting copyrighted content would be required to compensate affected producers through fines.
He added that repeat offenders could face suspension of their broadcasting licences, while a third violation could result in the revocation of their licences.
Although he did not provide a specific timeline, Gardiner said the reforms were already underway and expressed hope that significant progress would be seen next year.
Mbunabo welcomed the proposed measures but urged the National Film Authority to expedite the process, stating that unauthorised broadcasts continue to affect filmmakers’ ability to recover production costs through legitimate distribution channels such as YouTube.
He also stressed that his comments were not directed at Ghana’s film industry, noting that he has worked with several Ghanaian actors over the years and supports collaborations between Nollywood and Ghallywood.
Broadcasting Organization of Nigeria (BON) has established six committees to help strengthen and modernize the country’s broadcasting industry.
The committees will focus on content creation, skills development, digital transformation, sustainability, policy and commercial opportunities
The initiative aims to support industry growth and improve collaboration between broadcasters, regulators and media experts
The official launch recently, was led by Tony Akiotu, president, BON and attended by media professionals, program directors, former journalists and heads of specialized media organizations.
The event brought together several prominent figures in Nigeria’s media industry, including veteran broadcaster and trainer Bimbo Oloyede, Tony Uyah of M4S TV, Kingsley Uranta of Channels Television, Ismael Sani of Platinum TV and Ibrahim Shehu of Trust TV.
Together, they are expected to help drive innovation and support the growth of Nigeria’s broadcasting sector.
According to Akiotu, the committees are intended both to help shape industry policy and to provide a forum for dialogue between BON and broadcasting experts.
Akiotu said the ad hoc committees were intended to strengthen BON’s work and ensure that the umbrella body for Nigeria’s broadcasters played a more direct and meaningful role in developing the country’s broadcasting sector.
The six committees reflect the sector’s main priorities. The first focuses on collaboration and innovation to promote content creation.
The second is dedicated to training and talent development, while the third focuses on industry sustainability by improving the sector’s long-term financial viability.
A fourth committee will focus on digital transformation and work with the National Broadcasting Commission (NBC) on regulatory issues.
The remaining two committees will oversee public policy advocacy and the development of sports and commercial rights to help broadcasters increase revenue and attract more investment. Together, the committees are expected to guide BON’s efforts to modernize and strengthen Nigeria’s broadcasting industry.
The committees, chaired by members of BON’s General Assembly and supported by the organization’s Secretariat, have an initial 12-month mandate that may be renewed if necessary.
They are required to submit a progress report within three months and implement approved recommendations within the following six months.
The arrangement is intended to ensure close oversight and the timely implementation of their work.
Akiotu also reminded committee members that Nigeria pioneered television broadcasting in Africa and urged them to carry out their work with greater effectiveness and efficiency.
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